Today, we introduce a few of the artists and activists energizing the 2023 Art Prospect & TRASH-5 Festival in Kyrgyzstan. They give voice to the issues, ideas, and intentions that shape their truly creative approaches to mitigate pollution. Their projects illuminate the potential for artists everywhere to build community and drive sustainable solutions to our global environmental crisis.
From the city of Bishkek to the settlement of Altyn Kazyk, we discover myriad ways that socially engaged artists encourage awareness and action. They bring us together from around the world to experience, understand, and create true moments of beauty and meaning—giving us hope for a future that holds clean air, land, and water.
Acknowledgement: In Fall 2023, Cathy Byrd recorded the voices in this episode during her residency with CEC ArtsLink in Central Asia.
Sound Design and Engineering: Anamnesis Audio
Featured Voices: Sto Len, Ronja Roemmelt, Mishiko Solakauri, Begimai Zhunusova, Ellen Harvey, Bermet Borubaeva, Aimeerim Tursalieva
Special Thanks to the Bishkek Sanitary Landfill—Director Nurlan Djumaliev, Head of Municipal Enterprise Section Arzykulov Almaz Toktomukhanmedovich, Landfill Museum Co-Curator Samat Marso
Special Audio: Live musicians performance at the People’s Landfill Museum and the Bandistan Ensemble
Related Episodes: Public Water—with Mary Mattingly, Topical Playlist—Sustainability and the Environment
Related Links: CEC ArtsLink, Art Prospect & TRASH-5 Festival 2023, Tazar, EU Compliant Landfill to Open in Bishkek
Today, we take you to St. Louis, Missouri, in the United States of America. Home of the Gateway Arch, an Emblem of Manifest Destiny, at the confluence of the Mississippi and Missouri rivers. Emblem of Manifest Destiny. St. Louis is nicknamed “‘Mound City”’ because of the number of earthworks built by Indigenous peoples there, before the westward expansion of colonizers conspired to flatten them. Where caves beneath the city sheltered freedom seekers traversing the Underground Railroad in the mid-1800s. Where, from 1959 to 1972—in the span of less than 20 years—residents of the historically Black neighborhoods Mill Creek Valley and Pruitt-Igoe Homes were displaced in the name of urban development and public safety.
Where, in 2014, the Black Lives Matter movement coalesced. Nearly a decade later, in the year 2023, current events reveal that in this city and this state, the sanctity of civil and human rights remains tenuous on every level.
What role can a public art triennial play in such a troubled context?
A microcosm of the disruptive forces at play in cities across the United States today, St. Louis offers fertile ground for creative interventions that are healing—restorative in nature.
The civic exhibition Counterpublic takes on the challenge. To prepare for the 2023 event, the triennial’s home team committed to a year of listening sessions with a range of public constituents. A report integrated into the exhibition catalogue outlines local interest in holistic engagement with public memory, commemoration, and acknowledgement; the rematriation of Indigenous land; and reparative futures. In response, for three months, thirty projects animate the urban landscape along six miles of Jefferson Avenue.
In this episode, we follow that throughway from south to north to share healing elixirs healing we discover at the heart of seven Counterpublic projects along the way. Listen to the ways they honor and amplify strength, beauty, and hope at the core of reemergent cultural histories in St Louis.
Story: Cathy Byrd
Sound Design: Anamnesis Audio
Special Audio courtesy Nokosee Fields, X, Raven Chacon, Stefani Jemison, Griot Museum of African American History, Torkwase Dyson, Mendi and Keith Obadike, SlowDrag audio "Joy and Everything," remixed by K Kudda, and Counterpublic, Mood Unit by by Blue Dot Sessions
Related Episodes: Model Behavior—New Orleans Art Triennial Inspires Other Cities, Where Art Meets Activism, Unsettled Landscapes at SITE Santa Fe
Related Links: Counterpublic, Fresh VUE: Counterpublic St. Louis 2023
In February 2023, we travel to the United Arab Emirates for the first time. We’re here to witness and celebrate Sharjah Biennial 15: Thinking Historically in the Present. Four years in the making, the exhibition is ambitious and expansive. More than 100 artists from 70 countries are presenting projects in 19 venues across the emirate.
One afternoon, we wander through Sharjah’s heritage area to Bait Obaid Al Shamsi, the personal residence of a local pearl merchant and his family from the mid-19th century until the 1970s. In a small courtyard outside his multi chambered installation, we meet artist Shiraz Bayjoo to talk about how his project engages history—a pervasive theme in this Biennial.
The artist shares the storied past of the Indian Ocean and the island archipelagos of Mauritius and Madagascar, off the southeast coast of Africa. Keep listening to hear the orientalist tropes that he disrupts in Searching for Libertalia, a project that recovers the history of a purported pirate colony founded in the late 17th century.
Our conversation with Shiraz Bayjoo reveals one artist’s approach to Thinking Historically in the Present. Searching for Liberatalia materializes a cultural narrative that might come closer than real history to showing us the way through rupture, dislocation, and uncertainty to a place of growth and renewal.
Story: Cathay Byrd
Sound Design: Anamnesis Audio
Special Audio: Searching for Libertalia, Sharjah Biennial 15
Related Episodes: Sharjah Biennial 15—with Hoor Al Qasimi
Related Links: Shiraz Bayjoo, Sharjah Biennial 15, Searching for Libertalia
In February 2023, we travel to the Arab Emirates for the first time. We’re here to witness and celebrate Sharjah Biennial 15: Thinking Historically in the Present. Four years in the making, the exhibition is ambitious and expansive. More than 100 artists from 70 countries are presenting projects in 19 venues across the emirate. Seventy of those projects are new commissions.
The memory and influence of Nigerian born art historian, author, educator, and curator Okwui Enwezor is deeply felt, despite his physical absence. The Sharjah Art Foundation had invited Enwezor to curate this iteration of the biennial. He envisioned the exhibition title before his death in 2019.
Sharjah Art Foundation Director Hoor Al Qasimi was 22 years old when she met Okwui Enwezor and experienced his non-western curatorial model at documenta 11, in Kassel, Germany. Enwezor’s impactful perspective on postnational hybridity and global modern identity inspired Al Qasimi to lead the Foundation and the Biennial in new directions.
On the 30th anniversary of the Biennial, we sit down with Al Qasimi to talk about the inclusive ethos that we find in the art experience of Thinking Historically in the Present.
Story: Cathy Byrd | Sound Design: Anamnesis Audio
Special Audio: Hassan Hajjaj with Mestre Pastel, Open Capoeira Session, Arts Square, Sharjah
Related Episode: New Point of View at Venice Biennale
Related Links: Sharjah Biennial 15, Sharjah Art Foundation, documenta 11, 2nd Johannesburg Biennial
In 2022, members and guests of the International Association of Curators of Contemporary Art (IKT) travel from around the world to Kentucky, in the Appalachian region of the United States. The uninitiated might consider this a remote context for conversations around international contemporary art. Instead, we find Appalachia a nuanced cultural and geographic space.
The third episode in our IKT Kentucky series explores the evolving and inclusive concept of “Global Appalachia” presented during IKT’s 2022 gathering. Generations of curators, poets, and artists from a world of cultures have found their way across time and space to build communities in this region. Here and now, Global Appalachia is where their 21st century contemporaries continue to shape a boundless future, with a diverse array of perspectives on the meaning of home and tradition.
Sound Design: Anamnesis Audio
Music:
Delving the Deep by BlueDot Sessions,
Gettie's Wash by Blue Dot Sessions,
Tan Mountain by Blue Dot Sessions
Voices, in order of appearance: Rebecca Adkins Fletcher, Frank X Walker, Elizabeth Mesa-Gaido, Vian Sora, Ceirra Evans, Anissa Lewis, Hannah Drake, Karlota Contreras Koterbay, Erin Lee Antonak
Related Episodes: Curators Declare Independence at IKT Kentucky, The Lure of Local Arts in Appalachia
Related Links: Rebecca Adkins Fletcher, Frank X Walker, Elizabeth Mesa-Gaido, Vian Sora, Ceirra Evans, Anissa Lewis, Hannah Drake, Karlota Contreras Koterbay, Erin Lee Antonak, IKT Kentucky Global Appalachia Symposium, International Association of Curators of Contemporary Art, Speed Museum, Great Meadows Foundation
In 2022, members and guests of the International Association of Curators of Contemporary Art make their way to Kentucky, in the United States. Our first days are packed with urban experiences — museum, gallery, private collection, and studio visits, a symposium — and sunset tours of two outdoor sculpture collections.
A small group continues the adventure on a road trip that takes us to the far eastern edge of Kentucky. As we cross the state, we learn firsthand the challenges of growing up and producing culture in the region. We bear witness to creative resilience and community in remote spaces and places in Appalachia. We bear witness to creative resilience and community in remote spaces and places where rich stories are told through art, film, music, and theater.
Voices: Orlando Maiike Gouwenberg, Jessica Bennett Kincaid, Carolina Rubens, Jeff Chapman Crane, Sharman Crane, Kate Handslik
Sound Design: Anamnesis Audio
Music: Danver County by Blue Dot Sessions
Earl Gilmore - This Little Light of Mine, on “From the Depths of my Soul,” 1977, June Appal Recordings
Nimrod Workman & Phyllis Boyens - I am a Travelin' Creature, on “Passing Through the Garden," 1974, June Appal Recordings
Pigmeat Jarret – Look at the People (Little Girl), on “Look at the People,” 1979, June Appal Recordings
Ralph Stanley – I am a Man of Constant Sorrow
Sarah Kate Morgan - Goodbye My Honey I'm Gone, on “Old Tunes & Sad Songs," 2022, self-released
Sparky Rucker – Come on in my Kitchen, on “Cold & Lonesome on a Train,” 1977, June Appal Recordings
Special Sound: Stranger with a Camera, Elizabeth Barrett, 2000 Appalshop; Shift Change, Higher Ground Theater, 2021
Related Episodes: Sounds of Berlin, Cultural Complexity in Miami’s Little Haiti, Key West: Creativity at the End of the Road, Mapping Caribbean Cultural Ecologies
Related Links: Association of International Curators of Contemporary Art, Great Meadows Foundation, Appalshop, June Appal Recordings, Higher Ground Theater, Valley of the Winds Gallery, Mine Portal 31
With six independent curators, we explore a growing trend in the field of contemporary art. We discover that the covid epidemic and a global economic recession have not weakened their resolve to navigate the field on their own terms. Viewing challenges as opportunities, these women are channeling their creative freedom into projects that maximize resources and engage new communities.
What sparked this story: In September 2022, the International Association of Curators of Contemporary Art welcomed more than 40 new members during IKT’s annual Congress in Kentucky. Most are independent curators. Listen to find out what motivated this shift.
Featuring: Monique Long, Juste Kostikovaite, Lindsey Cummins, Amethyst Rey Beaver, Sarah Burney, Claire Schneider
Sound Design: Anamnesis Audio
Music: Danver County by Blue Dot Sessions
Related Episodes: International Curators Champion Creative Resilience, Curators Consider Climate Change, Curating in a Time of Global Change
Related Links: International Association of Curators of Contemporary Art, Great Meadows Foundation, Monique Long, Juste Kostikovaite, Lindsey Cummins, Amethyst Rey Beaver, Sarah Burney, Claire Schneider, KMAC Museum, Benham School House Inn
“This Persian Garden Project will be providing visitors with a private, yet public environment in which to engage important social and cultural issues by gathering and gardening through conversations, screenings, readings, and communal performances. I’m imagining it as a hub for activism and healing—a home for all marginalized, mediated, untold, and less celebrated stories.”
Bahar Behbahani, 2021
The art of Brooklyn-based artist Bahar Behbahani responds to the history and character of the complex landscapes that surround her—reflecting on her cultural origins and immigrant experience. Conversations with the artist across time reveal how she has immersed herself in the form, poetry, and politics of the Persian garden. Now, her vision extends to designing and programming a public environment for activism and healing where she aims to engender a communal sense of hospitality, resistance, and resilience. When Behbahani reaches her goal, a new Persian garden will flourish in Manhattan—cultivated by the hands and minds of artists and historians, thinkers and doers from cultures around the world that call New York City home.
Sound Design: Anamnesis Audio | Special Audio: Bahar Behbahani, Suspended (2007) and All Water Has a Perfect Memory (2019), courtesy the artist
Related Episodes: The Awakening, Bahar Behbahani on Politics and Persian Gardens
Related Links: Bahar Behbahani, Ispahan Flowers Only Once (2019-ongoing), All Water Has a Perfect Memory/Wave Hill Public Garden, 9/11 Memorial
“In a way, I've always been working on the edge of both a larger dominant society engagement and a deep engagement with my communities. My focus is really digging deep into blackness.”
Andrea Fatona, 2021
Toronto-based curator and scholar Andrea Fatona has been addressing institutionalized racism on her own terms since the 1990s. Our conversations across time reveal the depth of her commitment to making visible the full spectrum of Black culture in Canada. Engaging with Black communities to build an online repository while addressing algorithmic injustice, she and her collaborators are illuminating the work of Black Canadian cultural producers on the global stage.
Sound Design: Anamnesis Audio
Special Audio: Hogan’s Alley (1994), courtesy Vivo Media Arts, Andrea Fatona and Cornelia Wyngaarden and Whitewash (2016), Nadine Valcin, courtesy the artist
Related Episodes: The Awakening, New Point of View at the Venice Art Biennale
Related Links: The State of Blackness, Andrea Fatona/OCADU, Vivo Media Arts, Okui Enwezor, All the World’s Futures/56th Venice Art Biennale, Cornelia Wyngaarden
What is The State of Blackness?
The State of Blackness website shares digital documentation of a 2014 conference that took place in Toronto, Canada. The State of Blackness: From Production to Presentation was a two-day, interdisciplinary event held at the Ontario College of Art and Design University and Harbourfront Centre for the Arts. Artists, curators, academics, students, and public participants gathered to engage in a dialogue that problematized the histories, current situation, and future state of Black diasporic artistic practice and representation in Canada. The site is now expanding to serve as a repository for information about ongoing research geared toward making visible the creative practice and dissemination of works by Black Canadian cultural producers from 1987 to present.
What is Algorithmic Injustice?
Algorithms come into play when you do a search on the internet, taking keywords as input, searching related databases and returning results. Bias can enter into algorithmic systems as a result of pre-existing cultural, social, or institutional expectations; because of technical limitations of their design; or by being used in unanticipated contexts or by audiences who are not considered in the software's initial design.
With American-born artist Mary Mattingly, we delve into her collaborative environmental interventions over time. We remember the 2015 Havana Biennial when rainwater nourished Pull, a pair of geodesic dome eco-systems through which she engaged locals. We follow her rising interest in water to Swale, a co-created edible landscape on a barge that navigated New York City’s waterways, offering free fresh food to visitors when docked at public piers. And we contemplate the Year of Public Water that Mattingly launched with More Art in 2020. Emblematic of water issues that challenge public health the world over, the New York City story reminds us that clean water is a shared responsibility—a basic human right that we must invest in and protect.
Related Episodes: The Awakening, Mary Mattingly on Human Relationships with Nature, Topical Playlist: Sustainability and the Environment
Related Links: Mary Mattingly, Pull, Swale, Public Water, More Art
Mary Mattingly is a visual artist based in New York City. This episode explores three of her eco-sensitive projects.
Pull was co-created for the International Havana Biennial with the Museo Nacional de Bellas Artes de la Habana and the Bronx Museum of the Arts, two spherical ecosystems that were pulled across Habana to Parque Central and the museum.
Swale, an edible landscape on a barge in New York City, docked at public piers for public engagement. Following waterways common laws, Swale circumnavigated New York's public land laws, allowing anyone to pick free fresh food. Swale instigated and co-created the "foodway" in Concrete Plant Park, the Bronx in 2017. The "foodway" is the first time New York City Parks is allowing people to publicly forage in over 100 years. It's currently considered a pilot project.
Public Water (2020-2021) is a multiform project and installation that brings attention to New York City’s intricate drinking water system and the communities who steward upstate watersheds and drinking water sources. With this project Mattingly emphasizes the human care that goes into having access to clean water and calls for more reciprocal relationships among our neighboring communities and the planet. The project includes a digital campaign, education initiatives, and a large-scale, public sculpture installation taking place June 3 – September 7, 2021 at the Grand Army Plaza entrance to Prospect Park in Brooklyn. In addition, to keep this essential conversation going with park visitors into the future, the Prospect Park Alliance has commissioned Mattingly and More Art to produce a walking tour through the Park’s watershed, designed in connection with the launch of ecoWEIR, a natural filtration pilot project for the Park’s manmade watercourse. NYC-based More Art, a non-profit organization that generates socially engaged public art projects, commissioned Public Water.
Today’s story takes place at the intersection of art and the First Amendment. This vital element of the United States Constitution protects our right to freedom of expression, by prohibiting lawmakers from restricting the press or the rights of individuals to speak freely.
Artist Sheryl Oring took up this cause célèbre in 2004. In conversations across time, we trace her synthesis of art and free speech in a public performance project that quite naturally, has no end in sight. As long as there is democracy in the United States, there will be opportunities to voice opinions about the U.S. presidency, about social justice, the economy, public health, globalization, climate change, education, and more.
What would YOU wish to say to the U.S. President?
Let us know on Instagram: @freshartintl #iwishtosay
Sound Editor: Anamnesis Audio | Special Audio: Sheryl Oring on ABC World News Tonight, 2004; Sheryl Oring at Washington and Lee University, 2018; I Wish to Say with University of Michigan and Wayne State University students, 2020; Lisa Bielawa, Voters’ Broadcast, 2020
Related Episodes: Where Art Meets Activism, Topical Playlist: Art and Politics, Charles Gaines on Philosophy and Politics in Conceptual Art, Bahar Behbahani on Politics and Persian Gardens
Related Links: Sheryl Oring, I Wish to Say, Activating Democracy (the book), The First Amendment Project, Oakland, CA, Creative Capital Foundation, W&L Quick Hit: Sheryl Oring Performs I Wish to Say, Sheryl Oring on ABC World News Tonight, I Wish to Say Archive, University of Michigan, Democracy & Debate Theme Semester, Stamps Gallery, Lisa Bielawa, Voters’ Broadcast, Mauer Broadcast with Lisa Bielawa, The Berlin Wall
Jillian Hernandez gives voice to girls and women of color in her 2020 book Aesthetics of Excess: The Art and Politics of Black and Latina Embodiment. In this episode, you’ll hear how she has been delving into the “aesthetic hierarchies” of femme culture for more than a decade. Research, critical writing, and personal experience come together to enrich this vividly illustrated book. Hernandez shares a few stories of her own fraught adolescence, along with those of Women on the Rise!, a community of teenage girls for whom she and local artists created opportunities to collide with art, through the Museum of Contemporary Art, North Miami.
Sound Editor: Anamnesis Audio | Special Audio: Chonga Girls, “Chongalicious,” Crystal Pearl Molinary, “Off the Chain”
Related Episodes: Puerto Rico Rising—Resisting Paradise, The Awakening, Topical Playlist—Art and Feminism
Related Links, Jillian Hernandez, University of Florida, Duke University Press, Women on the Rise!, Museum of Contemporary Art, North Miami
Jillian Hernandez, a Miami native, is currently Assistant Professor in the Center for Gender, Sexualities, and Women’s Studies Research at the University of Florida. She is a transdisciplinary scholar interested in the stakes of embodiment, aesthetics, and performance for Black and Latinx women and girls, gender-nonconformists, and queers. In 2020, Hernandez completed her first book, Aesthetics of Excess: The Art and Politics of Black and Latina Embodiment, through Duke University Press. She is developing other book-length projects on the radical politics of femme of color art and performance and Latinx creative erotics, ontologies, and relationalities. Hernandez received her Ph.D. in Women’s and Gender Studies at Rutgers University and teaches courses on racialized girlhoods, Latinx sexualities, theories of the body, social justice praxis, and cultural studies. Her scholarship is based on and inspired by over a decade of community arts work with Black and Latinx girls in Miami, Florida, through the Women on the Rise! program she established at the Museum of Contemporary Art in North Miami, in addition to her practice as an artist and curator. via University of Florida
Aesthetics of Excess: Heavy makeup, gaudy jewelry, dramatic hairstyles, and clothes that are considered cheap, fake, too short, too tight, or too masculine: working-class Black and Latina girls and women are often framed as embodying "excessive" styles that are presumed to indicate sexual deviance. In Aesthetics of Excess Jillian Hernandez examines how middle-class discourses of aesthetic value racialize the bodies of women and girls of color. At the same time, their style can be a source of cultural capital when appropriated by the contemporary art scene. Drawing on her community arts work with Black and Latina girls in Miami, Hernandez analyzes the art and self-image of these girls alongside works produced by contemporary artists and pop musicians such as Wangechi Mutu, Kara Walker, and Nicki Minaj. Through these relational readings, Hernandez shows how notions of high and low culture are complicated when women and girls of color engage in cultural production and how they challenge the policing of their bodies and sexualities through artistic authorship. via Duke University Press
In 2019, we recorded the first part of this story about the history of Miami's contemporary art scene inside Locust Projects, the longest running alternative art space in the city. Locust Projects director Lorie Mertes and artists from a collaborative known as FeCuOp—Jason Ferguson, Christian Curiel, Brandon Opalka, and Victor Villafañe, remember the raw energy of the 1990s. When we meet, the collective is in the midst of building out an immersive environment for Antenna, their first major project in Miami since 2003. The performative and interactive installation aimed to create a social experiment around communication.
In early 2021, we reach out to FeCuOp to talk about how much has changed since they collaborated on the highly interactive, live, and in-person experience at Locust Projects. Only months after they realized Antenna, the global coronavirus pandemic shut down the world for most of a year, profoundly altering how we encounter art.
Sound Editor: Anamnesis Audio | Special Sound featured with permission of FeCuOp
Related Episodes: Where Art Meets Sand and Social Behavior, The BLCK Family of Miami on Collective Creativity
Related Links: Locust Projects, FeCuOp, Christian Curiel, Jason Ferguson, Brandon Opalka, Victor Villafañe, Miami Light Project
FeCuOp is a contemporary art collaborative established in Miami in 1997, by Jason Ferguson, born in Trinidad and Tobago, lives in South Carolina; Christian Curiel, born in Puerto Rico to Cuban parents, lives in New Haven, CT; Brandon Opalka, born in Virginia, lives in Colorado. The name constitutes an amalgam of the three founding artist’s names. FeCuOp along with new Miami-based member Victor Villafañe, are like the periodic table of elements; each member’s unique characteristics bring a unique variable property to every collaboration.
Locust Projects is an alternative art space founded by artists for artists in 1998. The arts incubator produces, presents, and nurtures ambitious and experimental new art and the exchange of ideas through commissioned exhibitions and projects, artist residencies, summer art intensives for teens, and public programs on contemporary art and curatorial practice.
Now, more than ever, culture transcends geographic boundaries. In this episode, we explore the impact of that global phenomenon on the visibility of contemporary diaspora art.
From Jamaica, Rosie Gordon-Wallace is a globally recognized curator, arts advocate, and community leader based in Miami, Florida, since the 1970s. In 1996, Gordon-Wallace launched a transformative enterprise, now known as Diaspora Vibe Culture Arts Incubator.
DVCAI is a creative laboratory—promoting, nurturing, and cultivating the vision and diverse talents of artists from the Caribbean Diaspora, artists of color, and immigrant artists through public programs, residencies, exhibitions and more. In 2021, the organization will be 25 years old. We sit down with Gordon-Wallace to contemplate the significance of this moment.
Sound Editor: Anamnesis Audio | Special Sound from The Philosopher's Stone, with permission of artist Asser Saint-Val
Related Episodes: Diaspora Vibe: Art with Caribbean Roots, Mapping Caribbean Cultural Ecologies, New Caribbean Cinema, Miami's Caribbean Arts Remix
Related Links: Diaspora Vibe Cultural Arts Incubator, Inter|Sectionality: Diaspora Art from the Creole City, Donette Francis, Rosa Naday Garmendia, Evelyn Politzer, Chantal James, Asser Saint-Val, Michael Elliott, The Windrush Generation, Corcoran School of the Arts and Design, Harvey B. Gantt Center for African-American Arts+Culture, Miami Design District
A traveling exhibition that celebrates DVCAI’s 25th year, Inter | Sectionality: Diaspora Art from the Creole City is a multidisciplinary curatorial collaboration and exploration of the emergence of the “Creole City” as a local, regional and global phenomenon. Internationally recognized curators Sanjit Sethi, President, Minneapolis College of Art and Design and former director of the Corcoran School of the Arts and Design, and Rosie Gordon-Wallace, founder and curator of Diaspora Vibe Cultural Arts Incubator (DVCAI), designed this collaboration to provide a lens through which communities and community leaders internationally can begin to better understand themselves, their diversity and their unlimited possibilities.
In 2019, Inter | Sectionality: Diaspora Art from the Creole City was presented in our nation’s capital at a time when diaspora artists and voices were challenging social justice, celebrating identities—reactivating and bridging communities through contemporary art and scholarship. The complexities and diversities represented in this exhibition are emergent and, in many cases, ascendant across the world.
In 2020, the exhibition travelled to the Harvey B. Gantt Center for African-American Arts+Culture in Charlotte, North Carolina. In 2021, Inter | Sectionality came home to the Design District, in Miami, Florida.
In the U.S. territory of Puerto Rico, the struggle to survive is real. Natural disasters, a failing economy, corrupt leadership, and the legacy of colonialism in the Caribbean are among forces that challenge sustainability and sovereignty. Outside investments in tourism have had the effect of disenfranchising locals and fragmenting the island’s creative community. San Juan born and based, curator Marina Reyes Franco has a lot to say on this subject. Her research, writing, and curating illuminate the powerful impact of the burgeoning visitor economy.
In 2019, three years after Hurricane Maria, we venture to Puerto Rico for the opening of Resisting Paradise, an exhibition Reyes Franco organized with the support of Apex Art, New York. Jamaica born artists Leasho Johnson and Deborah Anzinger, and artist Joiri Minaya, from the Dominican Republic, show work engaging at the intersection of tourism, sexuality, gender, music and the internet. We record this episode inside Espacio Pública, a newly established culture space, in San Juan’s Santurce district.
This segment of our Puerto Rico Rising series revolves around creative resistance to foreign fantasies of ‘paradise.’ The conversation exposes a few of the complex histories and current conditions that inform contemporary art in Puerto Rico and the greater Caribbean.
Voices in the episode: Naima Rodriguez, Marina Reyes Franco, Leasho Johnson, and Joiri Minaya
Sound Editor: Anamnesis Audio
Related Episodes: Puerto Rico Rising—Radical Leaders, Puerto Rico Rising—Resilient Artists, The Awakening, Juan Botta Makes One-Minute Movies in Puerto Rico, Edra Soto on the Architecture of Connecting Communities, Mapping Caribbean Cultural Ecologies
Related Links: Resisting Paradise exhibition, Espacio Pública, Deborah Anzinger, Leasho Johnson, Joiri Minaya, apex art, Marina Reyes Franco, ATLAS SAN JUAN: TROPICAL DEPRESSION, Art in America, Oct 1, 2018.
In 2018, two years after Hurricane Maria devastated the Caribbean islands of Puerto Rico, Dominica and St. Croix, Art in America published an exposé by San Juan born and based curator Marina Reyes Franco. Journalists were “comparing Puerto Rico to Greece, Detroit, and New York of the 1970s,” she wrote, “prompting myriad articles about its economic woes and the population’s resilience.” Central to many of these stories were inspiring narratives about artists and entrepreneurs responding to the crisis. In 2019, we journey to the island to record voices from the cultural scene.
The artists we meet in San Juan convey the promise and pathos of this Caribbean island. In this segment of our Puerto Rico Rising series, four Puerto Rican creatives offer insight into how art can join forces with the strength of community to contemplate beauty and the paradoxes of everyday life.
Voices in the episode: Sofía Gallisá Muriente, Michael Linares, Chemi Rosado-Seijo, Llaima Sanfiorenzo
Sound Editor: Anamnesis Audio | Special Audio in Order of Appearance: Fabián Wilkins Vélez, Listening Session, 2019; Sofía Gallisá Muriente, Celaje (2020); Florian Dombois, Triple Instrument, 2019; Llaima Sanfiorenzo, Let the Beast Breathe, 2020 and 1 sq foot of freedom, 2007
Related Episodes: Puerto Rico Rising—Resisting Paradise, Puerto Rico Rising—Radical Leaders, The Awakening, Juan Botta Makes One-Minute Movies in Puerto Rico, Edra Soto on the Architecture of Connecting Communities, Mapping Caribbean Cultural Ecologies
Related Links: Beta-Local, Sofía Gallisá Muriente, Michael Linares, Chemi Rosado-Seijo, Llaima Sanfiorenzo/Self Portrait Factory, Museum of Contemporary Art of Puerto Rico, Marina Reyes Franco, ATLAS SAN JUAN: TROPICAL DEPRESSION, Art in America, Oct 1, 2018.
Puerto Rico is an island steeped in contradictions—the idyllic tourist mecca is where unpredictable forces of nature, a stagnant economy, and a corrupt government complicate everyday life for locals.
After Hurricane Maria devastated Dominica, St. Croix and Puerto Rico in 2016, journalists compared Puerto Rico to Greece, Detroit, and New York of the 1970s, prompting myriad articles about its economic woes and the population’s resilience. The art scene became more visible as Puerto Rican artists stepped into the frey with their creative projects. Some institutions stepped up, too. Notably, El Museo de Arte Contemporáneo de Puerto Rico (MAC).
Sitting in the heart of the Santurce district of San Juan, the Museum of Contemporary Art became a beacon of hope for the surrounding community in the wake of the storm, serving as an educational resource and offering space for the performing arts, and channeling life-sustaining resources to residents.
In 2019, when we venture to Puerto Rico, we head to the Museum to meet Director Marianne Ramirez Aponte. She led MAC’s pro-active role following the hurricane. Early in 2021, the Museum’s contemporary art curator Marina Reyes Franco shares an update—revealing MAC’s sustained commitment to generate cultural opportunities for local artists and residents of all ages.
In this segment of our Puerto Rico Rising series, two community leaders share a few of the creative projects they generate to enable others to rise—both emotionally and physically—above the challenging everyday circumstances that limit opportunities for Puerto Ricans to survive and thrive.
Sound Editor: Anamnesis Audio | Special Sound: Live Performance at the Museum of Contemporary Art, September 27, 2019
Related Episodes: Puerto Rico Rising—Radical Leaders, Puerto Rico Rising—Resilient Artists, The Awakening, Juan Botta Makes One-Minute Movies in Puerto Rico, Edra Soto on the Architecture of Connecting Communities, Mapping Caribbean Cultural Ecologies
Related Links: El Museo de Arte Contemporáneo de Puerto Rico (MAC), Marina Reyes Franco, ATLAS SAN JUAN: TROPICAL DEPRESSION, Art in America, Oct 1, 2018.
Today is January 27, 2021. One week ago, we inaugurated new leaders in the United States. Many hope that President Joseph. Biden and Vice-President Kamala Harris will cultivate an era of unity, democracy, and truth in this country.
Multiple flashpoints complicated the year 2020. The relentless coronavirus pandemic, accelerating discrimination against people of color, heightened climate emergencies, and the imploding global economy had a intense polarizing effect on the electorate.
Kamala Harris, the first African-American and Asian American to become Vice President, is also the first woman to be given this tremendous opportunity. As she steps into a crucial role of responsibility, Harris inspires this episode.
What part can creativity play in such turbulent times?
We speak to six women artists and curators responding to the challenges of the past year with renewed resolve. Strengthening their engagement with vital issues and ideas, each one positions herself in service to social justice. Future episodes will reveal more about their individual awakenings.
Sound Editor: Anamnesis Audio | Special Audio: When We Gather, courtesy Maria Magdalena Campos-Pons and collaborators; Whitewash, courtesy artist Nadine Valcin; Celaje, courtesy artist Sofía Gallisá Muriente; All water has a perfect memory, courtesy artist Bahar Behbahani; Drip in water tunnel, New York City, courtesy artist Mary Mattingly; "This Earth,” by Susan Griffin, courtesy Andrea Bowers and performance participants
Related Episodes: International Curators Champion Creative Resilience, Mapping Caribbean Cultural Ecologies, Where Art Meets Activism, Creative Time Summit Miami 2018, Bahar Behbahani on Politics and Persian Gardens, New Point of View at Venice Art Biennale, Mary Mattingly on the Art of Human Relationships, Andrea Bowers on Art and Activism
Related Links: Bahar Behbahani, Andrea Bowers, This Earth, Maria Magdalena Campos-Pons, When We Gather, Mary Mattingly, Public Water, Andrea Fatona, The State of Blackness, Marina Reyes Franco, Museum of Contemporary Art of Puerto Rico, Sofía Gallisá Muriente
Featured Voices in Order of Appearance
Born in Cuba and based in Nashville, Maria Magdalena Campos-Pons teaches at Vanderbilt University. A dream led her to invite collaborators to celebrate all that Kamala Harris represents. Performance and poetry in the new art film When We Gather embody their collective hope and imagination.
Dr. Andrea Fatona is a Toronto-based curator and scholar who teaches in the graduate program at Ontario College of Art and Design University. For decades, she has sought to remedy the absence of Black visual art from critical writing, art archives and other avenues of representation. Whitewash, Nadine Valcin’s performance video about the history of slavery in Canada, is featured on Fatona's website: The State of Blackness.
Born and based in San Juan, Marina Reyes Franco is curator at the Museum of Contemporary Art. She talks about the Museum’s powerful new partner and introduces the metaphoric exhibition she will present this spring. In 2020, Reyes Franco took the time to support artist friend Sofía Gallisá Muriente in her creation of a new film. Sited on the southwest coast of Puerto Rico, Celaje is an elegy to the death of the Puerto Rican colonial project and the sedimentation of disasters on the island.
Water channels, fountains, roses and pools are elemental to the legendary Persian garden. Iranian-American artist Bahar Behbahani has been investigating the garden’s histories for years. In 2019, she created her first garden-inspired public art project at Wave Hill in the Bronx. In 2021, the artist aims to break ground on a purposeful Persian garden in Manhattan.
New York-based artist Mary Mattingly has always been concerned with sustainability, creating lyric environments that meet the basic needs of water, food, and shelter. Her latest project concerns the invisible infrastructure of public water in the city she calls home. Mattingly is diving deep—her urban case study exposes inequities that limit access to clean drinking water everywhere.
Early 2020 found Los Angeles based artist Andrea Bowers joining other women to read and record the poem “This Earth,” by Susan Griffin. Studying the spiritual origins of eco-feminism was among her solitary pursuits last year. When the pandemic slowed her activist projects, Bowers turned to re-examine how and why she makes art.
Today’s story unfolds at the intersection of art, sports, and activism.
In 1968, Black American athlete Tommie Smith set a new world record. He became a gold medalist when he raced to win the 200-meter event at the Summer Olympics in Mexico City.
Yet Tommie Smith was only inducted into the U.S. Olympic Hall of Fame in 2019. Why did it take half a century for the international sports organization to recognize his record-breaking performance?
Because in 1968, at the height of the civil rights struggle in America, Tommie Smith took a stand on racism and human rights at the awards ceremony in Mexico City. As he stood on the podium to accept his medal, he bowed his head and raised his fist in a silent salute. That year, the Olympics were broadcast on television live and in color for the first time ever. The whole world witnessed his gesture.
Tommie Smith’s respectful protest marked his life in the years that followed, while motivating generations to stand up for equality. He continues to inspire us, encouraging everyone to take part in the ongoing quest for global human rights and racial justice.
In this episode, you’ll hear from the athlete and two creatives he inspired: Japanese-American artist Glenn Kaino and Iranian-born cinematographer Afshin Shahidi. They came together to create an exhibition, public programs and a documentary film to tell Tommie Smith’s story.
When artist Glenn Kaino sought out the legendary Olympic runner as a creative collaborator, he recognized the enduring value of art as a means to preserve a noble act. With Drawn Arms amplifies Smith’s courage, bringing history to reckon with our contemporary moment.
Sound Editor: Anamnesis Audio
Related Episodes: Black in America, Franklin Sirmans on the Art of Futbol, Athi-Patra Ruga on Global Human Rights
Related Links: Tommie Smith, Glenn Kaino, Afshin Shahidi, Mexico 1968 Summer Olympics, Olympic Project for Human Rights, High Museum of Art, San José Museum of Art, Colin Kaepernick, Kavi Gupta Gallery, Fresh Art International at Untitled Art Fair
Watch the Film: With Drawn Arms
Our Current Moment
Since early 2020, the coronavirus pandemic has held our planet in its grip. We have reckoned with isolation and the loss of friends and loved ones, and with the strange new normal of everyday life. The public health crisis has meant the delay or cancellation of cherished cultural and sports events. The 2020 Tribeca Film Festival and the Japan 2020 Summer Olympics, where the film With Drawn Arms was to be screened, were among thousands of casualties.
In 2020, racial equity became a flashpoint on two fronts. The virus has been taking a greater toll on Blacks and people of color. Police violence against Blacks sparked a resurgence of the Black Lives Matter Movement, triggering massive protests across the U.S. and abroad. The quest for racial equity and human rights continues.
In this episode of Fresh Art’s Fall 2020 Student Edition, University of Miami student Kristian Kranz heads to Books & Books in Coral Gables, Florida, for a conversation with Lynne Barrett, editor of the book Making Good Time, and two of the book’s contributors: author Les Standiford and poet-engineer Richard Blanco. Listen to hear a few ‘only-in-Miami’ stories about getting around South Florida.
Producers: Kristian Kranz/Miami Moves Me, Giselle Heraux/FreshArtINTL
Sound Editor: Anamnesis Audio
Related Episodes: Miami Moves Me/Making Good Time, Fresh Art Student Edition, Fresh Voices Miami
Related Links: Miami Moves Me Podcast, Fresh Art Distance Learning Guide, Making Good Time in South Florida, Lynne Barrett, Les Standiford, Richard Blanco, Jai-Alai Books
Making Good Time: True Stories of How We Do and Don’t Get Around South Florida —The city of Miami is renowned for her beauty and often imagined as paradise. Yet many locals and visitors find South Florida’s highways and byways a challenge to navigate. In the 2019 anthology Making Good Time, editor Lynne Barrett brings together thirty-one true tales inspired by transportation adventures in the southern realm of the Sunshine State.
In this episode of Fresh Art’s Fall 2020 Student Edition, University of Miami students Diana Borras and Kurt Gessler discover sacred land hiding in plain sight at the heart of Miami’s business district. Carib Tribal Queen Catherine Hummingbird Ramirez has come to meet them at the sacred Native American site known as the Miami Circle. Ramirez has come to share her concerns about the ongoing impact of urban development.
The Miami Circle: In 1998, an archaeological investigation at the mouth of the Miami River uncovered evidence of a 2,000 year-old Native American site on land once occupied by the Brickell Point Apartments. Now known as the Miami Circle, the Tequesta site consists of a circle over 35 feet in diameter with about 20 basins and hundreds of smaller postholes. Many consider the Miami Circle a North American “Stonehenge.”
Producers: Diana Borras and Kurt Gessler/Miami Moves Me, Jahné King/FreshArtINTL
Sound Editor: Anamnesis Audio
Related Episodes: Miami Moves Me/Miami Circle, Fresh Art Student Edition, Fresh Voices Miami, Culture Making in Downtown Miami
Related Links: Miami Moves Me Podcast, Tequesta Artifacts, Miami Circle, Fresh Art Distance Learning Guide
In this episode of Fresh Art’s Fall 2020 Student Edition, University of Miami student Luz Estrella Cruz makes her way to the Third Horizon Film Festival at the Little Haiti Cultural Complex in Miami. She’s there to meet filmmakers Diana Peralta (De Lo Mio, 2019) and Michael Lees (Uncivilized, 2020), whose work she’s been researching. Interviewing them and watching their films, Cruz discovers the passion behind their stories and immerses herself in two diasporic experiences from the Caribbean.
Producers: Luz Cruz/Miami Moves Me, Giselle Heraux and Jahné King/FreshArtINTL
Sound Editor: Anamnesis Audio
Related Episodes Miami Moves Me/Third Horizon, Fresh Art Student Edition, Fresh Voices Miami, Miami's Caribbean Arts Remix
Related Links Miami Moves Me Podcast, De Lo Mio, Uncivilized, Third Horizon Film Festival, Fresh Art Distance Learning Guide
In this episode of Fresh Art’s Fall 2020 Student Edition, University of Miami students Gretchell Cano and Luz Estrella Cruz explore the work of Haitian-born artist Edouard Duval-Carrié. They, along with the rest of the Miami Moves Me team, visit Duval-Carrié’s studio in the Little Haiti district. Listen to find out why the artist chose to call Miami home, and hear his views on how the Caribbean influences the city’s art and culture.
Edouard Duval-Carrié was born in Port-au-Prince, Haiti, in 1954. He was educated at the University of Loyola Montreal, Quebec, in Canada; and at the Ecole Nationale Superieure des Beaux Arts, Paris in France. Duval-Carrié moved to Miami in 1992 and swiftly established himself as an integral factor in the city’s cultural fabric.
Duval-Carrié’s work explores the social and historical dimensions of Haitian culture. His imagery includes very often Voodoo gods combined with aspects of classical mythology and Haiti’s national heroes. His images are visual examples of Magic Realism, portraying a world in which reality and mythology are intertwined. (biographical source: panamericanprojects.com)
Producers: Gretchell Cano/Miami Moves Me, Giselle Heraux/FreshArtINTL
Sound Editor: Anamnesis Audio
Related Episodes: Miami Moves Me/Little Haiti, Fresh Art Student Edition, Fresh Voices Miami, Cultural Complexity in Little Haiti
Related Links: Miami Moves Me Podcast, Fresh Art Distance Learning Guide, Edouard Duval-Carrié, Little Haiti Cultural Complex, Little Haiti
In this episode of Fresh Art’s Fall 2020 Student Edition, University of Miami students Ben Vinarski and Reese McMichael venture to an abandoned hotel in Miami Beach to go behind the scenes of an immersive theater production. Inside a room designed as the well-equipped kitchen of an upper-class home, actress Maggie B. Maxwell has just rolled out a pie crust while introducing her visitors to the city’s Black history.
Producers: Reese McMichael and Ben Vinarski/Miami Moves Me, Jahné King/FreshArtINTL
Sound Editor: Anamnesis Audio
Related Episodes: Miami Moves Me/Maggie Maxwell’s Motel Story, Fresh Art Student Edition, Fresh Voices Miami, Black in America
Related Links: Miami Moves Me Podcast, Fresh Art Distance Learning Guide, Juggerknot Theater Company, Miami Theater Review
In today’s prologue to our Fall 2020 Student Edition, University of Miami senior Melissa Huberman tells the story of Art in the Time of Corona. She recorded with Fresh Art International founder Cathy Byrd, local artist Dana Musso, and team members from the Bass Museum of Art in Miami Beach, to find out how some artists, curators, and educators are responding to the impact of the global coronavirus pandemic. Listen to hear some of the ways they are creating and implementing meaningful art encounters for their communities.
The Story Behind The Story
In 2020, hundreds of thousands of people across the United States and around the world have been sickened and forced into quarantine by the novel coronavirus, also known as COVID-19. The pandemic continues to affect us profoundly—both physically and economically. All of us have had to adjust how we live and work, teach and learn.
In January 2020, Fresh Art founder Cathy Byrd began to introduce a group of University of Miami students to podcasting in a course titled Once Upon a Time in Miami. With Byrd, a team of nine students explored cultural sites across the city to record and produce the Miami Moves Me podcast. Due to the pandemic, at mid-semester, field expeditions came to an abrupt halt and classes went online. A set of eighteen episodes represents the UM student team’s research, field recordings, and interviews. Art in the Time of Corona is the prologue to our Fall 2020 Student Edition.
Producers: Melissa Huberman/Miami Moves Me, Giselle Heraux and Jahné King/FreshArtINTL
Sound Editor: Anamnesis Audio
Featured Voices: Cathy Byrd, Dana Musso, Leilani Lynch, Julia Rudo, Kylee Crook
Related Episodes: Miami Moves Me/Art in the Time of Corona, Fresh Voices Miami
Related Links: Miami Moves Me, Fresh Art Distance Learning Resources, Fresh Art Student Edition, Institute of Contemporary Art Miami, Locust Projects, Pérez Art Museum Miami, Bass Museum of Art, Lowe Art Museum
Meet fresh voices from Miami! With educators Giselle Heraux and Jahné King, we talk about art, storytelling, and the next generation of creative podcasters. Heraux and King will set the stage for each episode in our Fall 2020 Student Edition.
The Student Edition
In 2019, we initiated the Student Edition with visits to art schools and universities in the United States and Canada. Recorded at the School of the Art Institute of Chicago/Chicago, Wayne State University/Detroit, and Ontario College of Art and Design University/Toronto, episodes in our Spring 2020 Student Edition revolve around how students engage communities.
During the Spring 2020 semester, Fresh Art founder Cathy Byrd introduced podcasting to a group of University of Miami students. As a team, they explored the City’s cultural landscape to record and produce the Miami Moves Me podcast. Due to the COVID-19 pandemic, field expeditions came to an abrupt halt and classes went online mid-semester. More than a few Miami Moves Me stories convey before-and-after perspectives. A set of eighteen episodes represents their research, field recordings and interviews. Our Fall 2020 Student Edition features a selection of episodes from the Miami Moves Me archive.
Sound Editor: Anamnesis Audio | Special Audio: Miami Moves Me podcast
Today, we’re talking about symbolic statues and monuments. In this moment, many are demanding the removal of memorials believed to perpetuate a legacy of systemic racial and ethnic injustice. Recent acts of violence against Blacks in the United States have brought these memorials to the center of a nationwide debate.
On Memorial Day, in the year 2020, Minneapolis police killed a Black man named George Floyd. The public incident ignited the resurgence of a 21st century civil rights movement known as Black Lives Matter. In 2013, with use of the hashtag BlackLivesMatter, thousands responded on social media to the acquittal of a white man, George Zimmerman. He had been charged with the shooting death of Black teen Trayvon Martin.
Black Lives Matter is now the leading force behind massive protests across the U.S. and abroad. Crowds are toppling statues honoring colonizers, slaveholders, and Confederate heroes. The controversial figures have become a cultural flashpoint.
Social justice advocates have contested these iconic sculptures for decades. Let’s look back to 2014, for one example, when artist william cordova and his collaborators staged an unannounced public declaration of liberty and justice. They chose to make their statement at the site of a towering statue of confederate leader Robert E. Lee in New Orleans.
Born in Lima, Peru, and based in Miami, New York and Lima, cordova is known as a cultural practitioner. We call him to hear the story behind this prescient intervention.
Sound Editor: Anamnesis Audio | Special Audio: silent parade, 2014
Related episodes: Black in America, Modern Black Portrait of Florida, Amy Sherald on New Racial Narratives, Amy Sherald on New Racial Narratives, Sanford Biggers on Time and the Human Condition, Fahamu Pecou on Art x Hip-Hop, Theaster Gates on Meaning, Making and Reconciliation, Jefferson Pinder on Symbols of Power and Struggle
Related links: silent parade, The Soul Rebels, william cordova, now's the time:narratives of southern alchemy, Perez Art Museum, Miami, 2018, Prospect New Orleans, Headlands Center for the Arts, Black Lives Matter
Today, we’re in Miami, to introduce you to Don and Mera Rubell, art collectors since 1964. We recorded with the Rubells in December 2019. Since then, the coronavirus pandemic has shaken our planet. We recognize the very real sense of before and after as we share these conversations about creativity.
Today’s episode conveys the excitement that surrounded the opening of the Rubell Family’s new museum. From March 17, 2020, the collection has been closed until further notice, as South Florida awaits the all clear to safely resume public life.
The Rubells started collecting when Don was in medical school and Mera was a preschool teacher. The first work they collected was by Ira Kaufman. They paid for it in weekly installments of $25. Collecting art ever since, they’re joined by their son Jason, who became a collector himself as a teenager. They’ve become known for supporting the work of emerging and overlooked artists. Pursuing their passion in person, they visit studios, museums, fairs, galleries and biennials across the globe. Research and relationships are vital to each acquisition.
In 1993, they opened the Rubell Family Collection in Miami’s Wynwood District. Over the next two decades, the value of real estate in the neighborhood soared. The collection outgrew their 40,000 square foot space, a former Drug Enforcement Administration warehouse they had turned into an art venue. The Rubells started looking for storage nearby. An abandoned food-processing plant by the railroad tracks less than a mile away sparked the idea of creating a museum.
The 100,000 square foot warehouse complex in the Allapattah district became the spacious new home for their collection. Architects transformed the seven buildings into an epic space for more than 7,000 works by over 1,000 artists.
On the eve of the museum opening, we join a private tour with Mera, Don and Jason…A wall-sized painting by Kehinde Wiley, two of Yayoi Kusama’s infinity rooms, and Keith Haring's Statue of Liberty are just a few of the large-scale works that have room to breathe here.
Sound Editor: Anamnesis Audio
Related Episodes: Paint and Pixels Power the Art of Allison Zuckerman, Art and Our Uncertain Future, The Art of Collecting—with Erika Hoffmann
Related Links: Rubell Museum, Yayoi Kusama, Kehinde Wiley, Keith Haring, Amoako Boafo, Allison Zuckerman, Ira Kaufman
Today, we take you to Toronto. We’re here to meet a group of graduate students at the Ontario College of Art and Design University, also known as OCAD. For the Intro to Curatorial Practices course, their goal is to research, develop and activate an exhibition in the digital realm. Recorded in the first weeks of the semester, our conversation reveals how the students are defining their roles and designing their strategy for curating an online platform.
In the months following our campus visit, the students forged an interdisciplinary curatorial collective. In December 2019, they launched the exhibition titled connection_found. Online now, works by seven artists illustrate the quirks of navigating intimacy on the web. “At the core of the exhibition,” writes the collective on their website, “connection_found simultaneously expands, individuates, and links the collective experience of existing on the internet.”
OCAD University—Curating in the Digital Realm is one of our 2020 Student Edition episodes.
Sound Editor: Anamnesis Audio | Photography: FreshArtINTL
Related Episodes: SAIC—Imagining Tomorrow, Wayne State—Designing for Urban Mobility
Related Links: Criticism and Curatorial Practice Program, Ontario College of Art and Design University, connection_found
Intro to Curatorial Practices, a graduate seminar in the Criticism and Curatorial Program at OCAD University, introduces students to the major critical texts, theories and debates in the burgeoning international field of contemporary curatorial studies. Simultaneously throughout the seminar, students attend public exhibitions, screenings, lectures, performances and events in Toronto's visual art and design worlds. An ongoing examination of contemporary art and design practices within public culture provides students with an eclectic and critical mapping of the layers and intersections of the visual arts, media and design in relation to their varied publics, audiences, markets, the mass media and the scholarly community.
connection_found is an online group exhibition organized by feelSpace featuring works by Ronnie Clarke, Taylor Jolin, Leia Kook-Chun, Madeleine Lychek and Paula Tovar, Noelle Wharton-Ayer, and Becca Wijshijer. Together, these works trace and re-trace digital intimacy, touch, and the body as it moves and navigates towards the virtual realm. More literally, connection_found suggests the curatorial alignment of these works in a digital context which, in and of itself, requires finding connection. Source: feelspace.cargo.site.
Andrea Fatona, Associate Professor, Faculty of Art and Graduate Program Director, Criticism and Curatorial Practice, is an active curator. Her areas of focus are culture, cultural policy formation, cultural production, nation making, citizenship and multiculturalisms. In the classroom, she engages students in thinking about issues around equity and diversity in the context of art.
The Student Edition began in 2019, with visits to art schools and universities in the United States and Canada, where we began recording voices of the future. In 2020, we present the first episodes in our Student Edition—conversations about creativity with emerging makers and producers. Given opportunities to explore and experiment, students are discovering how they can shape the world they live in. What issues and ideas spark their creative impulse?
Today, we take you to Motor City. Once a symbol of the dynamic U.S. economy, Detroit, Michigan, has gone through a major economic and demographic decline since the 1960s. The drastic drop in population created acres of emptiness—vacant lots, abandoned buildings and food deserts.
Detroit’s art scene is known for countering negative growth with a resilient DIY attitude. While locals respect and sustain the history of innovation in the place they call home, the gritty urban landscape has begun to attract newcomers. Creatives from other cities are heading here to seek affordable studios and fresh opportunities.
Education is evolving along with Detroit’s cultural character. At Wayne State University, degree programs are increasingly geared toward next generation art and design. Students taking the course Design for Urban Mobility work with local entrepreneurs to solve design problems. Past clients have been Detroit Bikes and the Detroit Department of Transportation with the Rehab Institute of Michigan. In fall 2019, juniors and seniors majoring in Industrial Design join forces with Dazmonique Carr, founder of Deeply Rooted Produce.
In our conversation with these emerging designers, we discovered firsthand the impact of an educational opportunity that invites students to make a difference. Responding to the call, they are enabling and supporting mobility throughout the city—with actionable ideas that promote self-sufficiency and health literacy.
Wayne State—Designing for Urban Mobility is one of our 2020 Student Edition episodes.
Sound Editor: Anamnesis Audio | Photography Monica McGivern, except where noted
Related Episodes: SAIC—Imagining Tomorrow, OCAD University—Curating in the Digital Realm
Related Links: Industrial Design, Wayne State University, Deeply Rooted Produce
Design for Urban Mobility is a course offered through Wayne State University’s James Pearson Duffy Department of Art and Art History. Students taking the course consider a variety of questions of how products, spaces and experiences enable and support our mobility through urban space. Each semester—often through client-based projects—they explore four distinct but interrelated concepts of urban mobility: mobility and community, mobility and discovery, mobility and economic vitality, and mobility and social justice.
Deeply Rooted Produce, founded by Dazmonique Carr, is a mobile market with a mission: to provide fresh fruits and vegetables sourced locally and support Detroit’s economy towards self-sufficiency and health literacy. The market’s purpose is to Increase access to healthy foods without sacrificing quality for affordability. DPR Promise: Provide H.E.L.P. (Health Education Literacy for People of Color)
Siobhan Gregory, a senior lecturer at Wayne University, an industrial designer and applied anthropologist, living and working in Detroit. Her research focuses on the progress of a more human-centered design practice. In the business sector, she pulls from anthropological theory and methods to help organizations.
The Student Edition began in 2019, with visits to art schools and universities in the United States and Canada, where we began recording voices of the future. In 2020, we present the first episodes in our Student Edition—conversations about creativity with emerging makers and producers. Given opportunities to explore and experiment, students are discovering how they can shape the world they live in. What issues and ideas spark their creative impulse?
Today, we take you to The School of the Art Institute of Chicago, also known as SAIC. We’re here to meet participants in Imagining Tomorrow. The yearly experiential learning opportunity brings together students from schools in the Netherlands, Germany, the United States and Pakistan.
During each two-week seminar, they gather in a different host community to envision possible futures through design thinking. The clients are local organizations who ask the students to imagine solutions to real-life challenges—such as environmental sustainability and immigrant integration.
Chicago-based artists Kirsten Leenaars and Laura Davis co-created this international project. A lecturer at SAIC, Leenaars introduces us to three students who have experienced Imagining Tomorrow in Utrecht, Netherlands and Karlsruhe, Germany. Their studies range from film, animation and video to architecture and fashion.
In our conversation, you’ll hear how in a range of cultural contexts, students and educators alike forge meaningful relationships and learn to navigate business and government protocols. Crossing international borders to collaborate and innovate, students bring creativity outside the classroom—engaging with communities and learning to lead.
Related Episodes: Wayne State—Designing for Urban Mobility, OCAD University—Curating in the Digital Realm
Related Links: School of the Art Institute of Chicago, Imagining Tomorrow, International Red Cross/the Netherlands, ZKM Center for Art and Media/Germany
Imagining Tomorrow is a two-week international seminar in which students from schools in the Netherlands, Germany, the United States and Pakistan come together to collaboratively address questions about future design thinking. They work with clients from international public and private organizations to propose interdisciplinary solutions to real-life issues. Participating schools: HKU University of the Arts Utrecht, Utrecht, Netherlands; SAIC, Chicago, USA; Karlshochschule International University, Karlsruhe, Germany; Indus Valley School of Art and Architecture, Karachi, Pakistan. The School of the Art Institute of Chicago will host the 2020 seminar.
Kirsten Leenaars, an interdisciplinary video artist based in Chicago, lectures at the School of the Art Institute of Chicago. Various forms of performance, theater, and documentary strategies make up the threads that run through her work. She engages with individuals and communities to create participatory video and performance work. Her work oscillates between fiction and documentation, reinterprets personal stories and reimagines everyday realities through shared authorship, staging and improvisation.
Laura Davis is a multi-disciplinary artist interested in objects and craft. Her works both present their own histories but easily adapt to how Davis recontextualizes them. She wields and contradicts assumed archetypes of gendered roles, reimagining new relationships by creating handcrafted metal sculpture combined with gender specific readymade objects. Her interactions disrupt notions of value at the intersections of art, design and craft.
The Student Edition began in 2019, with visits to art schools and universities in the United States and Canada, where we began recording voices of the future. In 2020, we present the first episodes in our Student Edition—conversations about creativity with emerging makers and producers. Given opportunities to explore and experiment, students are discovering how they can shape the world they live in. What issues and ideas spark their creative impulse?
With filmmaker Alla Kovgan, we spark a conversation to find out why and how she realized CUNNINGHAM. The 2019 documentary traces American choreographer Merce Cunningham's artistic evolution over three decades.
Kovgan directed the immersive film that took seven years to make. She and her collaborators channel the spirit and image of Merce Cunningham—from his early years as a struggling dancer in postwar New York to his emergence as one of the world’s most visionary choreographers. With new technology, Kovgan creates the film in both 2D and 3D versions. She frees Cunningham’s oeuvre from the constrictions of the stage, projecting his work into an infinite realm of the senses.
Sound Editor: Anamnesis Audio | Special Audio and Photography courtesy Magnolia Pictures
About CUNNINGHAM
2019 marked the centenary of legendary American choreographer Merce Cunningham. The film CUNNINGHAM traces his artistic evolution over three decades of risk and discovery (1944–1972), from his early years as a struggling dancer in postwar New York to his emergence as one of the world’s most visionary choreographers. The 3D technology weaves together Merce's philosophies and stories, creating a visceral journey into his innovative work. Sharing archival footage of Cunningham, John Cage, and Robert Rauschenberg, CUNNINGHAM is a tribute to one of the world’s greatest modern dance artists.
About Director Alla Kovgan
Alla Kovgan is a New York-based filmmaker, born in Moscow (Russia). Her films have been presented worldwide. Since 1999, Kovgan has been involved with interdisciplinary collaborations, creating intermedia performances (with KINODANCE Company), dance films and documentaries about dance. With CUNNINGHAM, she created a film that is neither a straightforward biopic nor a traditional concert film. Cunningham was conceived as a 93-minute art piece that would tell the master’s story through his work.
About Merce Cunningham: Merce Cunningham, considered the most influential choreographer of the 20th century, was a many-sided artist. He was a dance-maker, a fierce collaborator, a chance taker, a boundless innovator, a film producer, and a teacher. During his 70 years of creative practice, Cunningham's exploration forever changed the landscape of dance, music, and contemporary art. Visit Merce Cunningham Trust to explore his history.
Related Episodes: Filming Rhythm, Stories and Soul in the Toronto Subway, Akosua Adoma Owusu on Her Film Kwaku Ananse, Inside Miami’s Sound Chamber, Erika Hoffmann on the Hoffmann Collection, Stephen Vitiello on Cultural Soundscapes
Related Links: Alla Kovgan, CUNNINGHAM, Merce Cunningham, John Cage, Robert Rauschenberg
Edra Soto is a Puerto Rico born, Chicago based, interdisciplinary artist, educator and curator whose architectural projects connect with communities. Soto's temporary modular SCREENHOUSE pavilions are evocative symbols of her cultural assimilation that we can enter and share. Each free-standing structure functions as both sculptural object and social gathering place. Couched in beauty, her ongoing OPEN 24 HOURS project offers a different visceral encounter — with evidence of displacement and want. The aesthetic display of cast-off liquor bottles culled from steadily accumulating detritus in the historically Black neighborhood she now calls home suggests that we consider the personal and communal impact of poverty and racism. During a studio visit with the artist in Northwest Chicago, we talk about recent iterations of these projects.
In concert with the 2019 Chicago Architecture Biennial, the Millennium Park Foundation commissioned the artist to produce a temporary gathering place in one of the park’s outdoor galleries. Only steps from Anish Kapoor’s Cloud Gate, she worked with a team to construct SCREENHOUSE. The 10-foot high pavilion made of 400 charcoal-hued, 12-inch cast concrete blocks is part of an ongoing project, an architectural series inspired by iron grills and decorative concrete screen blocks found throughout the Caribbean and the American South.
New versions of OPEN 24 HOURS are on view in two 2020 exhibitions. One appears in Open House: Domestic Thresholds at the Albright-Knox Museum, in Buffalo, New York. Cognac bottles carefully arranged on shelves with decorative panels reveal the artist’s connection to two places she calls home. More liquor bottles command attention in the three-part installation she designed for State of the Art 2020. Featuring work by artists from across the United States, the exhibition celebrates the opening of The Momentary, a new contemporary art space at the Crystal Bridges Museum, in Bentonville, Arkansas.
Sound Editor: Anamnesis Audio
Related Episodes and Photo Features: Architecture with a Sense of Place, Views—Chicago Architecture Biennial 2019, Fresh VUE: Chicago Art and Architecture 2017
Related Links: Edra Soto, The Momentary, State of the Art 2020, Crystal Bridges Museum of Art, Knox-Albright Museum, Millennium Park, Chicago Architecture Biennial 2019
About Edra Soto: Born in Puerto Rico and based in Chicago, Edra Soto is an interdisciplinary artist, educator, curator, and co-director of the outdoor project space THE FRANKLIN. She is invested in creating and providing visual and educational models propelled by empathy and generosity. Her recent projects, which are motivated by civic and social actions, focus on fostering relationships with a wide range of communities.
Recent venues presenting Soto’s work include Chicago Cultural Center (IL), Nerman Museum of Contemporary Art (KS), Pérez Art Museum Miami (FL), Museo de Arte de Puerto Rico (PR), Hunter EastHarlem Gallery (NY), UIC Gallery 400 (IL), Smart Museum (IL), Bemis Center for Contemporary Art (NE), DePaul Art Museum, and the Museum of Contemporary Art of Chicago (IL). Soto was awarded the Efroymson Contemporary Arts Fellowship, the DCASE for Individual Artist Grant from the City of Chicago, the 3Arts Make A Wave award, and 3Arts Projects grants, and the Illinois Arts Council grant.
Soto holds an MFA from The School of the Art Institute of Chicago, and a Bachelor of Arts from Escuela de Artes Plásticas de Puerto Rico. She teaches Introduction to Social Engagement at University of Illinois in Chicago and is a lecturer at the School of the Art Institute of Chicago.
About SCREENHOUSE: Decorative screens, known as rejas and quiebrasoles, are ubiquitous in Soto’s birthplace in Puerto Rico. In her SCREENHOUSE series, Soto transforms the quiebrasol form from a planar screen that divides public from private into a nearly fully enclosed, free-standing structure that functions as both sculptural object and social gathering place.
About OPEN 24 HOURS: Witnessing the excessive accumulation of litter and detritus in the historic African American neighborhood of East Garfield Park where she lives motivated Edra Soto to initiate this ongoing project. Since December 2016, Soto has been collecting, cleaning and classifying cast-off liquor bottles to create installations that display the impact of racism and poverty on this marginalized community in Chicago. Bourbon Empire, the book quoted below, recounts the historic connection between African Americans and cognac from its genesis in the 1930s to contemporary repercussions instigated by hip-hop and rap culture.
“Cognac’s relationship with African American consumers started later, when black soldiers stationed in southwest France were introduced to it during both world wars. The connection between cognac producers and black consumers was likely bolstered by the arrival of black artists and musicians... France appreciated these distinctive art forms before the U.S. did, continuing a French tradition dating back to Alexis de Tocqueville of understanding aspects of American culture better than Americans did. For African Americans, the elegant cognac of a country that celebrated their culture instead of marginalizing it must have tasted sweet ... During the 1990s, cognac sales were slow, and the industry was battling an image populated by fusty geriatrics. Then references to cognac began surfacing in rap lyrics, a phenomenon that peaked in 2001 with Busta Rhymes and P. Diddy’s hit “Pass the Courvoisier,” causing sales of the brand to jump 30 percent. During the next five years, other rappers teamed up with brands, and increased overall sales of cognac in the U.S. by a similar percentage, according to the Distilled Spirits Council of the United States.”
—Reid Mitenbuler, author of Bourbon Empire: The Past and Future of America’s Whiskey
The Toronto-made film RISE embodies the creative force of a local youth-led spoken word movement known as RISE Edutainment. A subway station serves as the set where the collective’s poets, rappers, and musicians voice their experiences as first and second generation immigrants from the Caribbean and Africa.
Emelie Chhangur, curator of The Art Gallery of York University, sparked the film project in 2017, by inviting Bárbara Wagner and Benjamin de Burca to Toronto. Based in Recife, Brazil, the two artist filmmakers are known for examining cultural change in the making. Through film and photography, they document popular performance genres as they adapt to post-colonial economies and geographies.
The experimental film that Wagner and de Burca created with the RISE community in Toronto hybridizes fiction and documentary to establish a third language-territory—a space where rhythm and poetry are employed as catalysts to explore the complex diasporic and multi-cultural city.
RISE challenges us to consider what might constitute the creation of new traditions in and for Toronto. The story demonstrates how creative expression empowers the past, present and potential future of an extended, evolving community. By showcasing the film in the inaugural Toronto Biennial of Art, artistic director Candice Hopkins and her collaborators follow through on their commitment to showcase local culture and history.
Sound Editor: Anamnesis Audio | Special Audio from the film RISE, in order of appearance: Randell Adjei, Borelson, Kevin Braithwaite, Shahadda Jack, Laurette Jack-Ogbonna, Kwazzi, Michie Mee, Duke Redbird | RISE Audio Track, courtesy Bárbara Wagner and Benjamin de Burca Studio
Related Episodes and Posts: Views of the Toronto Biennial of Art, Art and Film Illuminate the Black Imagination, The BLCK Family of Miami on Collective Creativity
Related Links: RISE Edutainment, Bárbara Wagner and Benjamin de Burca, Art Gallery of York University, Toronto Biennial of Art
Norwegian artist Jana Winderen records sounds above and below the surface of our blue planet to compose site-specific sonic environments. For four days during Miami Art Week 2019, she invites you to step inside the Collins Park Rotunda on Miami Beach, for The Art of Listening: Under Water. Miami’s waterways, the Barents Sea and the Tropical Oceans come together within the spherical space, to immerse you in an acoustic collage.
The Art of Listening: Under Water portrays the fragile and complex beauty that circulates through the currents of the interconnected marine world. Winderen’s ephemeral installation promises to leave us with a lasting impression. Those who take time to float into the sensory experience will take away a new understanding of sonic relationships that echo across our seas.
Exploring a global issue of growing concern, our episode with Jana Winderen is the perfect finale for 2019. Visit our website, to hear other conversations centered on environments at risk and explore opportunities to engage with our new and ongoing initiatives.
Sound Editor: Anamnesis Audio | Special Audio: Jana Winderen
Related Episodes: Ellen Harvey on Public Art and Climate Action, Bill Fontana on Sound & Space, Where Art Meets Sand and Social Behavior, Sound Art and Contemporary Culture with IKT Miami, Art and the Rising Sea
Related Links: Jana Winderen, Tony Myatt, Audemar Piguet Art Projects, Albert Vrana, Art Basel Miami Beach
Today, we take you to meet three globally engaged, Miami-based contemporary art experts. Ombretta Agro Andruff, Tami Katz-Freiman and Kathryn Mikesell are here to help you navigate the city and enjoy the intense burst of international art that transfigures the cultural landscape every December.
Miami Art Week brings together local and international art worlds. This is not only an opportunity for globally active galleries to present the best work of artists they represent. Miami art spaces, museums, community initiatives, individual artists and designers and collectives all rise to the occasion, too, to show their creative force to the world.
Diverse participants have diverse agendas. Whether you’re a collector, a curator, a creator, or an aficionado, focus on your passion—what would you like to discover?
Takeaways
- Plan your itinerary to focus on one art corridor— either the mainland or the beach
- Use the map guides offered at the venues you visit, mark your map - where you want to go and where you’ve been
- Take water and snacks, wear comfortable shoes
- Do your homework, but be willing to improvise — follow your intuition!
Of Special Interest in 2019
BEFORE THE FAIRS: Dec 1, Miami—Progressive Brunch with local galleries | Dec 2, Miami Beach—Faena Festival
Dec 3-8 ART FAIRS Recommended: Art Basel Miami Beach, Design Miami, UNTITLED, NADA, PINTA and PRIZM
EXHIBITIONS—Openings: The new Rubell Museum and El Espacio 23 in the Allapattah district | Teresita Fernandez at Pérez Art Museum Miami | Yayoi Kusama and Sterling Ruby at the Institute of Contemporary Art | Trenton Doyle Hancock at Locust Projects | Haegue Yang, Mickelene Thomas and Lara Favaretto, at the Bass Museum | Cecilia Vicuña at North Miami Museum of Contemporary Art
PUBLIC ART on Miami Beach—Collins Park, Lummus Park, on the beach and at the Convention Center
Related Episodes and Guides: Miami Art Week 2018 Preview, Miami Art Week 2017 Preview, How to Seize the Art Week Moment
Related Links: Art Basel Miami Beach, Rubell Museum, Pérez Art Museum Miami, Institute of Contemporary Art Miami, Museum of Contemporary Art North Miami, The Bass Museum, El Espacio 23
About Our Experts:
From Italy, Ombretta Agró-Andruff, is an independent curator and founder of ARTSail
residency and research initiative. The program connects artists and scientists to address
the climate change specific to South Florida through creative projects. From Israel, independent curator, art historian and critic Tami Katz-Freiman remembers Miami before Art Basel. Katz-Freiman curated the Israeli Pavilion in the 57th Venice Art Biennale. From the U.S., Kathryn Mikesell is co-founder and executive director of Fountainhead Residencies and Studios. The Residency offers artists from around the world a shared creative space and an introduction to Miami’s art scene.
Sound Editor: Anamnesis Audio
In November 2019, Houston-based artist Trenton Doyle Hancock brings his mythological “Moundverse” to Miami. Locust Projects gives over the entire space to his site-specific installation. The artist will immerse us in a world inspired by comic books, toys, horror films and animations.
For decades, Hancock has been telling the story of the Mounds (gentle hybrid plant-like creatures) protected by Torpedo Boy (Hancock’s alter ego), and their enemies, the Vegans (mutants who consume tofu and spill Mound blood every chance they get). In paintings, sculpture, drawings, prints, video and installation, the artist explores good and evil, authority, race and class, moral relativism, politics and religion.
This is not our first encounter with Trenton Doyle Hancock. He was among artists that curator Valerie Cassel Oliver selected for Radical Presence: Black Performance in Contemporary Art. The exhibition premiered in 2013 at the Museum of Contemporary Arts, Houston, and traveled across the United States. In Radical Presence, Cassel Oliver surveyed seminal black performance art. She invited artists into the exhibition to re-stage their performances.
We make our way to Houston to watch Hancock embody one of the characters in the narrative he began creating when he was 10 years old. For an evening performance titled “Devotion,” he becomes a singing Mound. He's massive. He's blindfolded. Cassel Oliver feeds him Jell-O. The spectacle is intimate, absurd and deeply spiritual.
The next morning, we wander through the artist’s mind. Our conversation explores the histories, objects and ideas that inform his work. His warehouse is awash in accumulating materials—cast-off toys, books and bottle caps, scraps of felt and fabric, cans of paint. Works in progress and finished collage paintings line the walls. A drum kit sits waiting in one corner. It seems unlikely that this artist will ever lose the desire to experiment and play with the fantastical characters that animate his inner world.
Sound Editor: 2019 Anamnesis Audio; 2013 Eric Schwartz | Special Audio: Trenton Doyle Hancock
Related Episodes: Valerie Cassel Oliver on Black Performance in Contemporary Art, Tameka Norris on Channeling Personal History, William Pope.L Transforms the Black Factory into a Magic Lantern Show
Related Links: Locust Projects, Trenton Doyle Hancock at MASS MoCA, Radical Presence: Contemporary Black Performance Art
We shadow CYJO, a Miami-based Korean American visual artist, as she navigates the complex maze of Art Basel Miami Beach in 2018. Her goal is to discover and document exceptional work in the photographic medium for the “Art Basel Miami Week Diary” that she contributes to the bilingual online publication L’Œil de la Photographie (The Eye of Photography).
Inside the fair, Gian Paolo Paci, of Paci Contemporary, in Bresi, Italy, introduces us to his gallery’s featured artist: American photographer Nancy Burson. Burson created some of the earliest photographic portraits using computer-morphing technology.
Jared Quintan, Associate Director of Rhona Hoffman, in Chicago, deconstructs the symbolism in a photographic wall installation by Lorna Simpson, an African-American photographer and multimedia artist known for her singular approach to portraiture. Quintan also talks about intimate portraits by African American artist Deana Lawson, whose photographs reveal the body’s ability to channel personal and social histories.
A few weeks later, we meet CYJO in her studio, a light-filled loft that looks out over Biscayne Bay in Miami. We’re here to learn more about how the artist explores the complexities of identity, beauty and belonging through her own photography, video and text.
Sound Editor: Anamnesis Audio
Related Episodes: Modern Portrait of Black Florida, Jillian Mayer on the Nude Selfie Project, Adam Schreiber on the Spatial Dynamics of Photography
Related Links: CYJO, Art Basel Miami Beach, L’Œil de la Photographie, Paci Contemporary, Rhona Hoffman Gallery
In 2018, Puerto Rico based actor, composer and filmmaker Juan Botta left job security behind to center on his creative life. That’s when he launched Freelance, an inventive Instagram film series that empathizes with the challenges of living and working in Puerto Rico today. Botta’s determination to make films where he lives—despite economic, political and environmental conditions—suggests creativity as a way forward. Freelance expresses a sense of hope, demonstrating that it's possible to find poetry, humor and beauty in the most unlikely situations.
The backstory: In 2019, we head to San Juan, Puerto Rico, to immerse ourselves in the island’s creative life. Now more than ever, residents are faced with a mountain of adversity. Two years after the devastation of Hurricane Maria, this place still awaits reconstruction. Puerto Rico’s 2019 summer uprising protested against politics as usual. Residents gathered en masse, to transform the political landscape. Nonstop street demonstrations led to the resignation of Governor Ricardo Rosselló. New actors and forces are emerging that resist the island’s colonial subordination.
Despite ongoing unstable conditions, cultural work continues, with renewed energy. One night in San Juan, we meet Argentina born Juan Botta, an award winning actor, composer and filmmaker who grew up in Puerto Rico. He left his job in the tourism industry one year ago, to center on creative pursuits.
Sound Editor: Anamnesis Audio | Special Audio: Juan Botta
Related Episodes: Mapping Caribbean Cultural Ecologies, Filmmaking in Pahokee Holds Hope for the Future, Akosua Adoma Owusu on Her Film Kwaku Ananse
Today, we bring you sound art from Hong Kong, in our second guest-curated segment with Contemporary Musiking Hong Kong. CMHK is an incubator for cross-disciplinary practices in music, sound, and technology. In July 2018, composer and sound artist Samson Young introduced the first Hong Kong Mixtape, a set of nine sound art compositions. One year later, musician Him Cheung introduces Hong Kong Mixtape II. He takes us back to the former British colony to share sonic responses to highly volatile current events.
Let’s set the stage with a few facts. In 1997, Britain handed Hong Kong back to China. Now run under a "one country, two systems" agreement that guarantees it a level of autonomy, Hong Kong has its own judiciary and a separate legal system from mainland China. Rights including freedom of assembly and freedom of speech are protected. Those freedoms – known as the Basic Law - expire in 2047.
Our first Hong Kong Mixtape took us to the heart of 2017 student-led pro-democracy demonstrations, when the famed mass protests of the 2014 Umbrella Movement returned to the streets.
The city's uncertain future has sparked years of political protests. In June 2019, thousands of Hong Kong’s citizens began to gather again, protesting against a proposed law to allow extradition to mainland China. Critics feared this could undermine the city's judicial independence and endanger dissidents. Clashes between police and activists became increasingly violent, with police using tear gas and protesters storming parliament. The bill was withdrawn in September 2019. Demonstrations continue.
For this mixtape, we share excerpts from five sound encounters by artists based in Hong Kong. The first sound work expresses feelings of anxiety and hopelessness that persist with regard to the 1997 handover to Mainland China. The following three field recording projects bear witness to months of escalating demonstrations this year—from mass marches in the streets, to the declarations of individual protesters, to Hong Kong residents' nightly ritual of shouting slogans from the windows of their homes. The final segment conveys a desire to leave all the unrest behind—taking us on a supernatural sound walk to a temple in the woods.
Fresh Art International joins U.S. based Montez Press Radio and Co-op Radio Vancouver to present Hong Kong Mixtape II.
Sound Editor: Anamnesis Audio | Guest Producer: Him Cheung
Featured sound works, in order of appearance: So Ho Chi, Take 2 (ver. 2) | Jantzen Tse, So Ho Chi | RC Team, Voices of Hong Kong "Rioters" | Alex Yu, 10pm shouting _Free Hong Kong, Revolution of Our Time_ Beverly Garden, Tseung Kwan O 2-9-2019 | Alex Yu, Temple
Related Episodes: Hong Kong Mixtape I, Samson Young on Songs for Disaster Relief, When Sound is Art—Five Sonic Stories
Related Links: Contemporary Musiking Hong Kong, Umbrella Movement
Philadelphia-based art historian Deborah Barkun talks about the pleasure and critical thinking that she discovers each time she explores the Venice Art Biennale and collateral events. Through her eyes, we understand that the venerated exhibition never fails to create a constellation of art encounters—always stimulating the senses and challenging the mind, always offering a glimpse into our contemporary psyche.
58th Venice Art Biennale:
For the 2019 international art exhibition, London-based American curator Ralph Rugoff chose the title May You Live in Interesting Times. This is a phrase of English invention that has long been mistakenly cited as an ancient Chinese curse. The words ‘interesting times’ invoke periods of uncertainty, crisis and turmoil. Rugoff invited 79 artists from around the world who, in his words, “challenge existing habits of thought and open up our readings of objects and images, gestures and situations…entertaining multiple perspectives…holding in mind seemingly contradictory and incompatible notions, and juggling diverse ways of making sense of the world.”
The 2019 exhibition includes 89 National Participations in the historic Pavilions at the Giardini, at the Arsenale and in the historic city center of Venice. Four countries are participating for the first time: Dominican Republic, Ghana, Madagascar, Malaysia, and Pakistan. Twenty-one Collateral Events taking place across the city widen the diversity of voices that characterizes the Biennale.
Read Deborah Barkun’s posts from the 58th Venice Art Biennale on instagram @freshartintl.
Sound Editor: Anamnesis Audio | Special Audio recorded in Venice May-June 2019
Romani Embassy performance by Delaine Le Bass, Music by Santino Spinelli
Related Episodes: Art Historian Playlist: Deborah Barkun Listens to Joana Choumali, Samson Young: Songs for Disaster Relief, Mark Bradford Connects Art with the Real World, Lisa Reihana on Reversing the Colonial Gaze, Monument to Decay: Israeli Pavilion in Venice
Related Links: Venice Art Biennale
Related Images: Fresh VUE: 58th Venice Art Biennial, Fresh Vue: Venice Art Biennale 2017
How do healthy creative economies open the door for artists and innovators?
To answer this question, we take you to Nashville, Tennessee. Music City, U.S.A., aims to become the nation’s start up capital, too. Every year since 2012, Launch Tennessee hosts the 36|86 Entrepreneurship Festival to encourage new business endeavors. In 2019, Festival organizers invited Fresh Art International to curate a presentation around building the creative economy.
For a live audience gathered inside the historic Acme Seed & Feed building, we bring to the stage Nashvillian Harry Allen, boutique banker, Emily Best, Los Angeles based filmmaker and film producer, and Andrea Zieher, director of Tennessee’s near future contemporary art triennial. Our conversation reveals how the same risk taking and innovation that drive all startups fuel the most impactful creative entrepreneurship.
Takeaways:
- Recognize the value of cultural entrepreneurship.
- Work toward meaningful and inclusive community impact.
- Optimize technology, forge real relationships and dedicate personal energy to increase opportunities for creators and facilitate greater access to cultural experiences.
Sound Editor: Anamnesis Audio | Live event recording courtesy Studio 208, Nashville
Related Episodes: Model Behavior—New Orleans Art Triennial Inspires Other Cities, Creative Hive Transforms Contemporary Art in Tampa, The Future of Art
Related Links: Seed&Spark, Studio Bank, TN Triennial, Tennessee Triennial, 36|86 Festival,
The Commuter Biennial aims to activate unseen margins of metro Miami. Local curators Laura Randall and Courtney Levine have organized a set of art experiences for those who spend hours navigating the city in cars, busses and trains. Over the span of four months, ten public art projects will pop up around this suburban landscape.
Two of the participating artists join Randall and Levine to introduce us to The Commuter Biennial. Artist Lily Martina Lee lives and works in Boise, Idaho. Lee’s art juxtaposes intimacy and anonymity—pointing out how forensic crime scene investigations have become embedded in our everyday reality. For her commuter-centered project, she creates public memorials in locations throughout Miami Dade County, where unidentified human remains were found. Since 2005, New York based artist Marie Lorenz has navigated waterways in her handmade boats designed to optimize tidal currents. Her passengers are privileged with intimate experiences on the water. For the roving biennial, she brings her Tide and Current Taxi to Miami.
Listen to this episode to hear the voice of positive thinking. Optimistic about the potential for art to transform the grind of suburban life, the tedium of public transit and the boring daily drive, the Commuter Biennial aspires to draw our gaze from the center to the fringe—suggesting that art belongs to everyone, everywhere, across metropolitan Miami.
Related Episodes: Public Art Meets Poetry, Public Art Hopscotches Across Buenos Aires, Art of the Everyday, Creativity in Miami’s Public Realm
Related Link: Commuter Biennial
Conversations with contributors to the book: Artist as Culture Producer
Today’s conversations expand on the definition of the word ‘artist.’’ During Miami Art Week, artist and educator Sharon Louden, with her frequent collaborator Hrag Vartanian, Hyperallergic, introduce the second book in Louden’s trilogy dedicated to Living and Sustaining a Creative Life. Inside New York’s Strand Bookstore, we meet a few of the artists who contributed essays to The Artist as Culture Producer. In their first-hand stories, they share the personal and professional value of creativity.
We recorded this episode inside the tent of Untitled art fair during Miami Art Week, and at the Strand Bookstore in New York, we catch up with a few of the artist contributors. In their first-hand stories, we hear the personal and professional value of expanding the practice of contemporary art.
Related episodes: Andrea Bowers, Mark Bradford, Brigada Puerta de Tierra, Theaster Gates, Marinella Senatore, Koki Tanaka.
Related Links:
This episode is part of our Playlist series. We’re inviting artists, curators, architects, filmmakers, cultural producers and other listeners to share favorites from the archive.
Based in Lisbon, German born artist Regina Frank has shown her work in New York, London, Los Angeles and Tokyo, among other cities globally. In recent projects, she explored environmental issues in performative installations at the Museum of Art Architecture and Technology, Lisbon, and BioArt 2018, Seoul, South Korea.
Here, Regina Frank introduces our conversation with renowned video and performance artist Joan Jonas, an episode first released on June 5, 2012.
Revisiting this episode is a moment to celebrate the latest chapter in Joan Jonas’s remarkable career. She represented the United States at the 56th Venice Art Biennale. In 2019, Jonas returns to Venice with an immersive, multimedia installation. Moving Off the Land II is the first public project in Ocean Space, a new global oceanic center in the restored Church of San Lorenzo.
Regina Frank writes: I have been listening to Fresh Art since Cathy Byrd launched the podcast in 2011. One episode that I love features Cathy’s conversation with artist Joan Jonas. In 1991, I met Joan Jonas for the first time. She gave a lecture at the University of the Arts in Berlin. What a wonderful artist! I am fascinated and inspired by her creative approach to combining video, performance and drawing. She saw my work and suggested that I speak to the new museum of contemporary art in New York. They gave me their window and the cover of their newsletter and catalogue a few months later, which marked the beginning of my own career, in 1992. While I was in Venice for the 58th Art Biennale, I spent hours exploring Joan Jonas’s great project in the Church of San Lorenzo. I watched every video from beginning to end.
Sound Editor 2019 Anamnesis Audio | 2012 Leo Madriz
Special Audio: Jason Moran, “He Takes His Coat and Leaves”
Feature photo: Joan Jonas, Moving Off the Land II, Ocean Space, Venice, 2019, courtesy TBA21 Academy
Related Episodes: Joan Jonas on The Shape, The Scent, The Feel of Things, Art with a Sense of Placed, Part One, Regina Frank on Performing at the Intersection of Art and Technology
Related Links: Joan Jonas, Ocean Space
Today, we introduce you to five artists whose primary medium is sound. The diverse techniques and concepts they explore demonstrate the versatility and power of sonic art. Working with music and song, noise and movement, in natural and urban settings, they are among thousands of artists drawn to this highly diverse art form.
American sound artist Stephen Vitiello is based in New York City. In 2013, we talk about his work and the first group show dedicated entirely to Sound Art at the Museum of Modern Art, New York. We consider the history of sound art and what draws Vitiello to work with the sounds that surround him.
The sound of glass holds a universe of meanings for Camille Norment. Representing Norway at the 56th Venice Art Biennale, the American-born artist based in Oslo creates a sonic environment inspired by how sound inhabits and moves through the body. She creates an atmosphere in the pavilion that alternates between dissonance and harmony.
At the Hong Kong pavilion in Venice the same year, we walk through another immersive audio experience—the political commentary of Hong Kong based sound artist and composer Samson Young. We talk about the profiteering and political influence of songs produced to raise funds for disaster relief.
American artist Bill Fontana has a long-time relationship with sound and space. He describes his practice as “composition by listening.” Based in San Francisco, Fontana is known for relocating sounds to create site-specific installations around the world. We talk about how nature and history inform his public art projects — from his 1981 Landscape Sculpture with Foghorns, in San Francisco, to his 2018 Sonic Dreamscapes, in Miami Beach.
In 2017, we meet Colombian composer and sound artist Alba Triana in her Miami studio. She shows us a range of her experiments, from inaudible sound and light installations to interactive electronic music compositions and vibrational environments. Each one transforms our perception of space.
Sound Editors | Special Audio: Five Sonic Stories—Anamnesis Audio and Joseph DeMarco, Bill Fontana—Anamnesis Audio | Bill Fontana, Camille Norment—Kris McConnachie | VernissageTV, Alba Triana—Alyssa Moxley | Alba Triana, Stephen Vitiello—Eric Schwartz | Stephen Vitiello, Samson Young—Guney Ozsan | FreshArtINTL
Related Episodes: Bill Fontana on Sound & Space, Camille Norment on the Character of a Sonic Environment, Alba Triana on Experimenting with Sound and Light, Stephen Vitiello on Cultural Soundscapes, Samson Young on Songs for Disaster Relief
Related Links: Bill Fontana, Camille Norment, Alba Triana, Stephen Vitiello, Samson Young
New York-based artist Allison Zuckerman explains what drives her desire to distort conventions of female beauty and push art appropriation to a new high. In bright, bold collages, she mixes paint with pixels to create absurd and exaggerated hybrids—women claiming their presence and power in the world.
We meet during her 2018 exhibition at Miami’s Rubell Family Collection. The paintings on view are the wild fruit of a 2017 summer residency. When collectors Mera and Don Rubell offered Zuckerman the time and space to expand her artmaking, she seized the opportunity to go larger than life. In Fall 2019, curator Tami Katz-Freiman introduces Zuckerman’s wild pop-surrealist paintings to Israel, with a solo show at the Herzliya Museum of Art.
Sound Editor: Joseph DeMarco
Related Episodes: Patricia Cronin on Making Art History, Zoë Buckman on Fight Mode, Kathleen Morris and the Year of Yes, ORLAN on Art Tech
Related Links: Allison Zuckerman, Rubell Family Collection, Herzliya Museum of Contemporary Art
In August 2019, we head to Nashville, Tennessee, where leaders of the seventh annual 36|86 Entrepreneurship Festival invited us to stage a live podcast event. We’re here to talk about the Creative Economy. At the heart of our conversation is a startup that aims to have a big cultural impact in this state: the Tennessee Triennial for Contemporary Art. The major art exhibition premieres in 2021, joining others across the United States. Every three years, Prospect New Orleans, Cleveland’s Front International, and Counterpublic in St. Louis, animate contemporary art experiences for their diverse communities.
New Orleans and Nashville are both southern destinations for music and festivals. To think about what an expansive art exhibition could mean for Nashville and the State of Tennessee, let’s go back in time, to the year 2017, when the fourth iteration of Prospect New Orleans came to the Crescent City. You’ll hear how The Lotus in Spite of the Swamp evokes the musical character of New Orleans and the surrounding urban and natural environment. Click below to hear more stories from Prospect.
Sound Editor: Anamnesis Audio | Special Audio: Sonia Boyce, Quintron and Miss Pussycat, Music Box Village, Darryl Montana, The Kitchen Sisters
Voices, in order of appearance: Trevor Schoonmaker, Brooke Davis Anderson, Quintron and Miss Pussycat, Paulo Nazareth, Sonia Boyce, Rusty Lazer, Darryl Montana, Davia Nelson of the Kitchen Sisters
Related Episodes: Art and Community in Prospect 3 New Orleans, Tameka Norris on Channeling Personal History, Franklin Sirmans Introduces Prospect 3 New Orleans, William Pope.L Transforms the Black Factory into a Magic Lantern Show
Related Links: Prospect New Orleans, Tennessee Triennial, Front International, Counterpublic, 36|86 Entrepreneurship Festival
Jamaican-born artist Nadine Hall introduces Diaspora Vibe: Art with Caribbean Roots, a personally significant episode from her Fresh Art playlist. First published on July 26, 2017, this segment reveals the complex and diverse influence of the Caribbean on contemporary art.
Franklin Sirmans, director of the Perez Art Museum, Miami, talks about the pivotal role of art from the Global South in the triennial art exhibition known as Prospect New Orleans. Prospect returns to the Crescent City in November 2020.
Diaspora Vibe Cultural Arts Incubator founder and curator Rosie Gordon Wallace and Miami-affiliated artists describe how the Caribbean is embedded in their work. In November 2019, DVCAI spotlights the region’s cultural impact in the collaborative exhibition Inter | Sectionality: Diaspora Art from the Creole City, at George Washington University’s Corcoran School of the Arts and Design, in Washington, DC.
Nadine Hall writes: The Diaspora Vibe episode from the Fresh Art archive is my favorite—a dream-come-true story to share. Cathy Byrd recorded a conversation with me in summer 2017, just before I traveled outside my homeland Jamaica for the first time. Diaspora Vibe Cultural Arts Incubator had invited me to Miami, to spend one month at Fountainhead Residency. Two years later, I’ve returned to South Florida. I’m here to pursue an MFA in sculpture at the University of Miami, with a three-year scholarship. In this episode, you’ll hear my voice, and the story behind the first step in my incredible journey.
Sound Editor: 2019 Anamnesis Audio, 2017 Guney Ozsan | Special Audio: Los Jaichackers, Jorge Martillo, Ashley Teamer
Related Episodes: Mapping Caribbean Cultural Ecologies, Live from Trinidad: Where Digital Culture Thrives, Live from Dominican Republic with Tilting Axis, Miami’s Caribbean Arts Remix, Art of the Everyday, Diaspora Vibe: Art with Caribbean Roots
Related Links: Franklin Sirmans, Perez Art Museum, Miami, Diaspora Vibe Cultural Arts Incubator, Asser Saint-Val, Gerard Caliste, Ashley Teamer, Nadine Hall, Los Jaichackers, Jorge Martillo
Today, we take you back to the month of April, in the year 2012. That’s when we set out on a road trip from Austin, Texas. We’re aiming to find out how remote wide open spaces of the American Southwest inform and inspire art and design, curating and filmmaking.
Lubbock, Texas, birthplace of musician songwriter Buddy Holly, is our first stop. In a warehouse at the edge of town, we meet architecture professor Chris Taylor. He introduces us to students from Texas Tech University who took his course in Land Arts of the American West. The course involves a 6,000-mile road trip that culminates each time in an exhibition such as the one on view during our visit.
We drive on to Roswell, New Mexico, home to the Unidentified Flying Object (UFO) Museum, to spend the night in one of the ranch-style houses that accommodate the Roswell Artists in Residence Program, known as RAIR. Established in 1967 by artist and art collector Don Anderson, the program is off the beaten path for residencies, offering visual artists the unique opportunity to spend an entire year concentrating on their work. The voices you’ll hear are five of the current residents at the time of our visit: Sarah Bostwick, Jon-Paul Villegas, Brian Villegas, Brian Kluge, and Sioban McBride.
A three hour drive from El Paso, Texas, Marfa has become a destination for art tourism. Home of the ghostly Marfa Lights (unexplained lights sometimes seen along the horizon in the night sky), the tiny town sits in the high desert, between the Davis Mountains and Big Bend National Park.
Renowned minimalist artist Donald Judd came here in the 1970s to escape New York City’s commercial art scene. With the help of the DIA Foundation, he acquired a former Army base. Before Judd died in 1994, he transformed the 400-acre expanse into a faceted art experience. The Chinati Foundation is a contemporary art museum designed to connect art to the surrounding landscape. Year round, visitors can explore Judd's signature boxes and installations by Dan Flavin, Rebecca Horn, Ilya Kabakov and more. We spend a few days to track down some of the artists, curators, designers and producers expanding on Judd’s singular vision.
Professional filmmakers Jennifer Lane and David Hollander moved to Marfa from Los Angeles. CineMarfa, the film festival they founded there, will celebrate its tenth year in 2020. We visit their home for a conversation about the genesis of CineMarfa and plans for the second annual event.
Ballroom Marfa is a key site of cultural production in this remote art mecca. Arts pioneers Fairfax Dorn and Virginia Leh-bermann founded the contemporary cultural arts space in 2003. Ballroom’s gallery is a converted dancehall that dates to 1927. We sit down with Ballroom’s creative team to learn more.
In 2019, we reach out to curator Laura Copelin to find out what happened next. Ballroom Marfa continues commissioning site specific artworks and installations—responding to the environmental, social and political ecology of the landscape that extends to the border of Mexico. One recent example is Haroon Mirza’s massive Stone Circle in the grasslands east of town. This is Ballroom’s most ambitious public commission since Elmgreen & Dragset’s Prada Marfa was completed in 2005. The stone circle will remain in the landscape for the next several years.
Leaving the high desert, we drive northeast through the Texas hill country, passing endless fields of bluebonnets. In East Austin, we meet designer architect Jack Sanders in his studio. Sanders talks about how the legendary architect Sam Mockbee influenced the evolution of his own life’s work.
Sound Editing and Special Audio Credits:
Destination American Southwest Sound Editor: Anamnesis Audio
Land Arts of the American West Sound Editor: Leo Madriz | Special Audio: 45 rpm record found by Land Art 2011 participants
Program Director: Chris Taylor
Students: Alexander Bingham, Luis Bustamante III, Will Cotton, Winston Holloway, Richard Klaja, Celeste Martinez, Zachary Mitchell, Carl Spartz, Rachael Wilson, Bethany Wood. Program Assistant: Adrian Larriva
Roswell Artists in Residence Sound Editor: Leo Madriz | RAiR acoustics: Sarah Bostwick
CineMarfa Sound Editor: Jay Agoglia | Sound Track: Harmony Korine, TRASH HUMPERS, 2009
Ballroom Marfa Sound Editor: Leo Madriz | Special Audio: Brian LeBarton, The Wind, 2010. New Year’s Film/Score Series. January 2, 2010. The Crowley Theater, Marfa
Jack Sanders Sound Editor: Leo Madriz | Music: Ross Cashiola, “Trains in the Grass”
Related Episodes: Fresh Talk: Joan Jonas, Fresh VUE: Austin, Land Arts of the American West, Roswell Artists in Residence, CineMarfa 2012, Ballroom Marfa Imagines a Drive-In, Jack Sanders on Slow Architecture
Related Links: Roswell Artist-in-Residence Program, Sarah Bostwick, Jon-Paul Villegas, Brian Kluge, Corwin Levi, Sioban McBride, Chinati Foundation, CineMarfa, Jack Sanders, Sam Mockbee/Rural Studio
Tags: architecture, Austin,, Design Build Adventure, El Cosmico, Jack Sanders, Marfa, Rural Studio, Sam Mockbee, Texas, New Mexico, art podcast, Fairfax Dorn, Virginia Lebermann, Roswell, artists in residence, Chinati Foundation, Texas Tech University, Donald Judd
How do contemporary art and film illuminate the Black Imagination? This segment from our archive explores some of the issues and ideas behind creative practices that re-imagine the Black experience.
To begin, we share a conversation recorded with curator Valerie Cassel Oliver from 2013, while she was working at the Contemporary Arts Museum Houston. Cassel Oliver is now Curator of Modern and Contemporary Art at the Virginia Museum of Fine Arts, where she's expanding the representation of African American and African-diasporic artists in the Museum's collection.
On November 2, 2016, artists, filmmakers and curators joined us to consider this topic during the Fresh Art International show on Jolt Radio, Miami. Since then, curator Natalia Zuluaga continues to edit [NAME] publications and co-edits the bilingual online journal Dispatches. In summer 2019, Zuluaga curates Materia Abierta, a program on theory, art and technology in Mexico City. Artist Domingo Castillo has been working under the radar since visualizing the complexities of Miami’s future in his 2017 video Tropical Malaise. In 2019, among other recent projects, artist Jamilah Sabur presented a five channel video installation at the Hammer Museum, Los Angeles, and showed a commissioned video at Hudson Yards, New York. Amir George, co-founder of the touring visual shorts program Black Radical Imagination, continues to engage in cinema culture. Mikhaile Solomon, founding director of the annual PRIZM art fair, is preparing for the Fair’s seventh year in Miami, scheduled for December 2019.
Sound Editor: Guney Ozsan 2016; Anamnesis Audio 2019 | Special Audio: courtesy Jamilah Sabur and Oolite Arts
Related Episodes: Valerie Cassel Oliver on Black Performance in Contemporary Art and Jean-Ulrick Désert and Trenton Doyle Hancock on Radical Presence, Black in America, Contemporary Black Portraiture
Related Links: Virginia Museum of Fine Arts, [NAME] Publications, Hammer Museum, Black Radical Imagination, PRIZM Art Fair, Oolite Arts
American artist Charles Gaines has been delving into philosophy, abstraction and mathematics to address politics and race since the 1970s. In August 2019, Gaines receives the 60th Annual Edward MacDowell Medal, an award celebrating his high achievements in visual art, musical composition and performance, and his influence as a teacher, writer and curator. An artist whose work is described as formulating the DNA of the conceptual movement, Gaines is a key figure in contemporary art history.
Born in Charleston, South Carolina, Gaines was the first African American accepted into the School of Art and Design MFA program at the Rochester Institute of Technology. He now lives and works in Los Angeles. He’s been a faculty member at the California Institute of the Arts, for more than three decades.
As Charles Gaines prepares for high profile exhibitions in Los Angeles, San Francisco and London, through 2022, we reflect on what his art says to the world. Resolutely abstract in his practice, Charles Gaines refuses traditional representation—resisting both dominant racial stereotypes, and pressure from within the black community. His gridworks and manifestos deliberately counter deep-seated assumptions about the forms that nature and culture, art and music should take. Gaines shows us how art can embody conceptual, aesthetic, and personal freedom.
This episode features conversations recorded with Charles Gaines in 2015, 2017 and 2019.
About the MacDowell Medal: A Haven for Artists since 1907, the MacDowell Colony in New Hampshire, was the first artist residency program established in the United States. Each year, the MacDowell Medal recognizes one individual for outstanding contributions to American arts and culture. Merce Cunningham, Louise Nevelson, Isamu Noguchi, Sonny Rollins, and Toni Morrison are among past honorees.
Sound Editor: Anamnesis Audio | Special Audio: Charles Gaines, Manifestos performance, 56th Venice Art Biennale
Related Episodes: Mark Bradford Connects Art with the Real World, Contemporary Art and the Black Imagination
Related Links: Charles Gaines | MacDowell Honors Visual Artist, Solidary & Solitary: The Joyner/Giuffrida Collection, Charles Gaines, Institute of Contemporary Art, Miami, Charles Gaines, The Studio Museum in Harlem, Biennale Arte 2015, All the World's Futures
This July, NASA invites us to celebrate the historic 50th anniversary of the Apollo 11 moon mission. Looking up to the sun, moon and stars, we revisit a radio show designed to revolve around the 2017 total solar eclipse. Listeners will learn that the weather threw our program slightly off course. That's because the first time we streamed The Art of the Eclipse on Jolt Radio was September 6, 2017, four days before Hurricane Irma hit Florida. The southern coast was in evacuation mode.
Our show begins with a flashback to 2013, in Berlin, when we recorded a conversation at the intersection of art and science in the control tower at the abandoned Tempelhof airport, in Berlin. German artist Agnes Meyer-Brandis demonstrates one of her gravity experiments and explains how she raises moon geese.
We share our field recordings and interviews from August 21, 2017, when thousands of people came together to experience the solar event at Miami's Frost Museum of Science. Dr. Jorge Perez-Gallego, then curator of astronomy at the Museum, calls in to tell stories of his eclipse-viewing adventure outside Madras, Oregon. For the finale, we introduce a selection from the short films screened at the Frost's Science Art Cinema Film Festival in summer 2017.
Sound Editors: 2017 Guney Ozsan, 2019 Anamnesis Audio | Special Audio courtesy National Aeronautics and Space Administration, Agnes Meyer-Brandis, Frost Science Museum, Delphino Huang, John Akre, Michael J. Ruiz-Unger
Related Episodes: Studio Drift Drones Send Up Swarming Ode to Apollo at 50, Art and Our Uncertain Future, Art of the Eclipse, Agnes Meyer Brandis on Science and Creativity
Related Links: NASA, Agnes Meyer-Brandis, Phillip and Patricia Frost Museum of Science, Delphino Huang, John Akre, Michael J. Ruiz-Unger, Science Art Cinema Film Festival
To honor the 50th Anniversary of the Apollo 11 moon landing this July, we introduce you to Studio Drift, two artists whose poetic work points to the moon and stars. During NASA festivities, a special edition of their airborne art will lift off from the Rocket Garden at the Kennedy Space Center.
Amsterdam-based Lonneka Gordijn and Ralph Nauta work at the intersection of nature, art and technology. Their complex creative applications of new technology invite us to question the lines we draw between humanity and nature, chaos and order. In 2017, we meet the artists to talk about two of their curious experiments—an enormous concrete block hovering inside New York City’s Armory art fair, and 300 illuminated drones that swarmed in the night sky over Miami Beach during Art Week.
In 2018, after the South Florida premiere of Studio Drift: Franchise Freedom, the artists brought their drone starlings to sky watchers in Amsterdam, during their retrospective exhibition at the Stedlijk Museum, and to the Burning Man festival, in the northwest Nevada desert. This week, there’s a chance that millions of people watching the NASA celebration from afar will become virtual witnesses to the wonder of Studio Drift’s flying sculpture.
Sound Editor: Anamnesis Audio | Special Audio: Apollo 11 sounds via NASA website, Franchise Freedom music composed and played by Joep Beving for Studio Drift, Franchise Freedom live performance, Miami Beach, Florida, 2017, courtesy Fresh Art
Related Episodes: Drone Starlings in the Night Sky: Studio Drift on Nature and Culture, Steve Brown and Jesse Deeter Capture Burning Man on Film
Related Links: Studio Drift, National Air and Space Agency, Stedelijk Museum, Burning Man, Miami Art Week
What Studio Drift says about their July 16, 2019, ode to the NASA moon landing:
Lonneke Gordijn: The moon landing made us think about our lives here on earth more than life on the moon. That’s what our work Franchise Freedom is about, human behaviour on earth. Ralph Nauta: The Apollo 11 moon landing exemplifies how technology can have a positive effect on humanity. Let’s take this as an example of what amazing possibilities we have if we put our minds together. It is our responsibility to use technology to build a sustainable future.
Today, we take you to Miami Beach, Florida, for a conversation with British-born artist Ellen Harvey.
In 2002, the art fair known as Art Basel traveled here from Switzerland, to set up a winter home. While the South Florida metropolis has grown into an international contemporary art mecca, this coast has also become recognized as ground zero for sea level rise.
Despite increased flooding from high tides, the population keeps growing. Public and private investments continue to pour in. In 2015, the City of Miami Beach allocated 620 million dollars to renovate and expand the Convention Center where the Art Basel fair takes place every December. Seven million dollars of the budget were dedicated to public art. Six new site works are adding star power to the City’s permanent collection.
Selected for one of the high profile commissions, Brooklyn-based artist Ellen Harvey seized the moment, to create what she describes as “a hopelessly romantic call to action.” We sit down with her to talk about the endangered eco-system that informs Atlantis, her shimmering glass wall installation.
Sound Editor: Anamnesis Audio
Related Episodes: Art and the Climate Crisis with IKT Miami, Curating and Creative Resilience with IKT in Miami, Whithervanes: The Art of Anxiety, Where Art Meets Activism, Art and the Rising Sea
Related Links: Ellen Harvey, Art in Public Places
Ellen Harvey’s Atlantis joins other public art projects to be realized in and around the Convention Center. Accessible to visitors and locals, the full set will include a vivid painted mural by Franz Ackermann (Berlin), a bent swimming pool sculpture by Elmgreen & Dragset (Berlin), a neon global positioning installation by Joseph Kosuth (London/New York), whimsical park seating by Joep van Lieshout (Rotterdam), and an expansive patterned tile wall by Sarah Morris (New York).
Cathy Byrd, Fresh Art International Founder and Artistic Director, participated in the review and selection process from 2015-2016 as a member of the City of Miami Art in Public Places Committee.
Where do you go to hear the voice of architecture?
At midnight, on the eve of the 14th Istanbul Biennial exhibition opening in 2015, we meet British sound artist Oliver Beer inside a 400-year old Turkish bath for an immersive acoustic experience. With microphone and recorder in hand, we follow him into the bath’s hot, steamy inner chamber, where young local opera singers are rehearsing for a one-night-only performance of his composition Call to Sound.
Revisiting our sonic encounter with the architecture of Istanbul is an opportunity to introduce the sound work that Oliver Beer brings to New York in 2019. Keep listening, to hear the site-specific project he created for The Met Breuer, home to the modern and contemporary art program of New York's Metropolitan Museum of Art. The Met's first commission of a sound-based installation, Oliver Beer: Vessel Orchestra is a musical instrument, a series of live performances, and an installation composed of thirty-two sculptures, utilitarian vessels, and decorative objects from the Museum collection.
Call to Sound Composer: Oliver Beer | Musical Director: Eray Altınbuken (ITU/MIAM) Singers: Seren Akyoldaş, Ufuk Atar, Başak Ceber, Nur Diker, Murat Güney, Recep Gül, Baruyr Kuyumcıyan, Deniz Özçelik, Alin Aylin Yağcıoğlu, Canan Tuğberk
Sound Editors: 2015 Kris McConnachie; 2019 Anamnesis Audio | Call to Sound performance audio courtesy Oliver Beer; Oliver Beer: Orchestral Vessel installation sound courtesy Oliver Beer and The Met Breuer
Related Episodes: Oliver Beer Explores the Sound Chamber of a Turkish Bath, Camille Norment on the Character of a Sonic Environment
Related Links: Oliver Beer: Vessel Orchestra, Oliver Beer: Call to Sound, Istanbul, Kiliç Ali Paşa Hamam, 14th Istanbul Biennial
In this episode, we revisit one of our live studio sessions from 2018: The Art of Obsolete Media. Web streaming on Jolt Radio, we introduce four Miami-based artists passionate about bygone technology: Barron Sherer, Kevin Arrow, Martha Raoli and Terence Price.
The initial spark for this conversation was Obsolete Media Miami (O.M.M.), a shared studio space and repository for all kinds of old media that Barron Sherer and Kevin Arrow launched and operated from 2015-2018.
On Fresh Art International, you’ll hear Sherer introduce the work of legendary filmmaker Jonas Mekas, and talk about his own complex film and video installation projects— presented in Miami, Florida, and Queens, Australia in 2018. Sherer opened a new studio space in February 2019. In 2020, he’ll launch the Moving Image Alliance, a nonprofit media arts resource and service organization to support contemporary moving image arts based on pre-digital cinema practices and technologies.
Kevin Arrow takes us on a tour of the Obsolete Media Miami space at the edge of Miami’s Design District. In early 2019, Arrow established Media and Archival Studies (M.A.S.), Miami with Stephanie Marie, the Manager of Special Collections and Archives at the Miami-Dade Public Library System. Among his upcoming local collaborations are a live “cinema + sound” experience at Bakehouse Art Complex, the activation of a planetarium dome at Booker T. Washington High School and the screening of a Maya Deren film at the North Miami Museum of Contemporary Art.
Artist and writer Martha Raoli talks about her 2018 performance with a manual typewriter at the Perez Art Museum, Miami. In 2019, Raoli launched her own radio show featuring live theremin performance. You can listen to "Etherwave Hour" on Jolt Radio every Saturday at 2pm.
Obsolete media inspired photographer Terence Price to create an entire body of work from family photo albums and home movies. After presenting his solo exhibition "Dancing in the Absence of Pain,” in early 2019, at Art Center South Florida (now Oolite Arts), he’s been preparing for upcoming shows and completing a residency with Oolite that will end in December 2019.
These Miami-based artists represent a penchant for the pre-digital among creatives the world over. Their bygone tech-infused pursuits emphasize the ongoing relevance of obsolete media in the field of contemporary art.
Sound Editor: Anamnesis Audio | Special Audio: Courtesy Jonas Mekas, Barron Sherer, Kevin Arrow, Martha Raoli, Terence Price
Related Episodes: Turning Analog Technology into Sound Sculpture, Inside Miami's Sound Chamber, ORLAN on Art Tech
Related Links: Obsolete Media Miami, Terence Price, Martha Raoli, Barron Sherer
What does "creative resilience" mean for curators in the year 2019?
One evening, we decide to find out. Setting up a temporary recording studio in a poolside cabana, at a Miami Beach hotel, we sit down with a dozen curators and cultural producers to document their stories. In this marathon recording session, you’ll hear curatorial strategies for engaging new communities, increasing the visibility of underrepresented artists, and addressing some of today's most pressing social, political and environmental challenges.
We recorded this special program when the annual Congress of the Association of International Curators of Contemporary Art (IKT) took place in the United States for the first time. Curators from the U.S., Europe and the Caribbean gathered in Miami, Florida, to explore the contemporary art scene and participate in a symposium about art and resilience in the climate crisis.
Voices in the episode: (alpha order) Eva Asp, Bayardo Blandino, Aldeide Delgado, Yucef Merhi, Thale Fastvold and Tanja Torjussen, Michele Fiedler, O'Neil Lawrence, Lorie Mertes, Najja Moon, Marina Reyes Franco, Sofía Shaula Reeser-del Rio
Sound Editor: Anamnesis Audio | Special Audio: (in order of appearance) Spectres in Change: FoAM / Maja Kuzmanovic and Nik Gaffney; The Quilt Performing Arts Group for Beyond Fashion exhibition, National Gallery of Jamaica; Contemporary Art Museum of Caracas (Hacked!) 2000-2004; The BLCK Family Dinner
Related Episodes: Art and the Climate Crisis with IKT Miami, Art and the Rising Sea, Curating in a Time of Global Change: IKT Norway, Sounds of Contemporary Art in Norway with IKT
Related Links: International Association of Curators of Contemporary Art, FoAM Spectres in Change, Sala de Arte Público Siqueiros, Contemporary Art Museum of Caracas (Hacked!) 2000-2004, National Gallery of Jamaica, Resisting Paradise, Locust Projects, The BLCK Family, Gävle Konstcentrum, International Cities of Refuge Network, SALA MAC / Contemporary Visual Arts Center of Women in the Arts in Honduras, Women Photographers International Archive, Locus Art
Venice is proven as a top destination for international contemporary art. The 58th Venice Art Biennale opened on May 11, 2019, and will be on view for the next six months. Thank you to Philadelphia-based art historian Deborah Barkun for contributing views from Venice on Instagram. Follow her encounters @freshartintl.
Today, we revisit a selection of sonic encounters at the 57th Venice Art Bienniale, when Italy was the first stop on a six-week Fresh Art International field expedition. In May 2017, preview days for the global exhibition presented an ephemeral opportunity to record the voices of curators, artists, and sounds of installations, performances and events. This episode features our experiences in the pavilions of France, Germany and Nigeria, and our walk through Egyptian artist Hassan Khan’s outdoor sound environment. Artist Carolee Schneemann (1939-2019) was honored with the Golden Lion for lifetime achievement at the 57th Art Biennale. In her memory, we share the conversation we recorded with Schneemann just days before we watched her accept the prestigious award at the opening ceremony.
Sound Editor Guney Ozsan | Special Audio: French Pavilion—pianist Federico Tibone, vocalist Farrah el Dibany, experimental media artist duo My Cat is an Alien; German Pavilion—Vernissage TVfield recording, Billy Bultheel's musical composition for Faust; Nigerian Pavilion—performance by choreographer and dancer Qudus Onikeku; Hassan Khan, Composition for a Park, ambient recordings by Andrew Russeth and Fresh Art International
Related Episodes: Samson Young: Songs for Disaster Relief, Lisa Reihana on Reversing the Colonial Gaze, Monument to Decay: Israeli Pavilion in Venice, Mark Bradford Connects Art with the Real World
Related Links: Venice Art Biennale, Fresh VUE 57th Venice Art Biennale
About the 57the Venice Art Biennale: Christine Macel curated the main exhibition Viva Arte Viva, described as a “Biennale designed with artists, by artists and for artists.” Macel called it an Exhibition inspired by humanism. For her, direct encounters with the artists assumed a strategic role. Of the 120 invited artists, 103 were participating for the first time.
About Carolee Schneemann: Starting as a painter in the 1950s, in the 1960s, the artist began using her own body as material in experiments with film, music, poetry, dance, and performance. Her fearless artmaking explored body, narrative, sexuality and gender, in ways that challenged cultural and political taboos.
Today’s episode is part of our Playlist series. We’re inviting artists, curators, architects, filmmakers, cultural producers and other listeners to share episodes from their Fresh Art International playlists.
Born and based in Miami, Eddie Arroyo is a landscape painter who documents residential and commercial structures that urban development will soon erase. He chronicles the loss of a community's cultural, social, and economic fabric. In his photo-based practice, Arroyo hopes to spark conversations about prosperity and accountability within the American social system. He’s a participating artist in the 2019 Whitney Biennial, at the Whitney Museum of American Art, in New York. Here, he introduces The Art of Capitalism, a 60-minute segment released in 2018.
Arroyo writes: Over the years, Fresh Art International has contributed to Art World discourse through an informative, relevant and challenging podcast. One notable episode, The Art of Capitalism, was posted in August 2018. Right now, in what is being framed as a period of economic prosperity, this episode invites meditation regarding “the free market,” with projects such as the Occupy Museum collective which explores the financial consequences of debt - even going so far as hosting a “Debt Fair.” In London, an artist couple opened their own bank to print money, with plans to blow up a van filled with loan debt as a part of their “Bank Job” series. And there is Reverend Billy of the Church of Stop Shopping who preaches the word to his growing congregation and anyone who wishes to join.
About The Art of Capitalism: Today, capitalism, also known as “the free market,” is linked to trade wars, massive student debt, entire countries going bankrupt, burgeoning virtual currencies and coded security systems. What does art have to say about our careening global economy?
In abandoned bank buildings, failed urban development projects and public squares, we discover artists and their communities in the U.S., Western Europe, South America and Greece, taking on the challenge—as whistle blowers, catalysts, educators, money makers, evangelicals and documentarians.
Featured in this episode: Occupy Museums/Imani Jacqueline Brown, Kenneth Pietrobono, Noah Fisher; Fictilis/Andrea Steves and Timothy Furstnau; Museum des Kapitalismus/Julian and Janosz; Musée du Capitalisme/Samuel Hus and Chloé Villain; La Torre de David/José Luis Blondet, Ángela Bonadies and Juan José Olavarría; Bank Job/Hilary Powell and Dan Edelstyn; Reverend Billy and the Stop Shopping Choir
Sound Editor: Anamnesis Audio | Special Sound: Ángela Bonadies and Juan José Olavarría; Bank Job; Reverend Billy | Contributing Producer: Anamnesis Audio for Reverend Billy Segment
Related Episodes: Poetry, Art and Community Justice, The Art of Breaking the Bank, The Art of Capitalism, Where Art Meets Activism, Occupy Museums: Artists and Debt
Related Links: Decolonize This Place, Occupy Museums, Museum of Capitalism: Fictilis, Museum des Kapitalismus, Musée du Capitalisme, Bank Job, Reverend Billy and the Stop Shopping Choir, SITE Santa Fe SITElines: Casa tomada
In Miami, Florida, we take you to meet cultural producers leading the way in local collaborative place making. Five Miami-based artists and an art archivist have come together to energize Dimensions Variable (DV), a new contemporary art space they're animating with artist studios, exhibitions, events and special projects. In this gathering place for art and culture, they aim to spark a dialogue about collective creativity as a way of life.
Voices: Dimensions Variable founders Leyden Rodriguez-Casanova and Frances Trombly, DV collaborators Juan Pablo Garza, Laura Marsh, Anita Sharma and Magnus Sigurdarson, and DV's first 2019 visiting artist Luz Carabaño
Sound Editor: Anamnesis Audio
Related Episodes: Public Art Meets Poetry in O, Miami, The BLCK Family of Miami on Collective Creativity, Miami's Caribbean Arts Remix, Culture Making in Downtown Miami, Sharon Louden on The Artist as Culture Producer
Related Link: Dimensions Variable
Today’s conversation continues our Playlist series. We’re inviting artists, curators, architects, writers, filmmakers, cultural producers and other listeners to introduce episodes from our archive.
Based in the United States, art historian and curator Deborah Barkun is Chair of the Department of Art and Art History and Director of Museum Studies at Ursinus College, outside Philadelphia. Her research centers on the social dynamics of artistic collaboration. Barkun is contributing to our stories from the 58th Venice Art Biennale. Here, she introduces our conversation with Ivorian artist Joana Choumali, first released on April 30, 2018.
Deborah Barkun writes: I am excited to introduce this reprise of “Joana Choumali Embroiders Empathy.” I feel especially connected to this episode, as I was present for Cathy’s first interview with Choumali in the Ivory Coast Pavilion at the 57th Venice Biennale. Choumali spoke poignantly about African emigration and the emptiness it leaves in the hearts of loved ones left behind. Her hand-embroidered and collaged photographic diptychs depict this global migration. Loose threads left dangling from the works speak to a sense of ongoing longing.
Sound Editor: Anamnesis Audio | Photography: Deborah Barkun
Related Episodes: Joana Choumali Embroiders Empathy, Sounds of the 57th Venice Art Biennale, Samson Young: Songs for Disaster Relief, Lisa Reihana on Reversing the Colonial Gaze, Monument to Decay: Israeli Pavilion in Venice, Mark Bradford Connects Art with the Real World
Related Links: Joana Choumali, Ivory Coast Pavilion, Venice Art Biennale, Dak’Art 2018
Today’s conversation is the first in our new Playlist series. We’re inviting artists, curators, architects, writers, filmmakers and cultural producers to introduce their favorite episodes from our archive.
From the Netherlands, curator, writer and arts producer Sasha Dees works internationally. An advisor to numerous festivals and arts venues, she’s known for encouraging artists to experiment with classical art forms. Her practice centers on creating new dialogues and forging collaborations across cultures, traditions, genders and art disciplines. Here, she introduces my conversation with Remy Jungerman, first released on September 18, 2014.
The Surinamese-Dutch artist talks about the influences of European modernism and Afro-religious aesthetics on his practice, and describes a public art he created in Morengo, his home town. A participating artist in Prospect.3, the 2014 international contemporary art exhibition in New Orleans, Jungerman showed his work a the Joan Mitchell Center from late October 2014, to January 2015. His art will be on view in the Dutch Pavilion at the 58th Venice Art Biennale.
Sound Editor: Anamnesis Audio | Special Audio: Chris Quinlan, drum set and Evan Dyson, toad mating call
Sasha Dees writes: There are many podcasts I have enjoyed over the years since I was introduced to Cathy Byrd by [artist] Amy Sherald in 2012, but the episodes she made during her residency in Amsterdam are dear to my heart. My choice from the archive is the episode with artist Remy Jungerman. Five years after the podcast, he is selected for the Dutch Pavilion in the Venice Biennale. It has been a lot of work in Europe for non-white artists to conquer their rightful space within the art field. I am extremely proud of Remy, who worked consistently with great determination and passion, who kept investing in his own practice, and never veered off the path of being a professional artist or wavered from his artistic urgency. In 2019, presenting his work in the Venice Biennale is well deserved.
Related episodes: Franklin Sirmans on Prospect New Orleans, Remy Jungerman on European Modernism and Afro-Religious Aesthetics, Mapping Caribbean Cultural Ecologies, Sasha Dees on Miss T — My American Dream
Related links: 58th Venice Art Biennale, Dutch Pavilion 2019
Public art meets poetry in the month-long festival known as O, Miami. We sit down with visual artists Najja Moon and Michelle Lisa Polissaint and O, Miami's managing director Melody Santiago Cummings to talk about their work and introduce the spectrum of site-specific projects that bring poetry to communities.
Who’s The Fool? How To Patch A Leaky Roof: Moon and Polissaint create a Little Haiti Cultural District version of the blue umbrellas distributed for free in the Design District, a burgeoning retail development that is rapidly reducing the footprint of a community established by thousands of Haitian immigrants beginning in the 1950s. The artists imagine a dual role for the 1,000 bright red umbrellas they had fabricated. Mobile shelters from the rain and shields against the impact of urban development, the Little Haiti umbrellas feature a Creole proverb alluding to the false promise of urban development in the district. As if placing a flag on the moon, or drawing a line in the sand, Moon and Polissaint proclaim the identity of the community they call home and construct a monument to those fighting to preserve the district. The artists will go door to door with their gifts, inviting their neighbors to join in addressing the larger issue of gentrification in Miami.
O, Miami projects introduced in this episode: Who's the Fool?; Chiquita Poemas; The Last Ride of José Martí; The Beach is a Border; The Sunroom, poetry in schools
Sound Editor: Anamnesis Audio | Special Audio: Michelle Lisa Polissaint, Moonlight Moanin'; O, Miami: Ivan Lopez, The Last Ride of José Martí; Mia S. Willis, "hecatomb;" Sandra March, with Jose Olivarez, The Beach is a Border; The Sunroom
Related Episodes: Poetry, Art and Community Justice, Cultural Complexity in Little Haiti
Related Links: O, Miami, Najja Moon, Michelle Lisa Polissaint
Today, we take you to meet the creative hive that's transforming the cultural landscape of Tampa, Florida. While the coastal city may still be best known for its cigar-making history and vulnerability to rising sea levels, we discover an animated art scene. This is where new and established studios, public art projects, dynamic DIY galleries, avant-garde festivals, and networked community hubs are inventing fresh opportunities for public engagement with contemporary art.
Voices (alpha order): Janina Awai, Wendy Babcox, Neal Bender, Carrie Boucher, Devon Brady, Warren Cockerham, Liz Dimmit, Bridget and Henry Elmer, Rebecca Flanders, Mitzi Gordon, Sarah Howard, Noelle Mason, Tracy Midulla, Margaret Miller, Libbi Ponce, Jenn Ryan Miller, Gary Schmitt, Bosco Sodi, Jake Troyli, Christian Viveros-Fauné
Sound Editor: Anamnesis Audio | Special Audio Courtesy of Wendy Babcox, Meghan Lock and Noisy Womxn; Kalup Linzy and FMoPA; JaTovia Gary, Kristin Reeves and FLEX FEST; Devon Brady and The Echo Quilt
Tempus Projects supported, in part, this episode.
Related Episodes: Live from the Everglades, Part One and Part Two, Art and the Rising Sea, Modern Portrait of Black Florida
Related Links: Tempus Projects, The Echo Quilt, University of South Florida Institute for Research in Art, Bosco Sodi, Florida Museum of Photographic Arts, Parallelogram Gallery, Quaid Gallery, Florida Experimental Film/Video Festival, St. Pete Women's Collective, SPACEcraft
About Tempus Projects: Tempus Projects is an alternative space situated in a storefront on Florida Avenue in the South Seminole Heights district of Tampa, Florida. A nonprofit organization operates the space as a way to nurture established and emerging local, national and international artists working in all media. Tempus originates, organizes and hosts exhibitions, events and special projects, to engage the Tampa Bay community through the visual arts. This home-grown cultural initiative has energized the district’s emergence as a unique and creative destination.
Globally engaged curators introduce IKT, the International Association of Curators of Contemporary Art, and talk about themes we'll explore during the 2019 IKT Congress in Miami. Ground zero for sea level rise, Miami is the ideal context for our conversation on how art and visual culture are changing public perception of today's climate crisis.
Recorded in the studio of Jolt Radio, Miami, on April 10, 2019, during our weekly web streaming radio show.
Voices: (alpha order) Daniela Arriado, Susan Caraballo, T.J. Demos, Julia Draganović, Vanina Saracino
Sound Editor: Anamnesis Audio | Special Audio: Cara Despain, Sea Unseen; Ursula Biemann and Paulo Tavares, Forest Law; Oliver Ressler, Code Rood; Enrique Rámirez, Tidal Pulse; Band of Weeds, Underground Root Movement |
This episode is supported, in part, by IKT Miami.
Related Episodes: Live from the Everglades, Part One, Robert Chambers on Art, Ancient Plants and New Technologies, Gustavo Matamoros: Inside Miami’s Sound Chamber, Deborah Mitchell: The Artist as Guide to the Everglades, Jenny Larsson on Searching for Arctic Winter, Adam Nadel on Getting the Water Right, Artist Residency in Everglades, Art and the Rising Sea, Jorge Menna Barreto on Environmental Sculpture, Rauschenberg Residency on Rising Water, Andrea Bowers on Environmental Activism
Related Links: IKT, Screen City Biennial
Episode Participants:
Daniela Arriado is Director and founder of Screen City Biennial in Stavanger, Norway. Based in Berlin since 2012, she explores new curatorial approaches towards expanded borders of cinematic experiences and the audio-visual through projects concerning urban screens and online streaming platforms for video art.
Susan Caraballo is a Miami-based arts consultant, producer and curator working at the intersection of curating and directing to explore global issues including the ecological crisis and contemporary social conditions. A member of IKT's Miami constituency, Caraballo organized the symposium for the 2019 Congress around the subject of environmental sustainability and creative resilience.
T.J. Demos is Professor in the Department of the History of Art and Visual Culture, at University of California, Santa Cruz, and Founder and Director of its Center for Creative Ecologies. He writes widely on the intersection of contemporary art, global politics and ecology.
Julia Draganović is a curator whose focus is time based and collaborative art and new artistic strategies. She has curated projects in Germany, Italy, Spain, the USA and Taiwan. Currently Director of Kunsthalle Osnabrück, Germany, Draganović has served as President of IKT since 2014.
Vanina Saracino is an independent curator and film programmer based in Berlin. She is the co-founder of OLHO, an international curatorial project about contemporary art and cinema initiated in 2015 in Rio de Janeiro and São Paulo, also shown at Teatrino di Palazzo Grassi (Venice, 2017) and Palais de Tokyo (Paris, 2018). Saracino is co-curating the 2019 Screen City Biennial.
About IKT: German curators Eberhard Roters, Eddy de Wilde and Harald Szeemann and others founded IKT in 1973, to stimulate and extend debate concerning curating. Convening each year in a different city, IKT brings together curators from around the world, to meet, share knowledge, exchange ideas and broaden their professional networks.
About IKT Miami: A group of twelve Miami-based curators organized a three-day program for IKT's 2019 Congress in Miami. More than 100 international curators and art professionals participated, along with local curators, cultural producers, artists and other members of Miami’s cultural community. IKT Miami brought international attention to area artists and cultural producers, including those addressing global issues of sustainability and resilience in South Florida. The symposium and five related community events introduced Miami’s rich cultural landscape.
This flashback to Norway 2017 features our sonic encounters and conversations with artists, curators and cultural producers in the capital city of Oslo and in Tromsø, a small town north of the Arctic Circle.
In 2017, Fresh Art International founder and artistic director Cathy Byrd traveled to Norway as a new member of the International Association of Curators of Contemporary Art (IKT), an organization designed to support and connect curators in our global community. The Office for Contemporary Art, Norway, and Oslo Pilot (now known as osloBiennalen) guided our first experience of contemporary Nordic art and culture.
In 2019, when IKT convenes for the first time in the United States, Fresh Art International will stage three podcast events with IKT delegates and Miami-based curators and cultural producers. Diverse venues, partners, grantors and sponsors make possible the realization of IKT Miami and the Post-Congress that follows in Havana, Cuba.
Voices: (alpha order) Thale Fastvold and Tanja Thorjussen/LOCUS, Freek Lomme/Onomatopee, Charlotte Nilsen, Marita Isobel Solberg, Ánde Somby, Amund S. Sveen, Jana Winderen, Tori Wrånes, Jana Winderen
Sound Editor: Anamnesis Audio | Special Audio: Margrethe Pettersen, Jana Winderen, Tori Wrånes | Photography: Fresh Art International, featured artists and curators, IKT and OCA Norway
Related Episodes: Sounds of Contemporary Art in Norway, Curating in a Time of Global Change
Related Links: IKT, OCA Norway, osloBiennalen
South Florida’s subtropical wilderness inspired us to stage a remote radio broadcast from the Everglades. On February 24, 2019, we brought live and pre-recorded conversations with artists, scientists, rangers, educators and Miccosukee activists to a live audience on the porch of the Ernest F. Coe Visitor Center.
Voices in Part Two (alpha order): Warren Abrahamson, Miguel Alejandro Castillo, Robert Chambers, Houston Cypress, Jose Elias, Nathan Fox, Ellen Harvey, Jenny Hipscher, Lori Marois, Deborah Mitchell, Cristina Molina, Adam Nadel, Paula Nelson-Shokar, Sarah Michelle Rupert, Dara Silverman, Hilary Swain
Sound Editor: Anamnesis Audio | Special Audio: Jack Tamul & James T. Miller, Voices of Everglades National Park
This episode is supported, in part, by Artists in Residence in Everglades (AIRIE) and Everglades National Park. Fresh Art International’s Cathy Byrd, AIRIE Fellow, February 2019, lived in the Park for one month as curator in residence.
Related Episodes: Live from the Everglades, Part One, Robert Chambers on Art, Ancient Plants and New Technologies, Gustavo Matamoros: Inside Miami’s Sound Chamber, Deborah Mitchell: The Artist as Guide to the Everglades, Jenny Larsson on Searching for Arctic Winter, Adam Nadel on Getting the Water Right, Artist Residency in Everglades, Art and the Rising Sea, Jorge Menna Barreto on Environmental Sculpture, Rauschenberg Residency on Rising Water, Andrea Bowers on Environmental Activism
Related Links: Artist in Residence in Everglades (AIRIE), Everglades National Park, Jolt Radio
South Florida's subtropical wilderness inspired us to stage a remote radio broadcast from the Everglades on February 24, 2019. We brought live and pre-recorded conversations with artists, scientists, rangers, educators and Miccosukee activists to a live audience on the porch of the Ernest F. Coe Visitor Center. This episode is Part One of our two-hour program.
Voices in Part One: AIRIE Creative Director Deborah Mitchell, Miccosukee activist Betty Osceola, Celeste DePalma of Audubon Florida, Park Rangers Daniel Agudelo, Nathan Fox, Leon Howell, Lori Marois and Emily Wong, Park volunteer Barbara Hedges, Park hydrologists Steven Tennis and Adam Thime, and AIRIE Fellows Grant Livingston, Gustavo Matamoros and Christina Pettersson.
Sound Editor: Anamnesis Audio | Special Audio: Jack Tamul & James T. Miller, Voices of Everglades National Park
This program is supported, in part, by Artists in Residence in Everglades (AIRIE) and Everglades National Park. Fresh Art International's Cathy Byrd, AIRIE Fellow, February 2019, lived in the Park for one month as curator in residence.
Related Episodes: Robert Chambers on Art, Ancient Plants and New Technologies, Gustavo Matamoros: Inside Miami's Sound Chamber, Deborah Mitchell: The Artist as Guide to the Everglades, Jenny Larsson on Searching for Arctic Winter, Adam Nadel on Getting the Water Right,Artist Residency in Everglades, Art and the Rising Sea, Jorge Menna Barreto on Environmental Sculpture, Rauschenberg Residency on Rising Water, Andrea Bowers on Environmental Activism
Related Links: Artist in Residence in Everglades (AIRIE), Everglades National Park, Jolt Radio
The 2019 documentary Pahokee is a landmark project for filmmakers Ivete Lucas and Patrick Bresnan and a sign of hope for the rural South Florida community whose story they tell. An official selection in 2019 Sundance and South by Southwest Film Festivals, Pahokee won the Miami Film Festival’s 2019 Knight Made in Miami Award.
Perched on the Southeastern shore of Lake Okeechobee in the Everglades, forty miles west and a world apart from affluent West Palm Beach, Pahokee is named after the Seminole word meaning "grassy waters.” In the film, we follow four students as they navigate the hope and heartbreak of their senior year at Pahokee High School. All eyes are on the rituals of football, prom and graduation in the town these teenagers call home.
Sound Editor: Anamnesis Audio | Film Audio and Photography courtesy Otis Lucas
Related Episodes: Women Writers on Cuba in Film, Introducing Miami Film Festival GEMS 2017, Alexa Lim Haas on Animating Daydreams, Borscht 10 Film Festival
Related Links: The Film Pahokee, Otis Lucas, Miami Film Festival 2019
Miami-based sculptor Robert Chambers lived in Everglades National Park for one month in 2018, as a Fellow in the Artist in Residence in Everglades program.
In the darkness outside his studio one night, the artist tripped on the roots of an ancient plant: The Saw Palmetto (in Latin, Serenoa repens), That’s when a hidden world began opening up to him.
In fact, the small palms are everywhere you look, native to the subtropical wilderness. The leaves are woven into the thatched roofs of indigenous pavilions you’ll find in Big Cypress, a wetlands preserve north of the national park. In some parts of the world, saw palmetto berries are cherished for their healing properties.
We meet Robert Chambers to explore his exhibition titled Serepens at the AIRIE Nest, an art gallery inside the Visitor Center. AIRIE curator Deborah Mitchell and two environmental scientists who’ve inspired his new body of work are here, too. Botanist Walter Abrahamson has been researching the saw palmetto for forty years. Hilary Swain directs the Archbold Biological Station, a center dedicated to research and conservation in the South Florida watershed.
Sound Editor: Anamnesis Audio
Related Episodes: Deborah Mitchell: The Artist as Guide to the Everglades, Jenny Larsson on Searching for Arctic Winter, Adam Nadel on Getting the Water Right, Artist Residency in the Everglades, Art and the Environment at Miami's Deering Estate, Jorge Menna Barreto on Environmental Sculpture, Andrea Bowers on Environmental Activism
Related Links: Artist in Residence in Everglades (AIRIE), Everglades National Park, Robert Chambers, Archbold Biological Station
In 2018, when the annual Creative Time Summit unfolds in Miami, we’re thrilled to participate. On Archipelagoes and Other Imaginaries: Collective Strategies to Inhabit the World brings together artists, thinkers, activists, and cultural producers whose practices stimulate change through planetary thinking.
The nearby Caribbean Archipelago serves as the perfect context within which to question colonial and postcolonial ways of seeing and thinking. The Summit delves into Miami’s historical connection to the Caribbean and, by extension, to Latin America and the entire world.
Voices, in order of appearance: Justine Ludwig, Fredo Rivera, Edwige Danticat, Elvira Dyangani Ose, Maria Magdalena Campos-Pons, Daniela Ortiz, Colibrí Sanfiorenzo-Barnhard, Brigada Puerta de Tierra, Houston Cypress, Roc LaSeca, Edwige Danticat
Sound Editor: Anamnesis Audio | Live Performance Audio, in order of appearance: Drag en la Frontera, Samuel Tommie, Daniela Ortiz, Krudas Cubensi
Related Episodes: Where Art Meets Activism, LIVE from Dominican Republic with Tilting Axis, Mapping Caribbean Cultural Ecologies
Related Link: Creative Time
Artist Bill Fontana has a long-time relationship with sound and space. He's known for relocating sounds to create site-specific installations around the world.
Fontana describes his practice as "composition by listening." In this episode, we talk about what has inspired and informed his public art projects through the decades—from his 1981 Landscape Sculpture with Foghorns in San Francisco, to his 2018 Sonic Dreamscapes in Miami Beach.
Sound Editor: Anamnesis Audio | Special Audio: Bill Fontana
Related episodes: Inside Miami's Sound Chamber; Stephen Vitiello on Sound Art
Related links: Bill Fontana, City of Miami Beach Art in Public Places
Art with a Sense of Place considers creative projects that respond to a physical space and those that react to or embrace a historic moment, a cultural environment, a socio-political tension, or a psychological space.
Emerging in the 1960s, site-specific art sought to transcend what was perceived as the over-curated, almost clinical context of the art museum. Artists rebelled by creating their own exhibition sites (Agnes Denes brought a Wheatfield to a New York City landfill). Some flaunted the rules of museum installation with live interventions (Joseph Beuys lived in a Soho gallery with a live coyote).
Our series of episodes on site sensitivity brings a broader range of cultural production into the conversation, exposing new ways of seeing place, space, and site in contemporary art.
Art with a Sense of Place, Part II, highlights conversations featured in the second issue of the Fresh Art International Smart Guide. We produce the guide as a series of downloadable pdfs. Each issue delves into a different theme—through select episodes, transcriptions and links to research that informs our podcast.
Sound Editor: Anamnesis Audio
Related episodes: Agustina Woodgate, Louis Grachos, Adam Schreiber, Tania Bruguera
Related link: Smart Guide, Issue 02 Art with a Sense of Place
Art with a Sense of Place considers creative projects that respond to a physical space and those that react to or embrace a historic moment, a cultural environment, a socio-political tension, or a psychological space.
Emerging in the 1960s, site-specific art sought to transcend what was perceived as the over-curated, almost clinical context of the art museum. Artists rebelled by creating their own exhibition sites (Agnes Denes brought a Wheatfield to a New York City landfill). Some flaunted the rules of museum installation with live interventions (Joseph Beuys lived in a Soho gallery with a live coyote).
Our series of episodes on site sensitivity brings a broader range of cultural production into the conversation, exposing new ways of seeing place, space, and site in contemporary art.
Art with a Sense of Place, Part I, highlights conversations featured in the second issue of the Fresh Art International Smart Guide. We produce the guide as a series of downloadable pdfs. Each issue delves into a different theme—through select episodes, transcriptions and links to research that informs our podcast.
Sound Editor: Anamnesis Audio
Related episodes: Joan Jonas, Jason Moran, Janet Biggs, Sarah Hobbs, Tameka Norris, Stephen Vitiello
Related link: Smart Guide
Argentine architects Rosario Marquardt and Roberto Behar share their passion for creating emotional monuments. Their billboard-size greetings of Peace and Love and Besame Mucho at the Miami International Airport, Supernova at the 2018 Coachella Music Festival, and WOW, a new skate-able sculpture for the Lauridsen Skatepark in DesMoines, Iowa, are just a few of the iconic landmarks they've produced.
Founded in 1995 and based in Miami, R & R Studios is a multidisciplinary studio focusing on public artworks, architecture and urban design.
Related episodes: Miami Art Week 2018 Preview, Rodrique Mouchez on Choreographing Art Encounters, The Private Life of Public Art
Related links: R&R Studios, Untitled Podcast Miami Beach 2018, Wynwood Radio
Sound Editor: Anamnesis Audio
In 2018, a city-wide public art experience lures us to the capital of Argentina. Organizers of Art Basel Cities Week Buenos Aires, invited Cecilia Alemani, director of the public art program for New York City’s High Line park, to curate Rayuela (Spanish for Hopscotch). Crisscrossing Buenos Aires, we discover historic plazas, parks and museums, abandoned buildings, architecture and industrial sites. We meet artists whose projects connect contemporary art with urban space, civic history and community.
Featured projects: Maurizio Cattelan, Eduardo Navarro, Eduardo Basualdo, Alexandra Pirici, Gabriel Chaille, David Horvitz, Naama Tsabar
Sound Editor: Joseph DeMarco |
Related episodes: Sounds of Skulptur Projekte Münster 2017, The Private Life of Public Art, Fringe Projects Miami, Public Art and the Underline
Related links: Art Basel Cities Week Buenos Aires, Faena Art Center Buenos Aires, The High Line
Rodrigue Mouchez, founder of the artist-run curatorial platform known as AGUAS, talks about choreographing encounters with art. Mouchez introduces People Moving Through Space, an array of installations he created and staged with AGUAS collaborator Julie Escoffier and other artists for the seventh edition of Untitled, Miami Beach art fair.
Based in Mexico City and Brussels, AGUAS seeks to establish dialogues and collaborations between artists from Europe and Latin America through exhibitions, talks, and publications. AGUAS operates on the idea of interdisciplinarity. Each project invites the collective engagement of artists, designers, writers and friends.
Related episodes: Miami Art Week 2018 Preview, Report from Miami Art Week 2017
Related links: AGUAS, Rodrigue Mouchez, Julie Escoffier, Untitled Art
In Miami's Little Haiti neighborhood, we meet poet Aja Monet, legal justice advocates Meena Jagannath and Alayah Glenn, and artist Eddie Arroyo to talk about how art and poetry are giving voice to urban communities fractured by gentrification.
Arroyo's paintings reference photographs he takes to capture the character of vanishing cultural landmarks. Monet is founder of Smoke Signals Studio, a music space that's become a transformative gathering place in Little Haiti. Jagannath and Glenn are two of the activists that run the local Community Justice Project, a young grassroots initiative focused on addressing issues ranging from women’s and immigrant rights, to race and economic justice.
These individuals represent the growing momentum of civic engagement across the United States. In the ways they animate their vision for Miami's possible future, we see infinite potential for creative interventionists to empower disenfranchised communities around the world.
Sound Editor: Anamnesis Audio | Special Audio: Arsimmer McCoy Early
Related episodes: Cultural Complexity in Little Haiti, Where Art Meets Activism, The Art of Capitalism, Andrea Bowers on Environmental Activism, Marinella Senatore on Modern Life, Tania Bruguera on Art Activism, Maria Alyokhina on Political Art
Related Links: Smoke Signals Studio, Community Justice Project, Dream Defenders, Maroon Poetry Festival, Eddie Arroyo
Artist Joyce J. Scott is a legend—among the first to reposition craft as social commentary. In 2016, a MacArthur Genius award recognized her vital creative force. For Art Basel Miami Beach 2018, Peter Blum Gallery presented rarely seen early works that reveal how the artist has always delved into the extremes of human nature—from humor to horror, and beauty to brutality. In her fusion of craft aesthetics and contemporary sculpture, performance art and cultural critique, Scott weaves a deep sense of humanity into complex conversations of our time.
The first conversation we recorded with Joyce J. Scott in Baltimore, Maryland, became Fresh Art International's premiere episode, released on October 12, 2011. Re-releasing the segment is an opportunity to reflect—on the lasting value of Scott’s work and continued relevance of this podcast.
Original Sound Editor: Ira Kip, 2011 | Post Production Editor: Matt Hodapp, 2018 | Music: Joyce Scott
Related Episodes: Radio Show Miami Premiere 2016, Franklin Sirmans on Prospect New Orleans, Prospect.4 New Orleans
Related Links: Goya Contemporary, MacArthur Genius Award, Peter Blum Gallery
This year, tons of inventive projects unfold during Miami Art Week 2018 outside the established and emerging art fairs. Individuals and collectives passionate about public art and performance, film, video, music and social engagement will animate an upscale development on the beach, a luxury mall in Miami’s business district, the former Gold Dust Motel on Biscayne Boulevard, and an Asian bodega, an abandoned mall and a by-gone department store Downtown.
Art Week has come to this city every December since 2002, when the premiere art fair from Basel, Switzerland launched Art Basel Miami Beach. Since then, the year-round art scene has grown tremendously. Creatives from around the world are calling Miami home. When they come together at the intersection of art and life, it gets very exciting!
Voices in our conversation: Zoe Lukov/Faena Festival, Isabel Lewis/Classic Occasions, Tschabalala Self/Lee's Oriental Market and Free Range Miami, Tanya Bravo/Juggerknot Theater and Miami Motel Stories, and Octavia Yearwood/Spinello Projects and FREE! Art Fair
Related Episodes: Paola Pivi on Art with a View, Miami Art Week 2018 Preview, Report from Miami Art Week 2017, Lynda Benglis on Creating Fountains
Related Links: Faena Festival, Isabel Lewis, Fringe Projects Miami, Tschabalala Self, Free Range Miami, RAW Pop Up, Juggerknot Theater's Miami Motel Stories, FREE!, Octavia Yearwood
Italian artist Paola Pivi takes us on a tour of Art with a View, her latest solo exhibition at the Bass Museum of Art, Miami Beach. Pivi is a nomad. Cultural references in her projects are so diverse that they might seem to come from more than one creative mind. Our first stop is a massive, minimalist installation that dominates a large gallery on the museum’s second floor. The work titled World Record invites us to enter a surprising interstitial space, or space between. We take off our shoes, don booties and climb into the opening between two horizontal planes, each made of 40 white mattresses.
Sound Editor: Matt Hodapp | Photographs courtesy Bass Museum of Art and Fresh Art International
Related Episodes: Miami Art Week Preview 2017, Athi Patra Ruga, Ugo Rondinone
Related Links: Paola Pivi, The Bass Museum of Art
Inside Miami's sound chamber, sound artist, designer and composer Gustavo Matamoros introduces to his latest creation: four audible experiences of sound moving through space. Legendary artists inspired Small Sounds Up the Wall (for Alison Knowles), Everglades (for Charles Recher), String Solo (for Vito Acconci) and Eighty-Five Audible Moments (for Pauline Oliveros). Venezuela born Matamoros made this sonic dive possible when he transformed Studio 201 at ArtCenter/South Florida into a 30-channel sound environment.
Sound Editor: Anamnesis Audio | Special Audio: John Cage interview; Alison Knowles, Paper Weather; Vito Acconci, American Gift, via UbuWeb; Pauline Oliveros, via UbuWeb; Russell Frehling, Mapping; Gustavo Matamoros, Small Sounds Up a Wall, Everglades, String Solo, Eighty-Five Audible Moments; Julio Roloff, Naturaleza Viva; Wolfgang Gil, Aural Fields Test; Rene Barge, Prism Break | Photographs courtesy Gustavo Matamoros, Subtropics
Related Episodes: Stephen Vitiello, Alba Triana, Magdi Mostafa, Dak'Art 2018, Staging Complex Art, Sounds of Summer in Miami
Related Links: Subtropics, Frozen Music, Canal, 2009
For the 33rd São Paulo Biennial, curator Gabriel Pérez-Barreiro challenges the norm. Rather than explore an overarching theme, he invited seven artists to curate exhibitions featuring their own art. Likewise, the twelve solo projects that he curated suggest we look closely at individual creative practices. Purposefully choosing not to direct our gaze, this biennial allows us to explore freely, to discover for ourselves the power of contemporary art.
Biennial programming builds on this notion in a free audio guide, a digital publication that proposes viewing exercises and an international, public symposium. The three-day event brings together artists, scientists, critics, writers, and scholars for a deep dive into one of the major issues of our time: attention. Who controls it, why and how are just a few of the questions to be considered…
Voices: Claudia Fontes, Sofia Borges, Wura-Natasha Ogunji, Gabriel Pérez-Barreiro
Sound Editor: Laura Spencer-Morris | Special Audio: Sebastián Castagna, Ex Situ, Tal Isaac Hadad, Récital pour un masseur, Mame-Diarra Niang, 11:11, Tamar Guimarães, The Rehearsal
Related Episodes: Live from 32nd São Paulo Biennial, Sep 6, Sep 7, Sep 8, Anawana Haloba on Vanishing Cultures, Donna Kukama on Unfinished Stories, William Pope.L on Endurance, Jochen Volz on Living Uncertainty
Related Links: 33rd São Paulo Biennial, Claudia Fontes, Sofia Borges, Wura-Natasha Ogunji, Gabriel Pérez-Barreiro, Mário Pedrosa, Goethe
In 2018, Fresh Art International broadens engagement in the Caribbean, traveling to the Dominican Republic for Tilting Axis 4, the fourth annual meeting of the roving arts program that brings together artists, curators, and culture makers from across the region. This year’s theme was Caribbean Cultural Ecologies: Connecting Pasts, Presents and Futures.
The artists, curators, writers and educators we meet reveal what it means to work at the fringe of the global art scene. They describe isolated artistic practices, emerging and recovering culture spaces, experiments in community engagement and visions of possible futures. Advocates and provocateurs working in the Dominican Republic, Haiti, Barbados, the U.S. Virgin Islands, Trinidad and Tobago, and Puerto Rico share their perspectives on political realities, postcolonial economies, and environmental vulnerability.
Voices: Fermin Ceballos, Jorge Pineda, Louise Perrichon, Sandra Vivas, Monica Marin, Priscilla and David Knight, Sasha Dees, Suzanne Burke, Amy Hussein and Luis Graham Castillo, Lise Ragbir, Alex Martinez Suarez, Marina Reyes Franco
Sound Editor: Anamnesis Audio | Special Audio: Sandra Vivas, Sofia Gallisa Muriente, Caroline Gil, Aimbot
Related Episodes: Live from Dominican Republic with Tilting Axis, Live from Trinidad: Where Digital Culture Thrives, Miami's Caribbean Arts Remix, Diaspora Vibe: Art with Caribbean Roots, Art of the Everyday, Creative Time Summit to Explore Miami Culture
Related Links: Tilting Axis, Le Centre d'Art, Haiti, Mario Benjamin, Centro Léon and Centro Culturel d’Espana, Casa Quien, Carifesta 2019, Black Studies at The University of Texas at Austin, Beatriz Santiago Muñoz
What does it mean to make art collectively? How does art speak to our shared destiny? Where does sand intersect with art and community?
In the studio at Jolt Radio, with Miami-based curators and artists, we speak of art at the intersection of sand, smells and social behavior. Curator Quinn Harrelson and artist Troy Simmons introduce Collectivity, a site-specific exhibition at the Bakehouse Art Complex that explores the power of the individual and the collective. Curator Marie Vickles and artist Geovanna Gonzalez talk about the role of destiny and poetry in the exhibition Visions of the Future at Little Haiti Cultural Complex. Artist Misael Soto, the first-ever Art in Public Life resident for the City of Miami Beach, explains how he's curating and activating Sand, just steps from the shore in Collins Park.
Sound Editor: Anamnesis Audio | Special Sound: Domingo Castillo, Tropical Malaise, Martin Jackson, It's really very easy, Misael Soto, Flood Relief
Related Episodes: 2018 Creative Time Summit in Miami, Art and the Rising Sea, Cultural Complexity in Little Haiti, Where Art Meets Activism, Where Art Meets Cultural History
Related Links: Bakehouse Art Complex, Little Haiti Cultural Complex, Sand, ArtCenter/South Florida, The Bass Museum of Art, Creative Time
Creative Time, the force behind ambitious public art projects in New York City and beyond, takes its annual summit to Miami in 2018. We invite Creative Time director Justine Ludwig to talk about the focus of this year's convening.
On Archipelagos and Other Imaginaries—Collective Strategies to Inhabit the World is the poetic title and subject of the 2018 Summit, with the idea of coalition as a central theme. Thinkers, dreamers and doers working at the intersection of art and politics gather to consider issues ranging from immigration and borders to climate realities, notions of intersectional justice, gentrification and tourism as an enabler for neocolonialism.
A portal to the Caribbean, Latin America and the entire world, Miami is the perfect context for such conversations. The City's creative community is ready—not only to share local challenges and their own site-sensitive initiatives, but also to welcome fresh perspectives on how art and activism might address these global concerns.
Sound Editor: Anamnesis Audio | Special Audio: Krudas Cubensi, Mi cuerpo es mio, Haus of Shame via Amal Kiosk, Brigada Puerta de Tierra, Nástio Mosquito, Hilário
Related Episodes: Cultural Complexity in Little Haiti, Art and the Rising Sea, The BLCK Family of Miami, Modern Portrait of Black Florida, Diaspora Vibe: Art with Caribbean Roots, Caribbean Arts Remix Miami, Tania Bruguera on Art Activism, Cesar Cornejo on Architectural Intervention, Mary Mattingly on Human Relationships, Glexis Novoa on Cuba's Past, Live from Dominican Republic with Tilting Axis, Live from Trinidad: Where Digital Culture Thrives, Public Art and the Underline, Artist Residency in the Everglades, Art and the Environment at Deering Estates
Related Links: Creative Time, Creative Time Summit 2018, Miami-Dade County Art in Public Places, John S. and James L. Knight Foundation
Creative Time Summit Miami is co-presented with Art in Public Places of the Miami-Dade County Department of Cultural Affairs, with leading support from the John S. and James L. Knight Foundation.
From Port of Spain, Trinidad, we live stream a special radio program about the significance of digital media as a contemporary cultural space in the Caribbean. Joining us in our pop up studio are artist and writer Christopher Cozier, architect Sean Leonard, writer and media producer Janine Mendes-Franco, journalist and podcaster Franka Philip, and artist designer Kriston Chen—all based in Trinidad.
Listen to find out when the internet begin playing a vital connective role in the region and which social media platforms currently inform and inspire the local creative community. Hear diverse perspectives on how locally produced radio, citizen journalism and podcasting might diversify, amplify and document critical conversations about contemporary art and culture.
Sound Editor: Anamnesis Audio | Special Audio: Talk 'Bout Us/Trini Good Media; Jamie Lee Lloyd, Unease, Caribbean Review of Gender Studies, University of West Indies, 2008; 1000 Mokos, Douen Islands: In Forest and Wild Skies, featuring Sharda Patasar; Moko Jumbie special on Kelly Village TV, 2017; Sugar Cane Arrows; Attorney General TV news bulletin during 1990 attempted coup, via Wondershare; The Street, 91.9FM; IRadio.TT, Music Matters, The Caribbean Edition; 1990 Coup Special on Gayelle TV; David Michael Rudder, Accapella on Instagram, 2018; Don't Be Rude, mix created by Ozzy Merriq, 2011
Related Episodes: LIVE from the Dominican Republic with Tilting Axis, Miami's Caribbean Arts Remix, Diaspora Vibe: Art with Caribbean Roots
Related Links: Alice Yard, Bocas Lit Fest, Trinidad and Tobago Film Festival, #1000Mokos
In the world today, many consider capitalism a fraught economic system. Some believe that capitalism is the cause current international trade wars, accelerating student debt, the bankruptcy of entire countries, the growth of virtual currencies and the reason for coded security systems.
Artist Hilary Powell and filmmaker Dan Edelstyn, an inventive couple based in London, have decided to wreak a bit of havoc with the capitalist system in their home country by opening their own bank. Hoe Street Central Bank, AKA HSCB, is open in the former Co-Op Bank on Hoe Street in the London suburb of Walthamstow.
Powell and Edelstyn have been printing their own bank notes and selling them to buy up debt in their community. This fall, they begin producing and selling bonds—a new initiative in the orchestration of their collectively owned and distributed debt explosion. The Optimistic Foundation demonstrates what Powell refers to as pessimism of the intellect, but optimism of the will. In the collective act of abolishing local debt, they're staging a timely intervention in the name of economic justice.
Sound Editor: Anamnesis Audio | Special Sound: Bank Job/Optimistic Foundation
Related Episodes: The Art of Capitalism, Occupy Museums on Artists and Debt
Related Links: Bank Job, Optimistic Foundation
Today, we invite artists, curators, a media specialist, and an invigilator to talk about complex art that challenges the resources of traditional exhibition spaces. Their backstories reveal how building relationships—through eco-systems, architecture, choreography, media archaeology and virtual community engagement – make exceptional art encounters possible.
Featured voices: Brian Sonia-Wallace, Sarah Oppenheimer, Dara Friedman, Rene Morales, Kevin Arrow/Obsolete Media Miami, María José Arjona, Alexandra Pirici, Rea McNamara
Sound Editor: Anamnesis Audio | Special sound: María José Arjona, Alexandra Pirici, Rea McNamara, and Tony Halmos | Photography courtesy María José Arjona, The New Museum, New York and Art Basel Cities Week Buenos Aires
Related Episodes: Dara Friedman on the Theater of Your Mind, Sarah Oppenheimer on Space and Light, Sarah Oppenheimer on Architectural Interventions
Related Links: Pierre Huyghe: UUmwelt, Serpentine Galleries, Pierre Huyghe, LACMA, Sarah Oppenheimer, Baltimore Museum of Art, Sarah Oppenheimer: S-281913, Perez Art Museum, Miami, Dara Friedman: Perfect Stranger, Perez Art Museum, Miami, Marina Abramović: The Artist is Present, Museum of Modern Art, NY, María José Arjona: To Be Known as Infinite, Alexandra Pirici, Leaking Territories, Skulptur Projekte Münster, Alexandra Pirici: Co-natural, New Museum, NY, Alexandra Pirici: Aggregate, Art Basel Cities, Buenos Aires, Brian Sonia-Wallace, Dreamlands: Immersive Cinema and Art, 1905-2016, Sheroes, Obsolete Media Miami
We meet Los Angeles based artist Mark Bradford—known for connecting art with the real world—when he represents the United States in the 57th Venice Art Biennale. While preparing for Tomorrow is Another Day, an exhibition of his signature layered abstractions, he launched a small business venture with members of the island city's hidden prison culture.
His six-year collaboration with Venice social cooperative nonprofit Rio Terà dei Pensieri offers employment opportunities to men and women incarcerated in Venice. Prisoners create artisanal goods and other products to support their re-integration into society. Titled Process Collettivo, Bradford’s relationship with this marginalized community raises awareness of the penal system and introduces a new business model. The project reveals the artist's strength as a culture maker; he acts on his belief that contemporary artists have the power to reinvent our world.
Tomorrow Is Another Day comes to the United States in September 2018, with an exhibition at the Baltimore Museum of Art and a project engaging with the city's Greenmount West Community Center.
Sound Editing: Jonathan Pfeffer | Photos courtesy U.S. Pavilion in Venice 2017
Related Episodes: Monument to Decay: Israeli Pavilion in Venice; Lisa Reihana on Reversing the Gaze; Samson Young on Songs for Disaster Relief; Sounds of Venice Art Biennale
Related Links: Mark Bradford: Venice 2017; Baltimore Museum of Art
In 2018, Locust Projects invited the Detroit-based design duo known as root of two to bring three headless chickens to roost in Miami. For six months, Cezanne Charles and John Marshall embellish the Magic City skyline with their public art and digital engagement project.
Previously presented in France and the United Kingdom, Whithervanes translate the traditional weathervane into a 21st century radio transmitter. Mounted on rooftops in downtown, the Design District and Biscayne Boulevard, the four-foot tall birds change colors and direction in response to the climate of fear propagated by the media. These are tech-savvy chickens. They scan the Internet for alarmist keywords, collecting information on topics from violence to economic crises to natural disasters. You can follow their “neurotic, early worrying system”, or N.E.W.S. on the Whithervanes Twitter account.
Connecting art with streaming social media and news technology, Whithervane designers Cezanne Charles and John Marshall invite us to think about the emotional impact of the digital information that controls our view of the world.
Sound Editor: Anamnesis Audio | Photographs courtesy root of two and Locust Projects
Related episodes: Art of the Everyday, Art and the Rising Sea, Report from Miami Art Week 2017
In 2018, seventy-five artists from thirty-three countries came together for the contemporary African art biennial known as Dak’Art. The offsite program featured more than 200 autonomous artist-organized exhibitions and events across Dakar and on the island of Gorée.
The projects we share in this episode explore ideas of freedom and responsibility as they investigate colonial histories, politics, and the economy, migration and the environment. Often achieved collectively and always emphasizing process, experimentation and action, they animate the legacy of legendary Senegalese artist Joe Ouakam and Agit'Art, the revolutionary creative movement he co-founded in 1974.
Voices: Simon Njami, Glenda León, Guy Woueté, Marcos Lora Read, Magdi Mostafa, Tori Wraånes, Marisol Rodriguez, Moataz Nasreldin, Pascal Traoré, Michel Amadou Gué
Sound Editor: Anamnesis Audio
Related Episodes: Magdi Mostafa Turns Analog Tech into Sound Sculpture, LIVE from Dak'Art 2018, SITElines, Unsettled Landscapes 2014
Related Links: Dak'Art 2018, Simon Njami, Glenda León, Guy Woueté, Marcos Lora Read, Magdi Mostafa, Tori Wrånes, Marisol Rodriguez, ZAM ZAM, Moataz Nasreldin, DARB1718, Issa Samb, Agit'Art, Pascal Traoré, Island of Gorée
What does it mean to be Black in 21st century America? The expression of Blackness in art has a history of intricate connections to civil rights and social movements. In the United States and abroad, painting and drawing, filmmaking and photography, performance and protest have long represented diverse creative perspectives on the volatile subject of race and identity in this country.
Today, we hear from curators and artists whose work directly engages with race and American identity. Individually and collectively, they generate “freestyle” expressions of Blackness—revealing that no matter how history influences the Black cultural space, identity remains a fluid form in the hands of contemporary artists.
Sound Editor: Anamnesis Audio | Photos courtesy of featured artists and the Renaissance Society
Featured Audio: Thelma Golden at Crystal Bridges Museum of American Art, Hamza Walker, Black Is, Black Ain't Symposium, Renaissance Society, Johanne Rahaman field recordings in South Florida, Theaster Gates at Katzen Arts Center, American University, Theaster Gates performs at Huguenot House in Kassel, Germany, for documenta 13, Sanford Biggers, BAM (For Michael), Fahamu Pecou, All that Glitters Ain't Goals, Amy Sherald at Monique Meloche Gallery, Chicago
Related Episodes: Modern Black Portrait of Florida, Jefferson Pinder on Symbols of Power and Struggle, Theaster Gates on Meaning, Making and Reconciliation, Sanford Biggers on Time and the Human Condition, Amy Sherald on New Racial Narratives, Fahamu Pecou on Art x Hip-Hop
Related links: Thelma Golden, Studio Museum of Harlem, Freestyle, Hamza Walker, Black Is, Black Ain't, Johanne Rahaman, Jefferson Pinder, Theaster Gates, Sanford Biggers, Amy Sherald, Fahamu Pecou, Deborah Roberts
Today, capitalism, aka the free market, is linked to trade wars, suffocating student debt, entire countries gone bankrupt, burgeoning virtual currencies and coded security systems. What role can art and artists play in this wildly unbalanced economy? In abandoned bank buildings, failed urban development projects and public squares, we discover artists and their communities in the U.S., Western Europe, South America and Greece, taking on the challenge—as whistle blowers, catalysts, educators, money makers, evangelicals and documentarians.
Featured in this episode: Occupy Museums/Imani Jacqueline Brown, Kenneth Pietrobono, Noah Fisher; Fictilis/Andrea Steves and Timothy Furstnau; Museum des Kapitalismus/Julian and Janosz; Musée du Capitalisme/Samuel Hus and Chloé Villain; La Torre de David/José Luis Blondet, Ángela Bonadies and Juan José Olavarría; Bank Job/Hilary Powell and Dan Edelstyn; Reverend Billy and the Stop Shopping Choir
Sound Editor: Anamnesis Audio | Special Sound: Ángela Bonadies and Juan José Olavarría; Bank Job; Reverend Billy and the Stop Shopping Choir; Contributing Producer: Anamnesis Audio for Reverend Billy Segment
Related Episodes: Art and the Rising Sea; Art Sparking Social Engagement; Where Art Meets Activism; Art of the Everyday; Occupy Museums on Artists and Debt Related Links: Occupy Museums; Museum of Capitalism: Fictilis; Museum des Kapitalismus; Musée du Capitalisme; Bank Job; Reverend Billy and the Stop Shopping Choir; SITE Santa Fe SITElines: Casa tomada
Egyptian artist Magdi Mostafa's interactive environment for the 2018 Dakar Biennial of Contemporary African Art turns the sounds of analog technology into a vibrating aesthetic force. Acting like tiny radio receivers, his handmade electronics make audible the otherwise silent electro-magnetic fields emanating from today’s myriad digital devices. He exposes the reverberations of energy emission and loss in our battery powered, wi-fi connected contemporary communications.
In “Transmission Loss,” electronic residue becomes the main signal—the core source of energy for an audio playscape. Mostafa invites us to turn a field of full frequency noise into a sonic composition. By tweaking the dials of tone generators and manipulating vibrating devices, we can alter sounds, discover patterns and explore the mysterious interactions of feedback and inter-device communication.
Sound Editor: Jonathan Pfeffer | Special Audio and Photos courtesy Magdi Mostafa
Related Episodes:
Samson Young Presents Hong Kong Mixtape
Related Links:
Hong Kong Mixtape introduces our first guest producer: composer and artist Samson Young, and the sound art community of Southeastern China. Young orients us to a set of nine compositions with sonic program notes.
Hong Kong—a vibrant, densely populated urban center, a major port and a global financial hub—offers rich source material. Artist composers take us to the heart of student-led street protests during Hong Kong’s 2014 Umbrella Movement*, invite us to feel the vibrations of traffic lights and trams, immerse us in a traditional funeral ceremony and share the sensation of abstract computer-generated hip-hop.
Samson Young’s personal field recordings capture site-specific sounds far from Hong Kong—the singsong of a North Carolina tobacco auctioneer and a peacock clock inside the Hermitage Museum, St. Petersburg, Russia.
The set of short compositions will be broadcast on radio stations in Canada, the U.S. and the U.K., and released as a podcast episode on multiple internet platforms, including Fresh Art International.
Sound artist composers and their works, in order of appearance:
Joyce Tang: Gloucester Road; Larry Shuen, Gynopedi No 1 Remix; Austin Yip, Philosophy One–Microsecond; Edwin Lo, Rabbit Travelogue: Central Region (Excerpt); Lee Cheng, Tram Ride on Sunday Afternoon; Alex Yiu, Alter ego (stereo mix); Samson Young, Tobacco Song and Peacock Clock; Fiona Lee, Tide
Sound Editor: Anamnesis Audio | Special Audio Sources noted above | Images courtesy Contemporary Musiking Hong Kong
Related Episodes: Samson Young on Songs for Disaster Relief; Every Time A Ear Di Soun; Stephen Vitiello on Sound Art
Related Links: Contemporary Musiking Hong Kong, Samson Young, Umbrella Movement
*More on Hong Kong's Umbrella Movement of 2014, rephrased from The Guardian : Hong Kong's so-called “umbrella revolution” turned the city’s gleaming central business district into a virtual conflict zone, replete with shouting mobs, police in riot gear, and clouds of tear gas. Tens of thousands of Hong Kong residents – young and old, rich and poor – peacefully occupied major thoroughfares across the city, shuttering businesses and bringing traffic to a halt. They claimed that Beijing reneged on an agreement to grant them open elections by 2017, and demand “true universal suffrage.”
In October 2017, CNN reported the Umbrella Movement's return: Almost three years to the day after the 2014 Umbrella Movement shut down parts of Hong Kong, thousands of people once again took to the streets. As the city's government marked the 68th anniversary of the People's Republic of China, protesters wearing black braved stifling heat and pouring rain to call for the release of "political prisoners" jailed last month, including Umbrella leaders Joshua Wong, Nathan Law and Alex Chow. Those arrests marked a turnaround from 2014, when the trio helped bring out hundreds of thousands of people to the streets to call for a more direct form of democracy in the former British colony.
At the 57th Venice Art Biennale, Miami-based curator Tami Katz-Freiman guides us through the multi-media installation that artist Gal Weinstein created for the Israeli Pavilion. The artist used glue, mold, metal, and felt to transform the shining white cube into a monument to decay.
As you listen the conversation we recorded in 2017, keep in mind the mounting tensions in the Middle East today. Consider the larger question of how nations choose to represent themselves in the context of a high profile international art biennial. Weinstein's project reveals the enduring power of art to serve as portent and marker of change.
Sound Editor: Anamnesis Audio | Images: Courtesy Israeli Pavilion and Fresh Art International
Related episodes: Sounds of the Venice Art Biennale 2017, Lisa Reihanna on Reversing the Colonial Gaze, Samson Young on Songs for Disaster Relief
Related links: Israeli Pavilion at the 57th Venice Art Biennale, Gal Weinstein, Tami Katz-Freiman
What happens outside the art scene inspires many of today’s curators, filmmakers and artists. They mine the conceptual depth of personal and communal rituals and routines. Community gardens, shared ride systems, public processionals, weathervanes, home improvement projects, live streaming radio and selfies on the internet are just a few of the subjects and sites of their research, commentary and engagement. Projects that elevate our view of the everyday reveal life as an art form—translating the mundane into the extraordinary.
Sound Editor: Anamnesis Audio | Special Audio: Camionnette Chérie, original sound by Claudette et Ti Pièrre; TET CHAJE, mix by Michelange Quay; David Walters, Mesi Bondye; Yosvany Terry, Conga Reversible
Related Episodes:
Marcus Gammel (2107), Skulptur Projekte Münster 2017, Sounds of Miami Art Week (2016), New Performance Art (2016), Cesar Cornejo (2015), Jllian Mayer (2014)
Related Links:
Around the world, a growing number of listeners are falling in love with internet radio on-demand. Audio programs on a range of subjects are easy to access on laptops, computers and mobile devices. You can listen for free to podcasts in more than 100 languages. Among early adopters of the medium (we've been podcasting since 2011), Fresh Art International is one of 500,000 shows in this growing field.
We launched Fresh Art International to fill the gap in public awareness of contemporary art and culture. Our Miami-based podcast explores the center and fringe of art scenes across six continents and the Caribbean Archipelago. Fresh Art International is building a diverse oral history of contemporary art, film and architecture. We design listening experiences to stimulate, inform and inspire you for decades to come.
In the studio at Jolt Radio, Miami, we introduce four young podcasts that delve into local art and culture: Meet Them Mondays, with Christian Portilla; Kidnapped for Dinner, with Kristen Soller; Art&Company, with Alette Simmons-Jimenez; and Sunday Painter, with Alex Nuñez. Find out how and why they create their Miami-centric podcasts, what subjects interest them, and most important—when and where you can listen.
Sound Editor: Anamnesis Audio | Images Courtesy Our Guests
Special Sound and Related Links: Meet Them Mondays, Kidnapped for Dinner, Art&Company, Sunday Painter
Activism has long been a way for artists and curators, writers and filmmakers to engage with global flashpoints, inspiring new perspectives on visible and unseen causes. Over the last century, public interventions, performative protests, and works created for public marches and events have led communities to participate in art experiences and make art themselves.
The Me Too Movement, Black Lives Matter, Dreamers and Climate Change Activists expose sexual harassment and assault, race-based violence, immigrant rights violations, and the impact of sea level rise. The issues have energized today’s culture production. Contemporary artists and curators increasingly lead and invite calls to action in response to these vital concerns.
Voices in this conversation: Andrea Bowers, Ralph Rugoff, Catherine Morris, Gary Carrion-Murayari, Manolis D. Lemos, Tania Bruguera, Maria Elena Ortiz, Maria Alyokina
Sound Editor: Julien Borrelli | Special Audio: Andrea Bowers, Manolis D. Lemos, Pussy Riot | Photography: Credits in captions
Related episodes: Andrea Bowers on Environmental Activism, Ralph Rugoff on the 13th Lyon Biennial, Catherine Morris and A Year Of Yes, Tania Bruguera on Art Activism, Maria Aloykhina on Political Art
Related links: Agora, The Highline, New York; Elizabeth A. Sackler Center for Feminism Art, Brooklyn Museum; Songs for Sabotage, New Museum, Sala de Arte Público Siquieros
Dancer choreographer Jenny Larsson enlivens our understanding of how the Far North's deep cold is essential to the balance of the Earth's biosphere. With the group known as Wild Beast Collective, she creates the interpretive dance performance Searching for Arctic Winter.
“In the winters up in the arctic when there’s no sunlight and no snow to reflect the moon, all that’s left is darkness. It’s a scary thought, these weather changes…”
Born in Sweden and based in Miami, Larsson is artistic director of the multidisciplinary international collective that hosts an annual residency in Florida. Wild Beast’s mission is to explore, stretch and deepen the experience of contemporary art by presenting site-specific projects and staging free public events to connect with local communities. Environmental issues inform and influence their work.
Sound Editor: Anamnesis Audio | Special Audio: Wild Beast Collective
Related Episodes: Deborah Mitchell: The Artists as Guide to the Everglades, Art and the Rising Sea, Adam Nadel on Getting the Water Right, Jorge Menna Barreto on Environmental Sculpture, Rauschenberg Residency on Rising Water, Artist Residency in Everglades, Andrea Bowers on Environmental Activism
Related Links: Jenny Larsson, Wild Beast Collective
From inside Centro Léon, Santiago, Dominican Republic, we introduce Tilting Axis, a roving arts initiative that aims to bridge the geopolitical gap between Caribbean territories by sparking creative collaborations and cultivating cultural connectivity. Organizers Annalee Davis, Natalie Urquhart, Sara Hermann and Joel Butler talk about the genesis of Tilting Axis, why they're here and what will unfold during the fourth annual gathering.
About Tilting Axis 4: The 2018 convening in the Dominican Republic is a collaboration with the curatorial studies program Curando Caribe and two institutions — Centro León, Santiago, and Centro Cultural de España, Santo Domingo. Exploring the theme Caribbean Cultural Ecologies: Connecting Pasts, Presents and Futures, artists, curators, stakeholders, instigators and activists debate ideas about the Caribbean’s interdependent future, reimagining their collective potential.
Sound Editor: Anamnesis Audio | Special Audio: Sandra Vivas, After LaMonte Young
Related Links:
Today, we take you to meet to artist Deborah Mitchell in her studio on Miami Beach, to talk about the ways that Florida’s southwest coast inspires her. The contested landscape, endangered by encroaching urban development and sea level rise, is where she engages as an artist and an advocate for North America’s only subtropical wilderness: The Everglades. Mitchell’s mindful practice expresses her affinity for this fragile ecology, and her desire to learn, share and preserve its science and history.
Sound Editor: Anamnesis Audio | Special Audio: Deborah Mitchell | Photographs courtesy the artist and Fresh Art International
Related links: The Everglades, Big Cypress, Deborah Mitchell, Artists in Residence In Everglades (AIRIE)
Curators and artists whose passion is social engagement share their experiments in relational aesthetics—participatory performances, interactive installations, community events, and inside/outside exhibitions—invite viewers to become co-creators, to take ownership in the creative process.
Curators Jochen Volz (São Paulo Biennial, Live Uncertainty, 2016), Susan Cross (Massachusetts Museum of Contemporary Art, Material World, 2010-2011, The Workers, 2011-2012), James Voorhies (Bureau of Open Culture, MASS MoCA, The Workers) and Stephanie Smith (SMART Museum of Art, FEAST, 2012, and Institute for Contemporary Art, Richmond, Declaration, 2018) share their perspectives, as do artists William Pope.L (Baile, 2016), Theaster Gates (Soul Food Pavilion, 2012) and Marinella Senatore (Estman Radio, ongoing).
Sound Editor: Anamnesis Audio
Special Audio:
William Pope.L, Baile, São Paulo Biennial There Is Only Light (We Do Not Know What To Do With Other Worlds) performance-reading, July 2011, MASS MoCA. Produced by Bureau for Open Culture Theaster Gates, FEAST, SMART Museum of Art, University of Chicago Marinella Senatore and Estman Radio recording, courtesy Marinella Senatore and Virginia Commonwealth University Institute for Contemporary Art
Related Links:
Live Uncertainty, Material World, The Workers: Precarity/Invisibility/Mobility, FEAST: Radical Hospitality in Contemporary Art, Declaration, Emily Hall Tremaine Foundation Exhibition Award, Exhibitions on the Cusp
Today, we bring you Fresh Art International LIVE from Dakar, Senegal. We made the journey to West Africa in May 2018, to capture sounds of local art and culture and to document our first encounter with the biennial of contemporary African art known as Dak'Art.
In the first of our two live streaming broadcasts, you'll hear Marisol Rodríguez (Mexico City/Paris), one of the biennial's guest curators, talk about her work with a team of creatives based in the Hurricane Zone (Mexico's Yucatàn Peninsula, Central America and the Caribbean).
Also LIVE: our show from la Boite à Idée, or Idea Box, a cultural hub in Dakar's Mermoz district. In the garden of this space is where cultural activist Ken Aicha Sy, founder of Wakh'Art Music introduces us to a few of the creatives engaging in the local art and music scene. You'll hear from Ms. Sy, along with Franco-Senegalese artist Gabriel Dia, jazz guitarist Paride Pagnotti, I Science vocalist Corinna Fiore, and composer Nathan Fallou Fuhr. A modest local songwriter introducing himself simply as "Jean-Pierre," steps up to the microphone with his guitar to voice our melodic good-bye-for-now.
Sound Editor: Anamnesis Audio | Special audio courtesy ZAM ZAM, Paride Pagnotti, I Science, Nathan Fallou Fuhr and Jean-Pierre
Trinidad-born photographer Johanne Rahaman shares hope for a better world in her Black Florida project—a modern archive of images that tell the story of Blackness in America today. Follow our Sunday morning drive to Perrine where we visit Flavas, the town's favorite breakfast spot, and stop by the House of God, home of the sacred steel ensemble known as The Lee Boys. Find out why Rahaman is taking the time to dignify the character of rural and urban black communities across the state. Keep listening to discover how she will celebrate Black water rights on Miami's South Beach during Urban Weekend 2018.
Sound Editor: Anamnesis AudioSpecial Audio courtesy Johanne Rahaman
Related links: Johanne Rahaman, Flavas Miami, House of God, The Lee Boys, Zora Neale Hurston, Urban Beach Weekend Miami
We follow artist Joana Choumali from the Ivory Coast Pavilion at the 57th Venice Art Bienniale to Dak'Art 2018, as she explores the shared experience of migration and violence in her birth country. Her embroidered photographs trace stories of loss and longing—depicting lone figures disappearing from home and reappearing in foreign environments, and giving shape to the emptiness left by the casualties of terrorism. Needle and thread express Choumali's empathy with the fraught human condition.
Sound Editing: Anamnesis Audio | Photography: Joanna Choumali and Fresh Art International
Come with us to the legendary Key West for conversations about creativity on two live streaming Fresh Art International radio shows. This cultural outpost sits quite literally at the end of the road, Mile 0 of U.S. Route 1, the highway that runs up the Atlantic Coast, from Florida to Canada. At the Studios of Key West, you'll find out what inspires the Studios’ director, why a painter who came to visit never left, and how three artists in residence have fallen in love with the island dream. Inside The Green Parrot bar, you'll meet Key West's Minister of Culture, the Parrot’s resident poet and a band from New Orleans that loves to play here!
Sound Editor Anamnesis Audio | Special Audio: recorded in situ by FreshArtINTL, Band at The Green Parrot: Dave Jordan and the NIA| Photography: Monica McGivern
Art and Sports? Curator Franklin Sirmans brings them together in The World’s Game exhibition at the Perez Art Museum, Miami. Immersive installations, paintings, sculptural objects, photographs and videos by forty artists reveal how the universal language of this transnational game can define beauty, make social statements, create a sense of community and express a shared passion. Timed to coincide with the 2018 FIFA World Cup in Russia, the exhibition celebrates soccer as the portal to a world of contemporary art.
Sound Editor: Anamnesis Audio | Special audio: Stephen Dean, Volta and Perez Art Museum, Miami
We begin with a flashback to our 2016 episode with dancer choreographer Hattie Mae Williams. Her creative intervention at the stadium is just one example of how the site has beckoned artists for decades. Fast forward to 2018. Miami’s International Boat Show has come the marine stadium’s home on Virginia Key for the third year in a row. The stadium is now in the first phase of a complete restoration. Don Worth, one of the founders of Friends of Miami Marine Stadium, talks about the ten years of activism that led to this moment. The stadium's original architect Hilario Candela, restoration architect Richard Heisenbottle, conservation specialists Rosa Lowinger and Kelly Ciociola explain the restoration process. Among local artists behind the 200 layers of paint that now cover the concrete venue, Hox and Abstrk voice their support for the stadium's face-lift. Over the next three years, the legendary venue will come back to life, reclaiming its identity as a top destination for cultural experiences in Miami.
Sound Editing: Anamnesis Audio | Special Audio from Concrete Paradise exhibition at Coral Gables Museum, courtesy of Little Gables Group | Feature photograph by Diana Larrea
Today's conversation reveals the role of private investment in temporary and permanent public art across the U.S. Contemporary art collector Cricket Taplin, who with her husband Martin Taplin once owned the legendary Sagamore Art Hotel on Miami Beach, explains her philosophy on collecting as a mode of civic engagement. Curators Claire Breukel and Dina Mitrani tell how they introduce the work of local and international artists through public art. Miami-based artists Rosario Marquardt and Roberto Behar of R&R Studios share stories behind their privately sponsored and public-funded projects from Florida to California. In a special Fresh Art International flashback, Dejha Carrington talks about the waterfront intervention she realized in 2016, through the Miami Foundation's Public Space Challenge.
Sound Editing: Anamnesis Audio | Special Audio courtesy the artist and James Cohan Gallery: Hiraki Sawa’s Hidden Tree, 2007
Related links: Cricket Taplin and the Sagamore Art Hotel, Unscripted Bal Harbour, R&R Studios
American virtuoso Jason Moran is a genius jazz pianist known for performing experimental compositions in collaborative projects with visual artists—among them, Joan Jonas, Lorna Simpson, Glenn Ligon and Adrian Piper. For the 56th Venice Art Biennale, artistic director Okui Enwezor invited Jason to stage and animate two sound environments. The multi-faceted artist brings the full range of his creative practice into play for his first museum show at the Walker Art Center in Minneapolis this year. In our conversation, Jason Moran shares the discoveries he made while realizing recent collaborations with artists Julie Mehretu and Kara Walker.
Sound Editor: Anamnesis Audio | Special Audio courtesy Jason Moran: Summon, Katastrof Karavan, Three Deuces, He Puts on His Coat and Leaves
Today, we invite three women writers to talk about Cuba as a character in newly released films. Our portal to the Cuban psyche is the 35th Miami Film Festival that brings diverse cultural perspectives to the big screen in theaters across Miami, Florida. Sharing their expertise and personal knowledge of Cuba's socio-political landscape are two sisters born in Miami, to Cuban parents: writer and filmmaker Carmen Peláez and food writer Ana Sofia Peláez. New York based journalist and filmmaker Michelle Memran joins us to remember her own encounters with the culture while making a documentary film with Cuban American playwright María Irene Fornés.
In this conversation, we consider the value of creativity, resilience, family and friendship in Cuba. The country’s historic relationship and chaotic rupture with the Soviet Union is the backdrop for the three stories we introduce. (The 1989 fall of the Berlin Wall and collapse of the Soviet Union catapulted Cuba into a life-changing economic crisis from which Cubans around the world are still recovering.) The films: Cuban Food Stories, director Asori Soto; The Rest I Make Up, director Michelle Memran; and Sergio and Sergai, director Ernesto Daranas.
Sound Editor: Anamnesis Audio | Featured Sound Tracks courtesy of Miami Film Festival: Cuban Food Stories, The Rest I Make Up, Sergio and Sergai
On Miami Beach, we meet American writer Kurt Andersen to talk about the role of creativity in the Trumping of America. Besides writing novels, he has opined on America’s political landscape for The New York Times, The New Yorker, and his own Spy Magazine. Kurt Anderson is host and co-creator of Studio 360, a New-York based culture magazine show. His latest books explore a certain peculiarity in America’s DNA: a deep passion for fiction and fantasy. He delves into the complexities of this unshakeable character trait in Fantasyland: How America Went Haywire and You Can't Spell America Without Me, a book he co-wrote with actor Alec Baldwin, our favorite Trump impersonator. Read these books and you will understand the United States in the age of the country’s 45th president.
Sound Editor: Anamnesis Audio | Featured audio track, You Can't Spell America Without Me via Penguin PressWhat does it mean to be a contemporary art curator in the 21st century? Perhaps subconsciously, it's about living up to the legacy of Harald Szeemann, a legendary art historian—acting on the impulse to experiment and introduce new ways of engaging with art. Follow us to Norway, where you'll meet a few of the curators gathering for the 2017 Congress of the International Association of Curators of Contemporary Art, also known as IKT (Szeemann was a founding member in 1973). In conversations on how the environment, design technology, consumer culture and geopolitical histories inspire art, they reveal a shared interest in exposing artists’ site specific perspectives through collective exhibitions and publications.
Thale Fastvold and Tanja Thorjussen, the two Norwegian artist curators of Locus Publishing in Oslo tell us about a collective artist book project that investigates how we relate to nature. They introduce their newest venture: “Concerning the Spiritual in Art.” Freek Lomme, director of Onomatopee Projects explains why he stages public interventions in the shopping district of Eindhoven, in The Netherlands. The sonic thread that connects these voices is the sound art of Norwegian artist Margrethe Pettersen.
Sound Editing: Anamnesis | Special Audio: Margrethe Pettersen, Living Land—Below as Above
Come with us to explore Prospect New Orleans, the Crescent City’s triennial of contemporary art. Titled The Lotus in Spite of the Swamp, the fourth iteration evokes the musical character of New Orleans and the surrounding natural environment—the bayous, lakes and wetlands near the mouth of the Mississippi River.
Voices in this episode: Prospect.4’s artistic director Trevor Schoonmaker, former executive director Brooke Davis Anderson, artists Quintron and Miss Pussycat, Paulo Nazareth, Sonia Boyce, Rusty Lazer, Darryl Montana, Davia Nelson of the Kitchen Sisters, and more!
Today, we take you to South Florida, for a conversation about public art with Swiss born artist Ugo Rondinone. Miami Mountain is the latest in his iconic Mountain series. The North American Badlands inspire the towering stack of five brightly colored neon stones that he designed to hold sway over the palm trees in Collins Park on Miami Beach. The Bass Museum of Art’s 2016 public art acquisition arrived in pieces. The boulders came from a quarry in Nevada, making their way to the beachfront park on flatbed trucks. A professional installation crew was ready and waiting. With industrial lifts and cranes, they erected the stone monument in a carefully calculated process that took just over 13 hours.
On this live streaming radio program, we consider how artists, curators, architects and writers are responding to climate change in South Florida. King tides, flooding and eroding beaches are now part of everyday life. Our guests reveal how the rising sea has inspired two artist residency programs and an upcoming exhibition.
Natalia Zuluaga, Artistic Director at ArtCenter/South Florida, introduces the Center’s new Art in Public Life residency, a year-long opportunity for the selected artist to participate in shaping in the City of Miami Beach resiliency plan. She also talks about the exhibition Intertidal that imagines Miami's intertidal zone future, as a city above water at low tide, and flooded at high tide.
Also in studio, Ombretta Agro, Simon Faithfull, Will Rey, and Gustavo Oviedo share their roles in ARTSail, an ArtCenter residency exploring the Miami waterways, the South Florida coastline and the Keys. Our field recordings with recent ArtSail residents Blanca de la Torre and Mark Lee Koven to complete the picture of the floating residency's first year.
Special audio features: Archival Feedback, Stormtrack and Gustavo Oviedo, Boatski Tours
Artist Dara Friedman and curator Rene Morales talk about Perfect Stranger, Friedman's mid-career survey at the Perez Art Museum, Miami. The exhibition features seventeen major film and video works shot in Miami, New York, and Germany. Intertwined with our conversation, you’ll hear some of the sonic encounters that lie waiting behind thick velvet curtains in the multi-chambered show. It’s through these curtains that you enter Dara Friedman's Theater of the Mind.
Today we take you to the intersection of nature, art and technology to meet Amsterdam-based artists Ralph Nauta and Lonneka Gordjein of Studio Drift. They design their creative applications of new technology to make us question the lines we draw between humanity and nature, chaos and order. Presented during Miami Art Week 2017, Studio Drift's flying sculpture made of 300 lighted drones was especially provocative and poetic. The artists leave us believing in the unexpected potential for technology to feel natural.
Piano solo: Joep Beving
In our report from Miami Art Week 2017, Tanja Hollander, Nancy Davidson, Tania El Khoury, Sara Driver and Amy Sherald talk about the roles that social media art, inflatable sculpture, interactive performance, documentary film and figurative painting played during Miami Art Week and Art Basel 2017.
Tanja Hollander is an artist who lives and works in Auburn, Maine. No need for a ticket to an art fair or a museum to experience her social media project Are You Really My Friend? during Art Week. You could participate by visiting a small pavilion inside the Botanical Garden on Miami Beach. The vast archive of the project is currently on view in its entirety at the Massachusetts Museum of Contemporary Art.
For the multi-media installation Per Sway that she presents at Locust Projects in Miami, Nancy Davidson created inflatable symbols of power and control that mirror the bizarre and horrifying political climate in the world today. Based in New York, Davidson is an interdisciplinary artist known for anthropomorphic weather balloon sculptures that explore the architecture of the body.
Miami Dade College Live Arts program invited artist Tania El Khoury to share a dozen haunting stories from the Middle East. Based in London and Beirut, Tania choreographed two intimate interactive performances for venues on Miami Beach. As Far As My Fingertips Take Me is a one-on-one encounter inside a small room at the New World Center. Gardens Speak is a theatrical experience for groups of ten at the Fillmore Theater.
New York based filmmaker Sara Driver takes us back to a seminal time in New York City history with her new documentary Boom for Real: The Late Teenage Years of Jean-Michel Basquiat. Sara was part of the independent film scene in lower Manhattan from the late 1970s through the 1990s. Besides making her own feature films, she’s recognized for producing early film projects by her partner Jim Jarmusch. After screenings at the 2017 Toronto and New York festivals, Magnolia Pictures plans the film's release in theaters for 2018.
Joining us Live on UNTITLED Radio, Baltimore based painter Amy Sherald talks about her work and the impact of recent art news. This year, her figurative paintings came to the world’s attention and doubled in value when the National Portrait Gallery commissioned Sherald to paint the portrait of First Lady Michelle Obama. Our conversation leads to Naima Green's writing on the subject in the New York Times.
Today, we take you to the Everglades, a region of South Florida once entirely covered in a shallow, slow-moving sheet of water. Established as a National park in 1947, the subtropical wilderness of endless marshes, dense mangroves and towering palms is a habitat for rare and endangered species—including manatees, the American crocodile, and the Florida panther.
Since 2001, the wild world of the Everglades has been a temporary habitat for artists and writers who spend a month here as fellows in the program known as AIRIE, Artists in Residence in Everglades. New York based photographer Adam Nadel was a past resident. In this podcast episode, he introduces Getting the Water Right an expansive exhibition project he produced with Jessica Cattelino, associate professor of anthropology at the University of California Los Angeles. Together, they tell the human story of South Florida’s iconic eco-system.
Alba Triana, a Colombian-born composer and sound artist based in Miami, Florida, introduces three of her exquisite sound and light installations: Music on a Bound String questions whether or not the act of listening is indispensable to the musical experience. Microcosmos animates a cymbal to create an immersive vibrational experience. The interactive Electronic Gamelan invites visitors to perform one of the artist's compositions. Listen to discover her trans-disciplinary approach to the ever-evolving field of sound art.
How does Miami continue to expand on and elevate the international conversation about contemporary art that the world’s premiere art fair sparked in 2002 by launching Art Basel Miami Beach?
On this live streaming show broadcast from the Jolt Radio studio, Miami, Florida, meet artists and curators who are making this city a year round destination for art. We introduce exhibitions you can visit in renovated and new art spaces, the presentation of work by emerging artists in a historic building downtown and an art fair with no art for sale that will take place inside a luxury shopping center in the heart of the business district.
Field recordings: A conversation at Perez Art Museum with artist Dara Friedman and curator Rene Morales on Dara’s mid-career survey “Perfect Stranger” A site visit with curators Alex Gartenfeld and Stephanie Seidel before the opening of the new Institute of Contemporary Art Miami space
Studio guests: Curator Leilani Lynch talks about Mika Rottenberg‘s interventions at the Bass Museum Artist Lauren Shapiro introduces the ephemeral project she brings to RAW, a Young Artist Initiative pop-up experience in the Historic Post Office building Artist Nathalie Alfonso describes the live performance she presents at Fair., a free art fair where nothing’s for sale, featuring work by women artists at Brickell City Center
In this live streaming talk show on Jolt Radio, we explore the ways that Downtown Miami sparks creative interventions—how the city's cultural landscape inspires artists, curators and city developers based here.
In studio: Rina Carvajal, Executive Director and Chief Curator, Museum of Art + Design, Miami Dade College, on Living Together film and performance series and the Museum without Boundaries initiative, with sound tracks introducing upcoming performances by Carrie Mae Weems and Samora Pinderhughes.
Field Recordings: -Tour of the Cradle of Miami Civilization with artist writers Franky Cruz and Nathaniel Sandler, The Miami Rail Block By Block Initiative 2016 (with audio track excerpt from Dara Friedman's film Ishmael and the Well of Ancient Mysteries, 2014) -Conversation in Bayfront Park with Fabian De La Espriella, Miami Downtown Development Authority, and the creative team behind the January 2017 Biscayne Green Project
Listen in to hear the energy and creativity that our team and guests brought to our live streaming Breakfast and The Beat show on Jolt Radio this week. We thank you, our listeners and invite you to support our efforts to bring the voice of international contemporary art, design and film to our global community.
Click HERE to collect contemporary art by Miami artists and donate! www.freshartinternational.com/breakfast-…portunity/
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Today, we take you to Venice, Italy, to meet Hong Kong artist and composer Samson Young. He tells the stories behind Songs for Disaster Relief, his creation for the Hong Kong Pavilion at the 57th Venice Art Biennale. Fake news, meta fiction, politics, pop music and philanthropy are all at play in the multi-part installation that begins in the courtyard. The pavilion’s inter-connected environments mock the music industry’s imperialist history of do-good songs while expressing appreciation for the effort and exposing the artist's drive to find real caring for the Other in today's xenophobic world.
This radio show about Architecture with a Sense of Place features conversations with artists and architects whose work responds to cultural, historical, sociopolitical and environmental influences on our built environment. Featured: Jack Sanders, Design Build Adventure, Austin; Jaya Kader, KZ Architecture, Miami; David Hartt at Graham Foundation, Chicago; Sarah Dunn, Urban Lab, Chicago; Bijoy Jain, Studio Mumbai, India; Marshall Brown, Marshall Brown Projects, Chicago; Jimenez Lai and Joanna Grant, Bureau Spectacular, Los Angeles; and Gerard & Kelly at Farnsworth House.
Today, we take you to the Arsenale, a historic shipyard and main venue for the 57th Venice Art Biennale. In the New Zealand pavilion, we hear artist Lisa Reihana speak on reversing the colonial gaze in her work Emissaries. http://www.freshartinternational.com
Brought to you live from the studio at Jolt Radio, our latest program on South Florida’s film culture introduces Miami Film Festival’s GEMS 2017. Hear from MFF’s associate director Diana Cadavid and Miami-based screenwriter Joshua Jean-Baptiste (#GettheGreenlight winner) and Los Angeles based filmmaker Angel Manuel Soto (VR Escape, La Granja). Listen in on our conversations with filmmakers Sean Baker (The Florida Project, Tangerine) and Antonio Mendez Esparza (Life and Nothing More). Experience film as you might never have before hearing this show: Through your ears!
Today, we take you to Germany, to experience the 2017 edition of Skulptur Projekte Münster. The international public art exhibition that has taken place every ten years since 1977 activates historical, architectural, social and political sites across the city. The best way to experience this model of art in the public sphere is on foot and by bicycle.
Featuring temporary public art projects by Ei Arakawa, Aram Bartholl, Gerard Byrne, Jeremy Deller, Nicole Eisenman, Pierre Huyghe, Emeka Ogboh, Alexandra Pirici, Koki Tanaka, Benjamin de Burca/Barbara Bárbara Wagner, Cerith Wyn Evans and Hervé Youmbi.
Sound engineer: Guney Ozsan
On this radio program, we take you places where art intersects with cultural history. Listen to our encounters with artists Samson Young(Hong Kong) and Lisa Reihana (New Zealand) at the 57th Venice Art Biennale,. Then, join our tour of temporary public art projects designed for Münster, Germany’s Skulptur Projekte 2017.
Today, we take you to Paris for a studio visit with French artist ORLAN. Surrounded by her books, sculptures, paintings and photographs, we talk about her evolving relationship with technology.
Sound Editor: Alyssa Moxley | Voice Over Translation: Emilia Garth | Special Audio Track: ORLAN
Today, we explore the sounds of the international contemporary art exhibition documenta 14, in Athens, Greece, and Kassel, Germany.
Featuring violinist Ali Moraly performing at opening ceremonies and projects by Nigerian Emeka Ogboh, Pakistani Rasheed Araeen, Norwegian Joar Nango, American Rick Lowe, Nigerian Otobong Nkanga and American William Pope.L.
Some might think that art descends on Miami just once a year in December for Art Week. In fact, this city has a year round cultural life. On our radio show, meet a few of the curators, gallerists and artists who animate South Florida’s year round contemporary art scene. Listen to locals in conversations about urban development and gentrification, racial and social issues, and experimental music and sound art. Featuring Gustavo Matamoros and Alba Triana (subtropics24/ArtCenter/South Florida), Anthony Spinello and Natalie Alfonso of Spinello Projects and Maria Elena Ortiz, Perez Art Museum Miami.
Sound Editor Guney Ozsan | Special audio features courtesy Cara Despain, Sinisa Kukec, Mirza Haroon, Alba Triana and subtropics | Photo credits in gallery
Cathy’s notes:
An Miami field trip gave me the idea for this show’s theme… Four local galleries staged a progressive brunch one Sunday in late June. Mindy Solomon, Spinello Projects, Emerson Dorsch and RedDot welcomed a steady flow of visitors to experience four unique exhibitions in the Little Haiti and Little River Arts Districts. Riffing on the Sunday brunch concept, each gallery offered a special dish simultaneously over from 11am to 3pm. Their goal? To highlight their exhibitions and invite visitors to linger for conversations about art.
One of those conversations will give you an idea of the experience. I recorded with gallerist Anthony Spinello and gallery manager Natalie Alfonso inside the exhibition titled Mere Façade. The word ‘façade’ has a couple of meanings that come into play: one is the face of a building, the side that looks onto a street or open space. Façade also refers to an outward appearance that conceals something unpleasant or insubstantial. From outside Miami looking in, the word might make you think about the superficial side of this city…
Another exhibition that opened this summer invites visitors to play dominoes. Curator Maria Elena Ortiz brought the show about a favorite pastime in Miami—to the Perez Art Museum. In a curatorial collaboration with Arden Sherman of the Hunter College Gallery in New York, Maria Elena shows us that there’s a lot more to dominoes than meets the eye. Also at PAMM, curator Diana Nawi invited London-based artist Haroon Mirza to create an immersive sound experience in the museum’s double-height gallery. You enter a darkened project space to experience A C I D GU E S T. A specialized technical system transmits an electrical current through speakers and light-emitting diodes (LEDs) activated by noise frequencies. sound and light experience based on a concrete poem he wrote. A C I D G E S T takes its name from the phrase “acid test”, (refering to the parties held in the 1960’s where groups of people would come together to legally experiment with LSD).
The last segment of our show features subtropics, the experimental music and sound art biennial at ArtCenter/SouthFlorida organized by sound artist Gustavo Matamoros. Alba Triana tells the story behind her sound and light installation Microcosmos and Gustavo introduces sound art and experimental music performances by David Dunn, Olivia Block, Carles Santos and Abbey Rader.
Art with Caribbean roots inspires this episode of our radio show. Franklin Sirmans, Director of Perez Art Museum, Miami, sets the tone, in his conversation with Cathy Byrd about art from the Global South. We’ll introduce the role of Diaspora Vibe Cultural Arts Incubator, Inc., in nurturing the work of artists of the Caribbean diaspora in Miami and beyond. You’ll hear from Rosie Gordon-Wallace, founder of DVCAI, Haitian-born artist Asser Saint-Val who lives and works in Miami, and artists in residence Gerard Caliste (Houston, by way of New Orleans) Ashley Teamer (New Orleans) and Nadine Hall (Jamaica).
Sound Editor: Guney Ozsan
In this sonic experience of Berlin, hear drummers performing in the Karneval der Kulturen and experience the music scene in Mauer Park. Learn about the sound art featured on Deutschlandfunk Kultur from curator Marcus Gammel. Meet Ahmet Ögüt, one of the hosts on the documenta 14 radio program coming to Berlin. Visit the studio of artist and musician Satch Hoyt and listen to his Unpacking Sonic Migrations: From Slave Ship to Spaceship. Join our visit to SAVVY Contemporary where we meet co-artistic director Elena Agudio and listen to Oye record store owner Markus Lindner talk about Berlin's vinyl culture.
Join us for our latest Destination Fresh Art adventure to Flagler Arts & Technology Village aka FAT Village Arts District! To set the stage, listen to our conversation with artist and editor Sharon Louden about the role of artists in creating communities. In the studio, we speak to Neil Ramsay, Director of ArtsUp! Concepts, a not-for-profit space dedicated to presenting experimental art concepts, and Ingrid Schindall, Owner/Director/Organization Visionary of IS Projects, a public access printmaking and book arts studio. You’ll also hear field recordings from a recent FATVillage Art Walk and our conversations with architect Maria Fasano, opera singer Shanna Nolan Gundry and choreographer Jenny Larsson.
Sound Editor: Guney Ozsan
Artist Alexa Lim Haas talks about Agua Viva, her newest animated short film. Agua Viva was among the twenty-four projects selected for a special one-night screening at the 2017 Borscht Film Festival in Miami, Florida.
Our field recordings of conversations, performances and sound art in Oslo and Tromsø, Norway, during the 2017 International Association of Curators of Contemporary Art (IKT) Congress hosted by the Office for Contemporary Art Norway (OCA) and OSLO PILOT.
The Art of the Eclipse celebrates the phenomenal event that unfolded before our eyes on August 21, 2017, and explores the connection between art and science at the Phillip and Patricia Frost Museum of Science, in Miami, Florida. Dr. Jorge Perez-Gallego, Curator of Astronomy at the Frost Science Museum calls in to tell stories of his eclipse-viewing adventure outside Madras, Oregon. We share the conversations we recorded that day at the Frost with museum president Frank Steslow and team members Monique Gonzalez and Everett Fraser Ford, journalists Andrea Yanez and Patricia Herrera, and Carl Hildebrand and Evelyne Zapata from the Miami art community. A special feature of this show: sound tracks from films by Delphino Huang, John Akre and Michael J. Ruiz-Unger screened at the Science Art Cinema Film Festival on August 31, 2017.
We broadcast this live streaming program from the studio at Jolt Radio on September 6, 2017, just days before Hurricane Irma made landfall on Florida’s west coast.
Sound Editor: Guney Ozsan
Our sound experience of the 57th Venice Art Biennale features field recordings of conversations, sound art and performance from Egypt, France, Germany, Nigeria and the U.S.
Live streaming from Cannibal Radio in Athens, Greece, we introduce you to four of the city’s young culture makers. My co-hosts are Rena Bak and Simos Ares, two of the independent radio station’s forty producers. They both specialize in electronic music. Joining us in the studio are two Athens residents involved with documenta 14, the international art exhibition presented every five years in Kassel, Germany. For the first time this year, documenta comes to both Kassel and Athens. Katerina Nikou, assistant curator of document 14 Public Programs in Athens, describes the talks, programs and performances and the television broadcast of a short film series designed to engage locals. Also on the air with us is Nikos Nikolopoulos, a filmmaker working with American Rick Lowe on a community project with residents in the neighborhood surrounding Victoria Square. In the past two years, Victoria Square, historically a neighborhood park and public gathering space, has served as the site of a refugee camp.
Note: Today, May 17, 2017, workers staged a 24-hour general strike in Athens to protest the voting on new austerity measures proposed by the government. The strike halted the metro to the airport, flights to and from Athens and city bus service. The following conversations represent the second take of our program, as a blackout interrupted our first broadcast.
To view on YouTube: https://youtu.be/gXVcGbzKMRs
Sound Editor: Guney Ozsan | Original sound file courtesy Cannibal Radio, Athens, Greece
Live streaming from Cannibal Radio in Athens, Greece, we introduce you to four of the city's young culture makers. Rena Bak and Simos Ares are producers at the independent radio station. Curator Katerina Nikou and filmmaker Nikos Nikolopoulos are involved with the international art exhibition documenta 14.
Carolee Schneemann talks about painting, performance, censorship and resistance in a telephone conversation recorded just days before she receives the Golden Lion for lifetime achievement at the opening of the 57th Venice Art Biennale.
Featured performance audio: Interior Scroll, The Cave, 1995, courtesy Carolee Schneemann and Electronic Arts Intermix http://eai.org
Welcome to the Future of Art! We begin to talk about technologies that are transforming our global art eco-system—from art making to art history, from community engagement to collecting, and more.
Art Seeker founder and art collector, Helene Lamarque, along with Emmanuel Trenche, product marketing manager, share how Art Seeker is disrupting the art market by bringing art buyers and sellers together using geolocation technology.
Vizcaya Museum and Gardens team members Mark Osterman (education and engagement) and Gina Wouters (contemporary art program), with Harry Tapias (Vizcaya’s digital visioning task force), take you behind the curtain to reveal the museum’s evolving involvement with new technologies—from experiments with 3-D and virtual reality to curating exhibitions that pair artists with tech experts.
Marcus Gammel, with Deutschlandradio Kultur, talks about Every Time A Ear Di Soun, an exciting radio program he co-curated with Bonaventure Soh Bejeng Ndikung for the documenta 14 art exhibition in Athens, Greece, and Kassel, Germany, from April to September 2017.
Live streaming our radio show from the studio at Jolt Radio, Miami, we delve into the Deering Estate, where contemporary art meets nature, history, science and new technologies. Our show begins with a conversation that Cathy Byrd recorded in Havana with artist Mary Mattinglyabout Pull, a project Ms. Mattingly realized through the Bronx Museum of the Arts and the Museo Nacional de Bellas Artes de La Habana. Pull was on view during the 12th annual Havana Biennial.
Introducing the environmental focus of the Spring Contemporary 2017 exhibition at the Deering Estate: Kim Yantis, the Cultural Arts Curator for the Deering Estate in Miami, Florida. Nelly Bonilla and Oscar Luna, creators of Home Eleven, a collaboration that allows them to dream and create interactive spaces in Miami and beyond. Archival Feedback (Emile Blair Milgrim, T Wheeler Castillo), artists based in Miami, FL who approach the environment as a studio in the field, accessing the landscape through sound.
Sound Editor: Guney Ozsan
New York-based artist Patricia Cronin talks about women, power and sexuality inside her Tack Room installation at the 2017 Armory Show. Her reprise of the immersive environment she exhibited 20 years ago sparks this conversation about feminist issues, politics, and the artist's resolve to represent untold stories about women.
On this live streaming show, we hold a post-mortem review of Borscht Diez (AKA Borscht 10), the Borscht Corporation‘s tenth film festival in Miami, Florida. Our conversations introduce the collective energy behind the city’s homegrown film culture and explore a selection of the 2017 festival screenings and special events.
With us in the studio at Jolt Radio, Miami, are local filmmakers Lucas Leyva, Jonathan David Kane and Nayib Estefan of the Secret Celluloid Society. The show also features a skype conversation with New York-based filmmaker Alexa Lim Haas whose newest animated short premiered at Borscht 10.
Sound Editor: Guney Ozsan
Nato Thompson, curator and critical writer, talks about his new book Culture as Weapon, and how politicians, corporations and artists use cultural aesthetics to channel their agendas and motivate collective actions.
Come with us to explore creativity in the public realm through the lens of Miami’s Public Space Challenge, an annual grant opportunity that invites residents to propose creative projects for their neighborhoods. You’ll hear how art installations, architectural interventions, and inventive public performance projects can transform a parking space, a building, a park, and more.
Joining us in the studio at Jolt Radio, Miami: The Miami Foundation’s Stuart Kennedy, Principal of Plusurbia Design Juan Mullerat, Buskerfest Miami founders Amy C. San Pedro and Justin Trieger. Call-in: NEWT co-founder, Dejha Carrington.
Sound Editor: Guney Ozsan
Occupy Museums is the artist collective behind Debtfair, a project in the 2017 Whitney Biennial. In a national call, they invited artists to answer the question: "How does your economic reality affect your art?" Their 30-foot wall installation exposes the complex and obscure financial systems that lie just beneath the surface of the art scene in the United States.
Join our 21st century radio show adventure as we hear from Roman Mars about what inspired him to create 99% Invisible, a radio show and podcast series featuring architecture and design. In this episode of our live streaming radio show, meet the players presenting The Wolfsonian-FIU‘s first RadioFest, sharing the voices of local radio journalism, playwriting, and rehearsals for two of the radio plays to be featured at The Wolf.
With us in the studio at Jolt Radio, Miami: WLRN Public Radio and Television‘s Christine DiMattei, The Wolfsonian-FIU’s Heather Cook Gonzalez, and playwrights William Hector and Vanessa Garcia. Call-in: Kenny Finkle, master playwright.
Sound Editor: Guney Ozsan
Sharon Louden artist and educator and Hrag Vartanian, co-founder and editor-in-chief of the online art publication Hyperallergic, talk about Louden's newest book project: The Artist as Culture Producer. Forty visual artists contributed essays to the four hundred page publication. These individuals model some of the ways that culture makers of the 21st century are enriching creative economies around the world. Their first-hand stories may inspire more of us to take on new roles in the public realm, to engage more deeply in our communities.
Sound Editor: Guney Ozsan
Our radio show on contemporary black portraiture explores The Dandy Lion Project, a traveling exhibition project featuring the images of emerging photographers and filmmakers from various regions around the African Diaspora. You’ll hear from Amy Sherald on Black Art and New Racial Narratives before a live audience at moniquemeloche gallery in Chicago. In studio, The Dandy Lion Project Founder and CuratorShantrelle Patrice Lewis and visual artist Kia Dyson talk about the Dandy Lion exhibition now on view at the Lowe Museum, Miami. Calling in from Atlanta, artist and scholar Fahamu Pecou joins our conversation about black portraiture.
Sound Editor: Guney Ozsan
Brazilian artist Jorge Menna Barreto created Restauro, or Restoration, an eco-sensitive café within the pavilion that houses the 32nd São Paulo Biennial in Brazil. In partnership with local chefs and farmers, he encourages awareness about the way we use our land and the global consequences of how we eat. The entire project is an environmental sculpture.
Sound editor: Guney Ozsan
Join us as we explore South Florida residency programs. We begin with conversations recorded during our 2015 visit to the Studios of Key West. Learn about the Knight Arts Challenge grants for residency programs and more, from Director of Arts Bahia Ramos. Executive Director Deborah Mitchell introduces Artists in Residence in Everglades (AIRIE). Meet past fellow and musician Jose Elias and hear our field recording with photographer Adam Nadel, co-creator of the exhibition Getting the Water Right.
Sound Editor: Guney Ozsan
Iranian born, New York based artist Bahar Behbahani talks about the layers of poetry and politics she discovered while researching the legendary Persian garden. Her solo exhibition at the Hood Museum of Art, Dartmouth College reveals how the idyllic refuge became entangled with American espionage and a 1953 political coup in Iran. Highly relevant considering the mounting intensity of today's global tensions, the hidden agendas and coded behaviors exposed in Bahar Behbahani's work might well be the blueprint for a new political barrier erected this week: the executive order of a restrictive, anti-Muslim United States immigration policy.
Sound Editor: Guney Ozsan | Sound Effects: Bahar Behbahani, Visiting you in summer, 2015
Art with a sense of place is at the center of our show. To set the stage, hear about art throughout the magic city of Miami. We start with Franky Cruz’s butterfly project at Spinello Projects. Next, Hattie Mae Williams‘s use the Miami Marine Stadium as the backdrop for her Tattooed Ballerinas. Finally, we focus on Project 305 which invites people across Miami to submit sounds and images that will become part of an ambitious multimedia orchestral portrait of the city to premiere in October 2017.
With us in the studio at Jolt Radio, Miami are New World Symphony’s Director of Community Engagement Cassidy Fitzpatrick and Project 305 Project Manager Joy Lampkin-Foster. Jonathan David Kane, Filmmaker/Project 305 Lead Artist calls in.
Sound Editor: Guney Ozsan
With curator Catherine Morris, we talk about A Year of Yes: Reimagining Feminism at the Brooklyn Museum. The brilliant series of thematic exhibitions and programs on feminism and feminist art celebrates the 10th anniversary of Museum's Elizabeth A. Sackler Center for Feminist Art.
Judy Chicago's Dinner Party inspires this complex project. Featured in our conversation: Beverly Buchanan: Rituals and Ruins, Marilyn Minter: Pretty/Dirty, Georgia O'Keeffe: Living Modern, and the 2017 version of Utopia Station.
Sound Editor: Guney Ozsan | Recorded on Skype 14 Jan2017
Listen to this conversation to learn about public art and The Underline. Visionary Ryan Gravel introduces the Atlanta Beltline, a pioneering urban design project that transformed an abandoned railway into a parkscape at the heart of the city. Founder of The Underline, Meg Thomson Daly explains how the land below Miami’s Metrorail will evolve into a 10-mile linear park and urban trail. Curator Amanda Sanfilippo talks about the public art in Fringe Projects Miami, and artist Agustina Woodgate invites listeners to tune in to the latest Radioee.net project: a bike-powered mobile internet radio station that will explore the future path of The Underline.
Sound Editor: Guney Ozsan
Artist Zoë Buckman is in fight mode. Her own boxing gloves figure in recent mixed media installations, spoken word, and sound art projects that defend women's reproductive rights. This episode is an excerpt from the 3 Dec 2016 Fresh Art International show on Untitled, Radio, Miami Beach.
Sound Editor: Guney Ozsan | Swami Ji spoken word performance audio courtesy Zoë Buckman
Get inspired by our conversations on Fourth Wave Feminist Art. We begin with a flashback to a past conversation with artist Jillian Mayer on her project 400 nudes. Filmmaker Robert Adanto and artist Leah Schrager discuss the F Word Film: a look at radical, 4th wave feminist performance art. You’ll also hear about Adanto’s new documentary titled Born Just Now on artist Marta Jovanovic.
Sound Editor: Guney Ozsan
Lost Spaces and Stories of Vizcaya—Curator Gina Wouters, and artists Mira Lehr and Yara Travieso talk about What This Place Does Not Remember, one of eleven projects in the contemporary art exhibition Lost Spaces and Stories at Vizcaya Museum and Gardens in Miami, Florida.
The inspiration for Mira Lehr's and Yara Travieso's dramatic Baroque performance installation? The wild garden at the edge of the museum's south property and Henry Purcell's Dido and Aeneas, an English opera he composed more than 300 years ago. The opera tells the mythological story of Dido, Queen of Carthage, and her love for the Trojan hero Aeneas. In What This Place Does Not Remember, the two contemporary artists personify Vizcaya as the legendary Queen Dido. Lehr's environmental installation sets the stage for Dido's Lament, the performance that Travieso directs. An opera singer, a dancer, and a cellist enact the queen’s tragic love story within a lyric web of black rope that evokes the surrounding mangroves.
Sound Editor: Guney Ozscan | Dido's Lament performance: Amanda Crider (Mezzo Soprano), Stephanie Jaimes (Cellist)
Immerse yourself in the latest sound art, including some from Miami Art Week 2016. Sound artist Stephen Vitiello introduces the genre before we hear sounds from Faena Art‘s Tide by Side event, and a conversation with Yosvany Terry, who composed the track for Conga Irreversible, a performance designed by the Cuban artist duo los carpinteros. You’ll experience Naama Tsabar‘s Art Basel Public Sector performance, Composition 18. Studio guest Monica McGivern, one of the Composition 18 performers, remembers that night. Monica shares sounds she captured during her year-long artist residency at ArtCenter/South Florida downtown.
Sound Editor: Guney Ozsan
Curator Jochen Volz talks about the 32nd São Paulo Biennial exhibition titled "Live Uncertainty." With curators Júlia Rebouças, Gabi Ngcobo, Lars Bang Larsen and Sofía Olascoaga, Volz designed the exhibition to resonate with the park’s spatial dynamic; many of the installations in the exhibition are living environments. Allowing political protests within the pavilion, taking performances out into the city, and involving local communities in creating projects, the biennial demonstrates the vital role of creativity in a world where the future of free expression, human rights and the environment seems uncertain.
Sound editor: Guney Ozsan
Here's one of the art talk shows we hosted during UNTITLED, Art on Miami Beach, December 2016, via Wynwood Radio. We’re thrilled to add our energy to an art fair that’s more of an international exhibition than any other we’ve encountered. In this segment, you'll hear host Cathy Byrd in conversation with Vivian Caccuri.
Vivian Caccuri’s work creates interrelations among music, real and virtual architecture, public space, the body and performativity in objects, installations and performances. Vivian has developed projects in many cities in Brazil and abroad, including Manaus (Brazilian Amazon), Helsinki, Riga, Warsaw, Oslo, Valparaiso, Venice and Accra. Her sound works and compositions have been broadcasted in radio stations such as Resonance FM (London), Kunstradio (Vienna) and Rádio Mirabilis (Rio de Janeiro).
Here's one of the art talk shows we hosted during UNTITLED, Art on Miami Beach, December 2016, via Wynwood Radio. We’re thrilled to add our energy to an art fair that’s more of an international exhibition than any other we’ve encountered. In this segment, you'll hear host Cathy Byrd in conversation with Brook Davis Anderson and Trevor Schoonmaker.
Brooke Davis Anderson is Executive Director of Prospect New Orleans/U.S. Biennial. From 2010 to 2012 Anderson was Deputy Director of Curatorial Planning at the Los Angeles County Museum of Art (LACMA). In this role, Anderson oversaw the Watts Towers Conservation and Community Collaboration, and the “Curatorial Diversity Initiative,” a Mellon-funded pilot program aiming to change the demographics of professionals in museums across the nation.
Trevor Schoonmaker is the Artistic Director of the U.S. Triennial, Prospect New Orleans 4(P.4), scheduled to open November 11, 2017. He is also the Chief Curator and Patsy R. and Raymond D. Nasher Curator of Contemporary Art at the Nasher Museum of Art at Duke University. Hired in 2006 as its first contemporary art curator, he has been instrumental in shaping the museum’s curatorial vision and contemporary art collection.
Christie van der Haak is from The Hague, the Netherlands, studied design and fashion before becoming a painter interested in high color and decorative patterns. Her intricate and colorful patterns and designs are translated into tapestries and wall coverings, often creating immersive environments.
Sharon Aponte Misdea is Deputy director of collections and curatorial affairs at the Wolfsonian, dedicates herself to the preservation and interpretation of the modern design museum’s collection.
Silvia Barisione is a curator at The Wolfsonian whose research focuses primarily on 20th century design and prewar Italian architecture. She is curator of the Modern Dutch Design exhibition at The Wolfsonian.
Follow along as we preview Miami Art Week 2016—from performances planned for Art Basel‘s Public Sector to a look behind the scenes of Untitled Art Fair. First, we hear how New York-based artist Naama Tsabar‘s and Tom Tom magazine publisher Mindy Abovitz’s art and music worlds collide. Next, we visit Spinello Projects to catch up with Naama Tsabar and learn about Transitions #3, her Miami debut solo exhibition running concurrently with Art Basel Miami Beach 2016. Finally, we learn about the UNTITLED. Art Fair from the Programming Director Amanda Schmitt.
Sound Editor: Guney Ozsan
Artist Alexis Gideon talks about myth and memory in his newest animated video opera: The Comet and The Glacier. He brings this musical narrative to life at Locust Projects, Miami, Florida. Gideon's intense multi-media environmental installation takes visitors on a journey into his imagination and serves as the stage for his performances during Miami Art Week 2016.
Sound Editor: Guney Ozsan | Sound effects courtesy Alexis Gideon
Our show is a feast of new performance art projects. Hear the conversation Cathy Byrd recorded with artist William Pope.L one night during the roving street performance he created for the 32nd Bienal São Paulo. Learn about the Tide by Side processional event planned for the Faena Art District on Miami Beach from curator Claire Tancons and artist Marinella Senatore. Also in the studio, Alexis Gideon introduces the multi-media opera The Comet and the Glacier he brings to Locust Projects, Miami.
American artist William Pope.L talks about endurance in performance art and shares the story of Baile, or Ball, the project he created for the 32nd São Paulo Biennial. Based on Pope.L’s research into recent political frictions and social inequalities in Brazil, the theatrical endurance project involves three pairs of professional dancers taking 8 hour shifts to perform 24 hours a day, for four days. They walk and dance along a mapped-out route at the heart of the city.
Sound editor: Guney Ozsan
Bringing local creatives into the studio at Jolt Radio, Miami, we dig into contemporary art and the black imagination. Curator Valerie Cassel Oliver sets the tone in a conversation we recorded about her exhibition project: Radical Presence: Black Performance in Contemporary Art. We expand the dialogue to include introduce artists, filmmakers and curators working with black art, film and collecting in Miami.
In the Studio: Filmmakers Jamilah Sabur, Founding Director of Prizm Art Fair Mikhaile Solomon, ArtCenter/South Florida Artistic Director Natalia Zuluaga and Artist Domingo Castillo. Call in: Amir George, filmmaker and co-founder of Black Radical Imagination.
Sound Editor: Guney Ozsan
rtists Joyce J. Scott and Antonia Wright join Cathy Byrd for the first Miami broadcast of the Fresh Art International show on Jolt Radio. Baltimore-based Joyce J. Scott is a jewelry maker and sculptor repositioning craft, and in particular beadwork, as a potent platform for commentary on social and political injustices. She shares recent projects and comments on the recent honor of a MacArthur Genius award.
Miami-based Antonia Wright is an artist working in performance, video, and installation. She talks about her traumatic fall through the ice on a frozen lake in a filmed re-enactment that is a feature of her multimedia exhibition at Locust Projects in Miami.
Sound Editor: Guney Ozsan
Today, we share our final live broadcast on Jolt Radio, Miami, from inside the exhibition pavilion of the 32nd São Paulo Biennial! We have quite the line-up! Brazilian artist Vivian Caccuri talks about her Afro-Brazilian sound project to kick off the show. Yvette Mutumba and Julia Grosse, Germany-based editors of Contemporary And (C&), follow, with their impressions of the exhibition and an introduction to their latest print publication. Our last guest, Brazilian artist scholar Jorge Menna Barreto, tells the story behind Restauro, a biennial dining experience inspired by local agro-forestry efforts.
Today, we’re sharing one of the three shows we broadcast this month on Jolt Radio, Miami, from inside the exhibition pavilion of the 32ndSão Paulo Biennial! Our special guest is Pia Lindman, an artist from Finland whose project Nose Ears Eyes centers on the hut made of mud and bamboo that you see in the photo gallery below. Later in the show, Eduardo Navarro, an artist from Argentina, drops in to our ad hoc studio, to talk about his Sound Mirror. Pia and Eduardo are two of the biennial artists whose projects connect conceptually and physically with Ibirapuera Park, a gorgeous urban green space that surrounds the exhibition pavilion designed by the legendary architect Oscar Niemeyer.
Sound Editor: Guney Ozsan
Today, we share our first-ever Fresh Art International radio broadcast, recorded live in Brazil! For three days only, we were livestreaming from inside the São Paulo Biennial pavilion on Jolt Radio. Our new hour-long show expands on conversations about creativity that we’ve been recording with contemporary artists, curators, filmmakers, and architects since 2011 for the Fresh Art International podcast.
The cultural context for our remote broadcast is Incerteza Viva, Live Uncertainty. The title and theme of the 32nd biennial exhibition revolves around the political, social, and environmental uncertainties of contemporary life. Today’s show features participating artists Eduardo Navarro (Argentina); Ebony G. Patterson (Jamaica), and artist collective Opivivaro! (Brazil), as well as activists from the Aparelhamento movement, a group or artists protesting current politics in Brazil.
We hope you enjoy the show!
Fresh Art International presents a live podcast event with American artist Amy Sherald at moniquemeloche gallery in Chicago. Recorded on July 9, 2016, at a moment in American history marked with killings that accentuate deep racial issues in this country, our conversation verges on joy and sadness. The timeless sense of black identity described in Amy Sherald’s figurative paintings reminds us how art can be both transcendent and aspirational.
Sound Editor: Jesse McQuarters
Cuban artist Glexis Novoa is one of fifty artists that curator Juan Delgado invited to participate in the public art exhibition Detras del muro, in English, “Behind the wall,” during the 12th Havana Biennial. The poetic project he created with homeless residents occupies the ruins of an abandoned building on the Malecón, a five-mile roadway and promenade that run along Havana's seawall. Titled El vacío (Emptiness), the spare installation offers a nostalgic view of the relationship Cuba once had with Russia and Eastern Europe.
Sound Editor: Guney Oszan | Violin: Alejandro JuncoEnvironmental artist Mary Mattingly talks about Pull, the project she created with local partners in Havana. Her artist residency is part of Wild Noise, thefirst in a series of exhibition exchanges between the Bronx Museum of the Arts and the National Museum of Fine Arts, Havana.
Buskerfest Miami's Justin Trieger and Amy San Pedro have joined other local musicians to begin creating aconnected, thriving urban core for Miami. They stage street performances along the stops of the city's Metromover, a free downtown transit system. Listen to our conversation and hear a selection of live music from the annual festival and other Buskerfest events.
We recorded this conversation during FEAST Miami, a people's choice fundraising dinner for artists.
Sound Editor: Kris McConnachie | Sound effects courtesy Buskerfest and the artists
Presidents of Cuba and the U.S. recently announced a rapprochement, but is the island country ready for free expression in the form of contemporary art activism? Recorded in Havana, this Fresh Talk episode features Cuban artist Tania Bruguera and her recent launch of a new initiative: the Hannah Arendt Institute for Artivism. Bruguera is moving ahead with her project despite the fact that she's been under city arrest and subject to government reprisals after her unauthorized public art performance on December 30, 2014, landed her in jail for three days.
Sound Editor: Kris McConnachie Special Audio: May Day 2009, Plaza of the Revolution and Tania, Bruguera Tatlin's Whisper #6, 2009Cuban artist Alexandre Arrechea and American art collectors Patricia and Howard Farber talk about the first-ever international Cuban Art Awards sponsored by the Farber Foundation. We recorded this conversation at the Wifredo Lam Contemporary Art Center during the opening event of the 12th Havana Biennial art exhibition.
Sound Editor: Kris McConnachie | Music: Septeto Habanero
Nigerian-born curator Okwui Enwezor, director of the 56th Venice Art Biennale, sparked this conversation about the expanded black presence in the global contemporary art scene. Recording in Venice, during preview days the international exhibition, Cathy Byrd connects with Canadian curators Camille Turner, Andrea Fatona, Sally Frater, and Pamela Edmonds to speak about this new development.
Sound Editor: Kris McConnachieArgentinean artist Agustina Woodgate is based in Miami, Florida, and Buenos Aires. In a recent project, she and her team produced Radio Espacio Estacion (Radio EE), a 4-day online radio show for Auto Body, a performance-based exhibition featuring the work of more than 30 women artists. Our conversation—and Woodgate's temporal Auto Body broadcast—took place on Miami Beach, during Miami Art Week, December 2014.
Sound Editor: Kris McConnachie | Radio EE excerpts courtesy the artistChicago-based artist Cheryl Pope tells the back story of UpAgainst, a performance she presented on Miami Beach in late2014. Pope used only her head to box down 700transparent water-filled balloons that were suspended from the ceiling ina former auto body shop. The context for UpAgainst was AUTO BODY, afour-day video and performance project that took place during Miami Art Week 2014.
Sound Editor: Kris McConnachie | Performance audio courtesy the artist and Spinello Projects
From El Salvador, Cuba, and Israel, Simón Vega, Candelario, and Gil Yefman talk about their experiences as artists-in-residence at the Fountainhead Residency in Miami, Florida. Launched in 2008 by Kathryn and Dan Mikesell, Fountainhead is one of the local efforts to build a sustainable art scene in Miami. Our conversation takes place in the house and garden where the artists live and work.
Sound Editor: Kris McConnachie | Sound effects, courtesy the artistsNew York-based artist Lynda Benglis has been pouring, dripping, and splattering her way through unexpected media, color, and texture for decades. Her work sometimes shocks, and always surprises. Forty years after posing nude with a dildo for the photo that appeared in a full-page ArtForum advertisement, Lynda is at last being recognized for her significant impact on contemporary art. In this episode, we talk about her passion for creating and resurrecting fountains.
Sound Editor: Kris McConnachie | Sound effects courtesy Dylan Farnum, Walla Walla FoundryProspect New Orleans, a city-wide international art exhibition in its third iteration, is starting to feel at home. This episode features two project sites where we found a deep connection between art and community. In the order of their appearance, Timothy Levitch, Tavares Strachan, Margaret Thomas, and Gary Simmons reveal why Prospect makes perfect sense for the Crescent City.
Sound Editor: Kris McConnachie
Episode sound: The Roots of Music Brass Band's performance of “Go to the Mardi Gras” by Professor Longhair during the live WWOZ broadcast from Jazz Fest on May 1, 2014; and Beans performing for Gary Simmons “Recapturing Memories of the Black Ark,” 2014, at Tremé Market Branch on the occasion of the opening of Prospect.3: Notes for Now, New Orleans, October 25, 2014.
Miami-based artist Jillian Mayer introduces 400 Nudes, a revealing found photo project to debut at the Montreal Biennial. Mayer's work examines the nude selfie phenom on the Internet to comment on information sharing, privacy, the manipulation of identity, and the body politics of revenge porn.
Sound Editor: Kris McConnachie
This is the launch of Fresh TalkUNCUT, a new series of unedited podcasts. In February 2013, Fresh Talk producer Cathy Byrd recorded a conversation with artistTrenton Doyle Hancock, in hisHouston, Texas, studio. Trenton talks about the mythology he created to filterhis artmaking and about the personal histories that lie beneath his work.
Sound Editor: EricSchwartz Episode Sound: TrentonDoyle Hancock, performing Devotion at CAMH
Thisis our first broadcast of Fresh Talk UNCUT, a new series of unedited podcasts.In October 2012, Cathy Byrd, Fresh Talk producer, made a field recording with Jean-Ulrick Désert during her residencyin Berlin. Born in Haiti, Jean-Ulrick lived in the U.S. and France beforemigrating to Germany. He talks about how moving through these cultures hasmarked his artmaking.
Sound Editor: EricSchwartz
This Fresh Talkepisode features Jean-Ulrick Désert and Trenton Doyle Hancock, two of the artists participating in Radical Presence:Black Performance in Contemporary Art. Curated by Valerie Cassel Oliver for the Museum of Contemporary Arts inHouston (CAMH), the exhibition is now appearing in New York City. Some of theshow’s performance art events will be featured in New York’s Performa 13 this November.
To hear CathyByrd’s unedited recording sessions with Jean-Ulrick and Trenton, go to the newFresh Talk UNCUT podcast series.
Sound Editor: EricSchwartz
Episode Sound: TrentonDoyle Hancock, performing Devotion at CAMH
Special Thanks to Kristen Hileman, Tanya Bonakdar Gallery, PPOW, Anne Mannix, Sarah Pedroni and Zachary Wade.
Cathy Byrd meets Tolly Moseley in Austin to learn about her faceted creative practice. A book publicist by day, Tolly spends evenings writing for her blog AustinEavesdropper.com. She’s also a passionate aerial silks dancer who keeps a vivid blue silk hanging from a tree outside her back door. Earlier this year, Tolly started producing and hosting a series of webisodes for "Austin Eavesdropper TV" in which she interviews a certain quirky character and shares insider tips about Austin. In this episode, Cathy gets a sneak peek at Tolly's brand new project for youtube.com/hungry.
Sound Editor: Leo Madriz
Photo credits noted in captions
Music: Tolly Moseley, AETV intro by Jason Silverberg
In Barcelona, Cathy Byrd speaks with Carolina Grau, an independent curator from Spain, who has created projects in London, Madrid, Lisbon, Sao Paulo and Paris. Carolina describes what she learned as a facilitator for artists Rachel Whiteread and Juan Muñoz; her curatorial residency at the Center for Contemporary Art, Noisy-le-Sec; the evolution of her work with Martin Creed (Cubitt Gallery and Tate Modern, London; Sala Alcalá, Madrid); and how locals get involved with the D.I.Y. biennial she co-organizes with Mario Flecha in the village of Jafre, Spain.
Sound Editor: Leo Madriz Photos: Courtesy the artists and Carolina Grau, except where noted Episode End Sound: Martin Creed, Thinking, Not ThinkingCathy Byrd drives to Lubbock, Texas, to meet with Chris Taylor and students who participated in Land Arts of the American West 2011, an experiential program taught in the College of Architecture at Texas Tech University. An amazing road trip of some 6,000 miles culminated in the exhibition that was on view this spring.Students: Alexander Bingham, Luis Bustamante III, Will Cotton, Winston Holloway, Richard Klaja, Celeste Martinez, Zachary Mitchell, Carl Spartz, Rachael Wilson, Bethany Wood. Program Assistant: Adrian Larriva. Program Director: Chris Taylor.
Sound Editor: Leo Madriz Photos: Chris Taylor, Cathy Byrd and Joe DeMarco Episode Sound: 45 rpm record found by Land Arts 2011 participantsCathy Byrd connects on skype with Sasha Dees, an independent curator/producer/consultant who lives and works between Amsterdam and New York. In the Netherlands, Sasha curates the residency program Open Ateliers in the area of Amsterdam known as Zuidoost. In the U.S., Sasha is the producer of a roving video performance project with Sietske Tjallingii, the protagonist in Miss T - My American Dream. Their road trips in search of mid-century roadside icons have led them to gigantic versions of a guitar, a blue whale, a sombrero and more.
Sound Editor: Leo Madriz
Photos: courtesy Sasha Dees
Episode Music: Billy Holliday, All of Me
This episode features Navid Nuur, an Iranian artist based in the Netherlands. Navid was invited to present his first solo exhibition in Spain at Matadero Madrid, an art center developed on the former site of the city’s main livestock market and slaughterhouse. The artist who loves to experiment talks about Hocus Focus and the painting project he just presented in Switzerland at Art Basel 2012.
Special thanks to Gema Melgar, Matadero Madrid, for facilitating this podcast production.
Sound editor: Leo Madriz
Photos courtesy Matadero Madrid and Cathy Byrd
Episode Sound: Navid Nuur, Fire Painting, 2012
Sound Editor: Leo Madriz
Known photo credits noted
Music: Jason Moran, He Takes His Coat and Leaves
Sound Editor: Leo Madriz
Photos: Courtesy of LACMA, except where noted.
Episode Sound: Excerpt of audio recorded while moving Michael Heizer's 340-ton rock from Riverside to Los Angeles, CA. Courtesy of LACMA
Now living a seaside village just outside Lisbon, German artist Regina Frank has expanded on her central theme, The Artist Is Present, for more than two decades. Regina talks about the political and cultural issues that interest her and how her meditative installation projects explore the tension between analog and digital media.
Sound Editor: Jay Agoglia
Photos: Courtesy Regina Frank
Music: Astor Piazolla, Tango Milonga del Angel
Artist, curator, art consultant and Fresh Rx contributor, Kesha Bruce talks to Cathy Byrd about her creative platforms and offers advice to artists.
Sound Editor: Leonardo Madriz Photos: Kesha Bruce Music: Slim Harpo