Anatomy of Tone: Episode 28 -Experience Pro-Level Mixing with PSP Plugins
In episode 28 of Anatomy of Tone, the host shares insights on PSP Audioware plugins and how instrumental they have been over the years in shaping and refining sound in music production. The host emphasizes the versatility of the plugins in processing sound after recording, arguing that PSP Audioware plugins offer more character and depth to the sound. Features of several plugins are explored including the PSP Vintage Warmer, the PSP Lexicon 42, the PSP Binamp, the PSP Lottery, and the PSP Springbox, and different uses of these plugins to enhance different instruments are demonstrated. 00:00 Introduction to the Episode 00:03 Exploring PSP Audio Plugins 00:54 Upcoming YouTube Videos and Learning Exercises 06:24 The Importance of Deliberate Practice 08:17 Private Lessons and Overcoming Musical Plateaus 08:55 Deep Dive into PSP Plugins 11:07 Exploring the PSP Binamp Plugin 21:21 The PSP Vintage Warmer Plugin 38:12 The Lexicon PSP 42 Plugin 43:22 The PSP L'otary Plugin 51:39 Conclusion and Contact Information
Exploring the Red Panda Tensor Pedal in this week's edition of Pedal Chemistry, we delve into the captivating world of the Red Panda Tensor pedal. This extraordinary piece of equipment opens up a realm of possibilities with its innovative reverse tape effects capabilities. But that's not all - the Tensor pedal also features pitch shifting, time stretching, hold functions, and loop functions that offer boundless creative potential. Seamlessly transitioning between modes, you can fully immerse yourself in experimentation and unearth unexpectedly fascinating results.
With the Red Panda Tensor, you can manipulate your sound in ways that defy convention. As you engage its real-time rewind feature, time slows down as if caught in a temporal vortex. Conversely, you can accelerate your playing to dizzying speeds, leaving a trail of sonic exhilaration. The pitch-shifting option allows you to explore uncharted territories, blending reverse play with unique tonal variations.
The ability to loop and overdub expands the Tensor pedal's artistic potential even further. You can effortlessly slice and rearrange phrases, creating intricate musical landscapes that defy temporal constraints. And let's not forget its impressive memory capacity, able to hold up to 9.4 seconds of audio in mono mode and 4.7 seconds in stereo. Furthermore, the pedal's stereo capabilities facilitate a wider sonic canvas, providing enhanced depth and spatial exploration.
One of the most remarkable features of the Tensor pedal is its instantaneous response to your playing. The pedal is constantly listening, offering you the opportunity to instantly rewind and revisit your recent musical explorations. Switching effortlessly between forward and reverse playback allows you to navigate through an auditory labyrinth, immersing yourself in a world of infinite sonic possibilities.
Discovering the Charm of Vertical Pedal Boards
During a recent browsing session on Etsy, I stumbled upon an intriguing world of pedal boards. While searching for single pedal desktop stands, my curiosity led me to explore the realm of wooden vertical pedal boards. Personally, I've never been a fan of 3D printed products as they often lack the charm and durability that comes with something lovingly crafted by hand, from wood.
And there I found Douglas Pedal Boards - a collection of unique, hand-built vertical pedal boards that immediately captured my attention. These meticulously constructed works of art exuded a sense of craftsmanship and authenticity rarely found in mass-produced alternatives. Each board possessed its own distinct characteristics, far from the uniformity of factory-made counterparts.
In conclusion, the combination of artistry and functionality found in these handcrafted vertical pedal boards from Douglas Pedal Boards is truly captivating. They elevate the aesthetics of your pedal setup while offering a reliable foundation for your effects.
00:00 Introduction to Episode 27 00:04 Exploring Vertical Pedal Boards 00:47 Review of Douglas Pedal Boards 07:44 The Impact of Technology on Composition 12:56 Exploring the Red Panda Tensor Pedal 13:40 Review of Red Panda Tensor Pedal 19:54 Sound Experiments with Red Panda Tensor Pedal 43:58 Conclusion and Contact Information
Check out my website for more gear reviews and lessons Anatomy of Guitar Tone
Anatomy of Tone: Episode 26 - The Art of Improvisation in Music
In this episode, the relevance of sweepstakes run by Seeker Electric Effects is discussed alongside a plea for assistance for a member of the community. The host later dives into various methods for improvising effectively. Central to this are skills such as ear training, understanding forms, in-depth knowledge of one's instrument and integrating music theory. Technology is also touched upon in terms of its benefits and distractions, particularly in relation to practice, along with the value of various apps in improving music theory and rhythm reading skills. A highlight includes how research and music transcription can decode and understand music, and the importance of rhythm in a musical piece. There's also a note about an upcoming examination of the Red Panda Tensor pedal and a plug for a charity initiative by Sound Toys plugins.
00:00 Introduction and Sweepstakes Announcement 01:12 The Importance of Community Support 01:48 The Art of Improvisation: Essential Skills 02:10 The Power of Ear Training 04:30 Understanding Musical Forms 07:16 Knowledge of Your Instrument 09:06 The Role of Music Theory 11:28 The Value of Research in Music 17:36 The Importance of Reading Music 22:22 Inspiration from Bernard Herrmann and Learning Composition 23:10 The Power of Reading Music and Notation 23:49 Using Music as a Mnemonic Tool 24:54 The Importance of Encoding in Improvisation 25:39 The Art of Storytelling in Music 27:21 The Role of Reading Music in Improvisation 28:24 The Significance of Rhythm in Music 39:56 The Impact of Technology on Improvisation Practice 44:50 Useful Apps for Improvisation Practice 48:15 The Importance of Transcription in Learning Music 49:32 Learning Music Theory and Improvisation 50:52 Upcoming Podcast Topics
Apps I mentioned:
#improvisation #musictheory #imporvisationforguitar #composer #composition #songwriting #musicinstruments #musictechnique #jamming #improvisationonpiano
In this week's podcast, I delved into the realm of the Universal Audio Del-Verb pedal. This pedal offers three classic UA reverbs and delays in a compact, user-friendly design. Such endeavors often sound too good to be true, but Universal Audio has proven their expertise by crafting a pedal that not only sounds fantastic but is also ideal for impromptu gigs and sonic exploration.
Additionally, I share insights into my approach to an improvised solo performed during a recent gig with the Kevin Bents Situation. Tune in to discover the thoughts behind my musical decisions, my preparation process, and how I approached conveying emotional expression through my performance.
00:00 Introduction to Episode 25
00:03 Exploring Universal Audio's DelVerb Pedal
00:41 Recording Gigs and Self-Reflection
02:12 Guitar Solo Analysis
04:24 The Importance of Emotional Connection in Music
05:32 The Art of Improvisation
10:46 The Role of Tone in Musical Expression
14:14 Universal Audio Delverb Pedal Review
29:58 Exploring Different Sounds with Delverb
54:49 Conclusion and Contact Information
Gear used in this episode:
Seeker Electric Effects Tonebender MKI
Contact for guitar, bass, drum, recording, composition, synth programming, production lessons
In Episode 24 of Anatomy of Tone, I delve into the hidden gem responsible for the iconic "Back in Black" tone of Angus Young and others. The Schaffer Vega Diversity System, originally designed as the first wireless unit for guitarists, evolved into a pivotal tool for tone enhancement. The Schaffer Vega sound remained elusive and shrouded in mystery for many decades. However, thanks to Fil Olivieri's relentless research and collaboration with Ken Schaffer (the original designer), a modern incarnation of the original Schaffer Vega has emerged sans the wireless aspect.
We now have at our disposal a pedal version of the Schaffer Vega sound, known as the Solo Dallas Storm, and I'll be embarking on some exciting experiments with it.
Additionally, I'll discuss Elaine Gould's invaluable reference book, "Behind Bars," which provides comprehensive insights into music notation.
For those eager to explore the gear I used in this podcast, you can find further information through the following links:
In this week's podcast, we talk about the healing value of music and its use in the mental health profession. Music therapist Sophie Woods came into the studio to discuss how she implements music into her therapy sessions, how different parts of the brain work, and the need to allow more people access to music therapy.
In this week’s podcast, I touch on etiquette for sessions, rehearsals, and gigs and the need to set good boundaries. I also deeply explore the sounds that can be created by using the Effectrode Phaseomatic, which uses vacuum tubes and photocells to create rich, lush vibrato and swirling phase-chorused effects with amazing presence and clarity.
I use the Phaseomatic with diverse sources such as:
Guitar:
paired with an SG, Solo Dallas Storm, and Marshall Plexi.
paired with a Guild Starfire III, Headstrong Lil King
guitars recorded using the Ampete 88S amp switcher, Universal Audio OX, Purple Audio MC77, API 312 Mic Preamps, and Universal Audio Apollo
Bass:
paired with a P Bass and Ampeg V78
paired with a Warwick FMR 5 string
Mellotron:
paired with a Surfy Bear Metal
Synth:
paired with a Sequential Circuits Prophet 10, Chase Bliss CXM 1978, Seeker electric Effects MKI
This week, I talk about overcoming distractions on gigs and remembering the material. I give tips on preparing so you can maintain focus on a gig. There are ways you can practice to emulate stage conditions. I also provide tips on sitting in with musicians on a gig.
Composers in the classical realm are masters of development, reusing, and reimagining parts. Techniques such as retrograde, inversion, augmentation, and diminution can also be helpful to songwriters in rock and pop genres. I touch on the subject to get you started in exploring these techniques.
This week, I interviewed Douglas Gibson, one of my most influential teachers/mentors, about his life. Doug is an award-winning composer, orchestrator, and educator with a deep understanding of music. Doug talks about his pathway to knowledge and musical interests, as well as his experience working in the business.
In episode 19 of Anatomy of Tone, I sit down to talk to the creative mind behind Henry Amps. JP Henry discusses his roots and philosophy of making guitar amps. I've been a long-time fan of Henry amps. I toured with two Henry amps for years and have used them in studios with fantastic results.
In episode 18 of Anatomy of Tone, I will discuss using the Strymon Iridium amp, cab modeler, and in-ear monitoring (IEM) for gigs and rehearsals.
There are several reasons why players may not be able to use an amp on gigs in today's performance and studio world. There are also times when we need to hear ourselves more. But, with no monitors, this can be an issue when our volume is already loud for the room we’re playing.
I provide some tips for these situations and look at where live sound is going.
Gear discussed or used in this podcast:
In episode 17 of Anatomy of Tone, I deeply dive into the Tonebender MKI Fuzz Circuit using the Seeker Electric Effects Tonebender MKI. Find out why I love this Tonebender circuit and choose the Seeker Electronics version of the MKI. You can also read a blog I wrote about the Seeker MKI.
I also talk about why music theory teachers shouldn't frame concepts around rules.
In this week's podcast I start the first of many interviews. I talked with bassist, guitarist, keyboardist, singer, and composer Robbie Mangano. Robbie has played with artists like Sean Lennon, Tom Morello, Ricki Lee Jones, and Banned From Utopia. Robbie has also transcribed for Guitar World Magazine, among many other career highlights.
Hear Robbie discuss his start and share knowledge of his approach to music.
In episode 15 of Anatomy of Tone, I will discuss the Effectrode Tube Drive and why I consider it the holy grail of overdrive pedals. There is also a discussion on audiation and how it can improve your playing. i use a yearly planner to track my practice routines and progress. Find out why and how I go about it. Lastly, we look at the song "Too High" from Stevie Wonder.
In this week's podcast, I explore a special fuzz pedal by Speebtone, named the Jerk-U-Later. Do you find yourself staring at your instrument too often during practice? I explain how practicing blindfolded can boost your skills. Additionally, I touch on the idea of purposely avoiding the pursuit of perfection in our music writing, as it can foster growth. Lastly, I delve into a creative technique employed by the Bee Gees in the song "Staying Alive."
In Episode 13 of Anatomy of Tone, I discuss the Analog Man Beano Boost Treble Booster. I also highlight some creative part writing in The Band song "Lookout Cleveland."
Practicing odd time signatures can help strengthen your counting and ability to maneuver even in 4/4 time. I'll giver dome exercises to explore this concept. Lastly, I will give advice on how to avoid burnout.
In this week's episode I talk about some of my favorite music accessories, including Barefoot Buttons, G7th capo, Sonic Research Strobe Tuner, Gruv Gear Fret Wraps.
I will also discuss the unrealistic claims of some music courses with false promises. And how to spot spammy music content.
There is also a brief conversation about the mixed modes used in the riff on Rick James' classic song "Superfreak."
Lastly, I'll discuss how learning forms for songs can also give you structure for improvised solos.
In this week's Podcast, I dive into the captivating world of music, exploring the JHS Bonsai Tube Screamer pedal and providing a comprehensive overview. As I immerse myself in the sonic journey, I stumble upon an intriguing element in Duane Eddy's "Rebel Rouser," capturing my attention and prompting a discussion.
Among the many musical intricacies explored, I dedicate a segment to unraveling the concept of voice leading. It's a fascinating aspect of music theory that adds depth and coherence to compositions and improvisations.
Moreover, I delve into the realm of compositional techniques and proudly reveal how I harnessed the power of Serialism in a new, original piece. The complexities of this method allow for exciting musical possibilities, and I'm thrilled to shed light on my creative journey with it.
So, whether you're a seasoned musician or just a curious soul seeking musical inspiration, join me in this week's Podcast for a melodious experience. Let's explore the nuances of the JHS Bonsai Tube Screamer, bask in the magic of Duane Eddy's artistry, unravel the wonders of voice leading, and venture into the avant-garde realm of Serialism.
In Episode 10 of Anatomy of Tone, I will discuss my strategies for dealing with backline amps that may sound like I need to learn better.
I will also discuss how studying orchestration can heighten your production and songwriting skills.
Socially I will take a deep dive with the JAM Pedals Ripple phaser, which is a recreation of the phase 45 circuit but with true bypass switching and a lower noise floor.
In this week's podcast, I delve into the challenges of achieving the classic "Hard Days Night" Beatles Rickenbacker tone using modern Rickenbacker pickups. I share my personal experience of swapping the pickups in my Rickenbacker 360 12 with hand-wound Gemini Toasters and making wiring adjustments to capture that desired tone.
Furthermore, I explore the concept of permutations and how they can be applied to enhance your composition and soloing skills. Understanding permutations opens up creative possibilities in your musical endeavors.
Lastly, I introduce a technique I've developed called the Breadcrumb technique, which I employ during live improvisations. This technique revolves around the idea of starting and concluding a solo with a predetermined musical motive, ensuring a strong and satisfying beginning and end to the improvisation.
Learning the language or terminology of music can be helpful when communicating with other musicians. If we all have the same point of reference for a sound or technique, it makes it easier to understand each other.
Every once in a while, I will discuss music terminology to help musicians communicate more effectively at rehearsals, jams, or recording sessions. This week we will discuss the terms motive, sequence, and phrase.
Choosing the right DAW can be confusing to those just getting into recording. Sometimes it's hard to understand your needs and working style until you gain experience.
I'll discuss some DAWs and the subtleties that separate them.
There are two main varieties of Fuzz Face style circuits. Early Fuzz Faces were Germanium until they switched to Silicon.
I will discuss and demonstrate the differences between these two circuits using the Analog Man Sunface BC108. Analog Man is an expert on the Germanium and Silicon Fuzz Face circuits.
In this episode I will discuss how having knowledge of registers can help you troubleshoot notes getting lost on a recording or gig.
I will also do some sonic exploration using the Sound Stone Sustainer as well as the Death by Audio Evil Filter.
Understanding registers is crucial in music production. Different registers, such as low, middle, and high, help troubleshoot common issues. To address muddiness, adjust conflicting instruments' frequencies and create separation. Balancing the frequency spectrum ensures each element occupies its appropriate place. Consider register allocation during arrangement for clarity and separation, choosing instruments and sounds accordingly.
The Sound Stone Sustainer is an affordable alternative to the Ebow, offering the ability to sustain notes indefinitely and create experimental sounds on stringed instruments. It produces harmonic overtones and allows for feedback and drone effects when interacting with guitar pickups.
Additionally, it enables bowing techniques and the exploration of unconventional textures. The sustained notes can be layered and looped to create complex and immersive compositions.
The Death by Audio Evil Filter complements the Sound Stone Sustainer, offering aggressive and dynamic filtering effects. Together, they create captivating filtered textures and expressive filter sweeps by manipulating parameters like cutoff, resonance, and modulation. The combination allows for filtered feedback and oscillation, generating chaotic and distorted tones. By utilizing the Evil Filter's parameters alongside the Sound Stone Sustainer's sustained notes, you can shape and emphasize specific harmonics, creating complex and rich tones. Additionally, the interaction between the devices enables dynamic and expressive playing techniques, blurring the line between traditional guitar playing and experimental sound design.
In episode 6 of "Anatomy of Tone," we have an exciting lineup of topics to explore. Join me as we delve into the importance of developing a musical compass, which serves as your guide to always knowing your position and the power it brings to your playing.
Additionally, we'll take a deep dive into the Surfy Bear Metal analog spring reverb, exploring its unique features, creative applications, and how it can elevate your tone.
Lastly, I'll share valuable tips on organizing files when leading musicians in a jam, rehearsal, or gig, ensuring smooth and efficient collaboration. Stay tuned for an enriching and informative episode to empower you on your musical journey.
Remember to subscribe, and spread the word about the podcast to fellow music lovers. Thank you for your continued support, and I look forward to sharing this exciting episode with you!
In this week's podcast, join Mark Marshall as he explores the detrimental effects of self-judgment on creativity.
Additionally, Mark provides insightful guidance on utilizing strong beats to bring resolution to your improvisations and enhance your melody writing.
Delve into the expertise of Geoffrey Teese, a renowned figure in the world of wah-wah pedals since 1994. We take a deep dive into the exceptional qualities of the RMC Picture Wah and discover what sets it apart from other wah pedals.
In Episode 4 of Anatomy of Tone, Mark Marshall discusses the
Chase Bliss CXM 1978 with audio examples on guitar synth and Melotron.
I also discuss how too strong of opinions can polarize and squash opportunities.
I share a tip that I recently discovered about a trick to keep tea towels or bandanas secure on drums to control resonance live or in the studio.
Muddy Waters is one of my all-time favorite slide guitar players. In this episode, I discuss how Muddy infused some microtonal playing into his sound.
In episode 3 of Anatomy of Tone I discuss the Effectrode Delta Trem, using a whiteboard for composition, creating melodic drum fills, how scales are learned improperly, and playing the mix knob on reverbs.
In Episode 2 of Anatomy of Tone, Mark Marshall provides a comprehensive overview of the new FSC Instruments What the Fuzz pedal. Additionally, he delves into the fascinating realm of Flow State practice, explores his continued preference for analog gear, and shares insights on managing dynamics behind a drum kit to prevent the cymbals from overpowering the mix.
Mark Marshall begins by diving into the features and capabilities of the FSC Instruments What the Fuzz pedal. This pedal offers a unique and exciting approach to fuzz, delivering a distinctive range of tones and textures. Mark takes listeners through the pedal's controls, highlighting how they can be used to shape the fuzz character to suit different musical styles and preferences.
Moving beyond gear, Mark delves into the concept of Flow State practice. He explains how entering a state of flow allows musicians to tap into their creativity and perform at their best. Mark shares techniques and strategies to achieve this state, emphasizing the importance of focused concentration, mindfulness, and letting go of self-consciousness while playing.
In the episode, Mark also reflects on his continued love for analog gear. Despite the proliferation of digital technology, he remains dedicated to using analog equipment for its unique warmth, responsiveness, and sonic character. He discusses the tactile experience of interacting with analog gear and the irreplaceable qualities it brings to his music-making process.
Furthermore, Mark addresses the challenges drummers face when it comes to managing dynamics behind a drum kit, particularly in relation to cymbals. He shares practical tips and techniques for maintaining control and balance, ensuring that the cymbals complement the overall drum sound without overpowering it. \
In Episode 2 of Anatomy of Tone, listeners can expect to gain a deeper understanding of the FSC Instruments What the Fuzz pedal, discover methods for entering a state of flow in their practice sessions, explore the enduring appeal of analog gear, and learn effective strategies for managing drum dynamics behind the kit.
In this episode of "Anatomy of Tone" I discuss my process for learning songs in an efficient systematic manner. I also discuss the Analog Man Mini Chorus pedal with audio examples.