In today’s video, we asked Michael League to dig into his earliest influences and name the bass lines that helped define his career with four-time Grammy Award Winners Snarky Puppy.
There were a few things we agreed on:
- Bootsy Collins belongs on every top 10 list.
- Your drummer is your best friend.
- David Hood is a bass guitar genius.
Everything else was up for debate. Well, almost everything…
In this episode:
- Michael names his favorite bass line of all time.
- And the British rock band he idolized as a teen.
- We talk through his Jaco Pastorius phase.
- Bootsy Collins - just check out his swagger on Do That Stuff!
- And much, much more!
A few months back, we got into the argument that all bass players get into – what are the coolest, grooviest bass lines of all time? After hours of heated debate, we decided to get Nick Campbell to help make that decision for us.
In today’s podcast, Nick Campbell reels off the bass lines that shaped his sound. It’s the perfect way to introduce yourself to the worlds of Rocco Prestia, Ray Brown, James Jamerson and Colin Greenwood.
In this episode
Why Nick is a huge Radiohead fan.
The first time he heard Tower of Power.
Why nothing beats a Ray Brown two-feel.
Is this James Jamerson’s coolest bassline?
And much, much more!
So which is better – a long-scale or a short-scale bass guitar? If you’ve ever wondered which is the right scale length for you, you’ve come to the right place! In today’s episode, we’re taking a closer look at the key differences between short-scale and long-scale basses, the pros and cons of each, and we’ll give you a few recommendations of short-scale basses to check out for yourself.
In this episode
- What is a short scale bass?
- Who plays one?
- Which is better, short-scale or long-scale?
- How does the scale length affect the sound?
- What short-scale basses does Ian recommend?
- And much, much more!
Chris Chaney’s contributions to the bass world often go overlooked – but there’s genius in his bass playing if you know where to find it (take his game-changing bass lines with Jane’s Addiction for instance). Today’s interview is the perfect way to introduce yourself to some of his most mind-blowing rock riffs – and find out exactly what makes them true genius.
U2 has officially finished their residency in Las Vegas – the history-making shows saw over 700,000 fans descend on Sin City, from September 2023 through March 2024. In today’s episode, fresh from a weekend trip to Las Vegas, we take a trip inside The Sphere to uncover how Adam Clayton and U2 redefined live music at the city’s new high-tech venue.
In this episode
Was U2 at the Sphere worth it?
What makes Adam Clayton’s signature sound?
Which U2 track made Ian weep?
Who did Scott meet at the show?
What’s the SBL YouTube agreement?
And much, much more!
The year is 2006 and John Mayer has just recorded a landmark album that will put his new trio on the map. Drummer/producer Steve Jordan had the great idea of bringing Willie Weeks AND Pino Palladino in to play bass on one track, with Pino adding his own accompaniment to Week’s muted 8th note figure.
When Sean Hurley landed the bass gig with John Mayer in 2008, he combined both bass lines! So in today's interview, Sean is going to break it down note-for-note for you – and show you how to make it sound like TWO bass players are playing at the same time. Along with demonstrating four more iconic John Mayer bass grooves.
In this episode, we’re sorting through our pick of boutique basses from F Bass, Ken Smith, Olinto,
Overwater and more. We’re also going to delve into some of the questions that often come along, namely: why are they so expensive? How are they built? And are they really worth it? The answers are often a matter of opinion, but we shall ponder them nonetheless!
In this episode
- What is a boutique bass?
- The pros and cons of owning one.
- What bass companies do you need on your radar?
- Why is Scott giving away his F Bass?
- How you can win one of Ian’s Mike Lull signature models.
- And much, much more!
There’s a TON you can learn from Gospel bass players – and one, in particular, you may have overlooked.
Justin Raines could teach you everything you need to know about pocket, songwriting, and epic bass fills. In today’s interview, Scott and Ian sit down with Justin to breakdown his tone, his technique and some of his signature licks, including his astounding bass solo on Nobody by Ne-Yo.
So, what makes a particular bass guitar a classic? While some basses are undoubtedly born great (it’s a testament to Leo Fender that the P-Bass is still one of the most played instruments ever): some achieve greatness over time and some have greatness thrust upon them (Rickenbacker have long enjoyed the star power of Lemmy, Geddy Lee and Chris Squire, for example). And so, for your viewing pleasure, we’ve put a spotlight on 5 of the most iconic bass guitars of all time.
In this episode:
- Why Scott’s never owned a Rickenbacker.
- What sucks about a Hofner Club Bass?
- If you’ve never played a P-Bass – you simply have to!
- What kept a Thunderbird at the top of Ian’s wish list?
- Will Scott pass our blindfold test?
- And much, much more!
Nick Campbell’s a busy LA session player for all the right reasons - great sound, groove, and awesome vibe. And in today’s new episode of our ‘Behind The Bass Lines’ interview series, Nick’s going to tell you exactly where he took ideas from to create his must-hear bass style – and even show you a few licks you can try out, too.
In this episode
- Top tips for playing fast
- All about combining ferocity and comedy in solos
- The benefits of active listening
- The beauty of whole notes
- And much, much more!
There’s a reason more people listen to Guns N’ Roses than Victor Wooten, and it’s not because Duff McKagan is better at playing arpeggios! But still, good technique is something that every bassist should add to their skill set, and in this episode, I’m answering all of your questions surrounding our Technique Accelerator. I hope it gives you a little extra time to check out the course – and to find your next breakthrough on the bass!
Learn more about the Technique Accelerator here → https://sbl.link/42OvqhG
In this episode you're going to learn:
- Why are we talking up our Technique Accelerator?
- How I developed my own technique (with a little help from Gary Willis).
- Why we’ve included a bunch of free bonuses with the course.
- Why might it not be for you?
- And much, much more!
Charles Berthoud’s YouTube channel is loaded with clips of him absolutely ripping. His virtuosic bass chops, epic bass battles and his penchant for killer bass gear has earned him more than 1,750,000 subscribers, making him one of the most visible bass players to come from the social media generation.
In this week’s podcast episode, we sit down with Charles and dive deep into some of his favorite videos, his approach to Victor Wooten’s Classical Thump, and the hidden genius of Cliff Burton.
Be afraid, be very afraid: the ‘80s are back. This was a time when synth keyboards ruled, when sequencers were rapidly making ground, and bass players feared for their jobs! Trends and innovations in bass design were not exactly scarce either, and to prove it, we’ve collared together five of the very best bass guitars from the 1980s.
In this episode
- Why Scott bought a Yamaha BB.
- What makes the Wal bass circuit so wacky?
- Ken Smith and the first wide-necked 6-string bass.
- Who’s taken Scott’s Kubicki X Factor?
- Should Scott and Ian start an ‘80s bass duo?
- And much, much more!
In this episode, we delve into Sharon's latest acquisition: her brand-new fretless RKM bass from NAMM. We unpack the journey of acquiring the bass and delve into its standout features & discuss the highs and lows of NAMM 2024. Everything from Steel Caster guitars, the exquisite craftsmanship of L.E.H basses to navigating the NAMM labyrinth!
In this episode
- Why Sharon LOVES her new RKM fretless bass
- Why you should check out Steel Caster guitars.
- How to navigate the NAMM numbers system.
- Why the Neural booth was a disappointment.
- The importance of recognising craftsmanship in musical instruments.
- And much, much more!
You might know Daisy Pepper from her SBL LiveClass workshops, or from her ascent to bass stardom via her Instagram channel (Daisy currently has more than 55,000 followers). In this episode, we sit down with Daisy to dive into all things rock, including how she got started, how she deals with haters online, and her awesome collaboration with Spector.
In this episode
- The bands Daisy listened to during her emo phase.
- What makes her Spector bass rock.
- How Ian grew up on Guns N’ Roses.
- Why Darkglass pedals just kick ass.
- How else to tap into some classic rock tones.
- And much, much more!
Best known for his stints with Vernon Reid (Living Colour) and Dave Fiuczynski in Screaming Headless Torsos, Steve Jenkins fits into a diverse range of musical situations that have run the gamut from face-melting prog-metal to experimental microtonal jazz-funk. In this episode, we sit down with Steve to uncover more about his story, how music has shaped his outlook on life, and why he’s recently switched up his Fender Jazz for a 6-string Dingwall?!
In this episode
- Why Steve could never play like Matthew Garrison.
- What he learned from guitarist David Fiuczynski.
- How he broke free from other people's expectations.
- Do you really need an AARP card to play a P Bass?
- And much, much more!
Put simply, pickups capture the vibrations of a string and turn it into an electrical signal, but there’s a whole world of minutiae regarding magnets, windings and pole pieces that can drag you deep into anorak territory! In today’s episode, we’re shedding some light on the different types that are available, and the advantages and disadvantages of each one.
In this episode
- Series vs. Parallel explained
- What’s the difference between a soapbar and a humbucker?
- What's a pickup pole? And why is It important?
- Active vs. Passive pickups
- And much, much more!
Nothing feels better than actively engaging with your bass teacher and other SBL students. That’s why we’re super excited to announce a brand-new addition to Scott's Bass Lessons.
In today’s episode, Ian Martin Allison and Sharon Renold answer all of your burning gear questions and reveal the launch of the most exciting program to ever hit SBL. Drumroll please!
In this episode
- What’s your bass story?
- Get ready for a BIG announcement.
- Sharon unravels her experiences at Berklee.
- What to expect from an Ian Allison solo album.
- And much, much more!
To learn more about our new program, LiveClass, head here: https://sbl.link/423jQ1Z
In our latest episode of our series ‘Behind The Bass Lines’ with none other than Michael League, bassist of the Grammy-nominated band Snarky Puppy, we go over his history of basses and how he found his way to the PBass, some of his most iconic solos, his take on effects and gear and so much more!
As we wave goodbye to 2023 Scott & Ian take the opportunity to go back and look at their personal ups and downs of the year, and dive into our favourite bass gear. Join us in this special episode where we unpack what's happened in the bass world over the last year, and give you a sneak preview of what’s to come for SBL in 2024.
In this episode
- How Scott approaches goalsetting
- Why it is a great time to be a musician
- Scott & Ian’s successes and failures of 2023
- Scott & Ian’s goals for 2024
- What’s in store for SBL next year
It may not be at the top of your to-do list, especially if you’ve only heard it in Starbucks, but if you want to become a better bass player then learning some jazz can give you musical superpowers. In today’s episode we walk through some of the key hacks that will take your bass playing to another level.
In this episode
- Should Scott test drive a Cybertruck?
- How jazz can give you musical superpowers.
- Why Ian still has flashbacks over a C Blues.
- How he got his walking bass lines together.
- Why you should check out the SBL Jazz Accelerator.
- And much, much more!
If you crave pedal power it can be tough deciding where to begin - let alone where to go from there. There’s an astonishing array of stompboxes out there; despite the rise of more affordable multi-effects units, but what do they all do? Will they improve your sound, or just turn it to mush? In today’s episode, we examine the secrets behind our own effects setups, and round off the whole shebang with a delve into our gear of the week!
In this episode
- What’s on Scott’s pedalboard?
- How Ian got to grips with the HX Stomp
- Scott’s go-to looper pedal
- Stompboxes vs Multi-FX: The pros and cons.
- And much more!
In today’s episode, Scott offers insight into the final track from The Devine King Project, Vol. 1. Lost Polos is home to a lively syncopated Latin rhythm with a driving groove and some intriguing options when it comes to the bass line.
In this episode
- Scott breaks down the track Lost Polos.
- And how he honed his Latin chops.
- His love of Funkifying the Cláve by Lincoln Goines.
- The inspiration he took from Rocco Prestia.
- Where you can find the FREE album eBook.
- And much, much more!
Looking to get the bassist in your life a gift this Christmas? If you're on the hunt for stocking fillers or the budget is tight, then this episode is the perfect place to start. We've put together a list of low-cost Christmas gifts, all of which have been handpicked by Ian! Included is everything from last-minute buys to handy tools and gig bag essentials! Gifts that are guaranteed to see use, unlike that jumper that's never left the closet.
In this episode:
- What to buy the bassist who has everything.
- Sharon reveals her alternative tree decoration.
- Ian names his three favorite cable companies.
- And who sent him a drawing of Admiral Ackbar?
- And much more!
You might know Josh Paul from his time with American rock band, Daughtry, but the scope of his career goes far beyond that. Over the years, he’s also worked with the likes of Suicidal Tendencies, Everlast, Kelly Osbourne, and The Veronicas. He also finds time to host the Dunlop Bass Freqs podcast. In this special interview from Bass Space 2023, Josh talks us through the ins and outs of his journey so far.
In this episode
- Josh looks back on 15 years with Daughtry.
- What it was like joining Suicidal Tendencies.
- His approach to social media.
- The advice he got from the Eagle's Don Henley.
- His pointers for new bass players.
- And much, much more!
So, you’ve had a bad gig. What next? We’ve all been there – the tiny stage with no power, the would-be bassist that wants to do a song. Nightmare gig stories are so commonplace there’s even a Facebook group dedicated to them! In this episode we dig into Scott’s recent hair-raising gig experience, and why every gig deserves a bit of homework.
In this episode
- Scott’s nightmare gig story.
- Tips to prepare for your next gig.
- Charcoal Frost or Firemist Charcoal?
- SBL HQ is moving!?
- And much, much more!
Did you know that a 20-fret bass guitar contains 80 notes? Which can make learning the fretboard a huge challenge that can crush both beginner and experienced bass players! In today’s episode, Scott runs through the backstory of his own fretboard woes.
In this episode
- How Scott used geometric patterns to master the fretboard.
- The clues he picked up from Gary Willis.
- How you can unlock your own fretboard knowledge.
- Where you can check out the SBL Fretboard Accelerator.
- And much, much more!
Looking for a bass guitar bargain? If you're in the market for a budget bass to add to your collection, nowadays you can get some serious bang for your buck. In today’s episode, we explore the idea of creating the ultimate budget bass, and what that might mean for the modern bass player on the hunt for a new axe…
In this episode
- Ted Nugent and the ultimate earworm!
- Should SBL open a bass store?
- Scott’s latest impulse buy from Reverb.
- Do bigger headstocks equal better tone?
- And much, much more!
In today’s episode, we dive into one of Scott’s favourite tracks from The Devine King Project, Vol. 1. In fact, Hypersphere shaped the atmosphere of the whole session. The track’s signature sound comes from a mix of Scott Kinsey’s keyboards and David Binney’s darting sax, while Scott’s bass solo helps define the freer beginning. So how did he do it? Where did the ideas come from?
In this episode
- Where to find the FREE album eBook.
- Scott reveals some of his tried-and-tested soloing hacks.
- Including how to build intensity.
- Why no one expects instant magic.
- Will a repertoire of licks work if your imagination fails you?
- And much, much more!
With so much attention put on our instruments and amps, and even pedals, many bass players are quick to underestimate the importance of their strings. But your strings are the only thing between you and your bass guitar, so make them count! In today’s episode Ian focuses on the finer points of all things flatwound.
In this episode
- Are there advantages to using flatwound strings?
- When did they become cool?
- What are tapewound strings? And what are they for?
- Some of the more famous players who use flats.
- And much more!
Our next take away from The Devine King Project, Vol. 1 is Electron Game. All of the previous tunes have offered their own playing challenges, but now we’re upping the shred quota even further! In this episode, you’ll hear Scott’s own song analysis, including tips and tricks for tackling the solo.
In this episode
- Scott breaks down the track Electron Game.
- Including his formula for navigating the chord changes.
- How he locked in with the drums.
- The big mistake he made with his bass tone!
- Where to find the FREE album eBook.
- And much, much more!
Sign up for our Fretboard Accelerator: https://sbl.link/3FQnkdO
(Last chance to lock in at this price!)
Hairspray, Hamilton, Billy Elliot, Queen Rock Symphonic, Dreamgirls, Mamma Mia! You name it, Ian King’s probably played it, and in today’s episode we dig into the path he took to landing a job in London’s West End theatre district.
In this episode
- What it takes to hold the bass chair in London’s West End.
- Why consistency is key.
- How Ian ended up playing with Wolverine star Hugh Jackman.
- All about his relationship with Overwater Basses.
- Why he’s on the look out for a ’78 Jazz Bass.
- And much more!
In today’s episode, we dive into the track Scuttle Fish from The Devine King Project, Vol. 1. Learn how I tackled the time signature, and the opening slap bass riff. This track also features a saxophone solo by David Binney and it seriously shreds!
In this episode
- Scott breaks down the track Scuttle Fish.
- Including his favorite solo from the entire album.
- How he honed his slap bass skills for the intro.
- What he would change about his bass tone.
- Where you can find the FREE album eBook.
- And much, much more!
There's nothing quite like slapping on a new set of strings. It’s the quickest, easiest and cheapest way of breathing new life into your instrument. But finding the right set can take a few tries, as different players like different brands and gauges. In today’s episode, we run through our pick of the best bass strings out there, and everything you need to know about them.
In this episode
- How often should you change your strings?
- Nickel Vs Stainless Steel: The pros and cons.
- Can different gauges change the playability of your instrument?
- What’s the difference between hex core and round core strings?
- Does Steve Harris really play flatwound strings with Iron Maiden?
- And much more!
As bassists we get used to writing bass lines that are grooving, but can the bass guitar also play the melody of a song or be the focal point? In today’s episode, you’ll hear Scott’s analysis of the song Glass Ceiling from The Devine King Project, Vol. 1, including the importance of being able to represent and perform a great melody on the electric bass. Shouldn’t everyone in the band get to play the melody?
In this episode
- Scott breaks down his track Glass Ceiling.
- Including his route into playing the melody.
- His use of harmonics.
- How to recreate his bass tone.
- Where to find the FREE album eBook.
- And much, much more!
Many of us love old bass guitars because of the almost indefinable cool that comes with a vintage instrument. A bass that’s been artificially aged, however – the type we often call a relic – gives you the freedom to play, without the fear of damaging a vintage collectible. But a relic is not just about random scratches or dents. In today’s episode, we dig into the pros and cons of both.
In this episode
- Keep up with all the latest news from SBL.
- Why is Scott still searching for his sound?
- A relic vs. A battle-worn P-Bass.
- Where to find our latest FREE eBook.
- And much, much more!
Our next track from The Devine King Project, Vol. 1 is a nod to the cyclic chord pattern of Giant Steps by jazz saxophonist John Coltrane. Luckily, you don't need to know a major third from an augmented ninth to dive into this track and jam it loud. We’ve created a free Ebook with all the TAB and notation!
In this episode
- What makes this Scott’s favorite track on the album.
- How he unlocked the perfect bass tone.
- Where to find the FREE album eBook.
- Scott’s formula to figure out time signatures.
- And much, much more!
For gear-savvy musicians, California’s Winter NAMM Show is the biggest event of the year, but is it the best? So on to this episode, and having crossed the Atlantic earlier in the year Ian brings you his report from Guitar Summit 2023. This three day event is Europe’s biggest guitar show, and a true walhalla for any bass guitar lover. Now there’s a thought!
In this episode
- Guitar Summit 2023 vs. The NAMM Show
- How you can join our latest giveaway.
- Vintage basses: worth the hype?
- Are all Fender Jazz basses the same?
- And much, much more!
Wired Telemetry is the second track from The Devine King Project, Vol. 1. It’s a classic fusion instrumental, which makes it a great vehicle for anyone looking to experiment with improvising. In this episode, you’ll hear Scott’s own analysis of the song, including his tips and tricks for you to experiment with while playing along.
- Scott maps out the track Wired Telemetry.
- Including the Brecker Brothers-inspired melody.
- Where you can lean on a C minor pentatonic scale.
- You’ll hear him pivot to a warmer bass tone.
- And borrow a lick from Jaco Pastorius!
- And much, much more!
Clever use of a stompbox can transform even the most ordinary bass guitar part into a classic. In this episode, we run through our guide to the best and most desirable effects pedals ever to brave a sticky stage.
In this episode we cover...
- An introduction to the major effects types.
- Our pick of the most exciting stomboxes out there.
- Why the Boss OC-5 is still going strong.
- How you can win Scott’s Ken Smith White Tiger.
- And much, much more!
The Devine King Project, Vol. 1 has finally arrived! The album was recorded back in May and features a star-studded line up of award-winning musicians, including Gergo Borlai, Nate Werth, Scott Kinsey and David Binney! In today’s episode, find out what we were striving for with each section of Game Theory – and what happened along the way…
In this episode
- I dive into the first track from the new album.
- Learn how I dialled in my bass tone.
- How I tackled the odd time signature.
- Where you can find all of the tab and notation.
- And much, much more!
Fender’s Custom Shop and its sub-brand Squier are two of the biggest names in the bass world, but many of the instruments they make can look the same, and in some cases actually sound very similar too. In today’s episode, Sharon and Ian dive into some history. Tune in, if only to hear what happened when Sharon met Vinny Fodera! Happy listening.
In this podcast you're going to learn:
- How Stuart Hamm helped kickstart the Fender Custom Shop.
- Why the perfect P Bass does not exist!
- What happened when Sharon visited Fodera Guitars.
- Why she turned down an artist deal!
- And much, much more!
When it comes to recording, everyone has their own way of getting in the zone. Sure, spontaneous magic can sometimes happen, but being prepared for what you're about to do is the best way to really get fired up! In today’s episode, I look back at what I learned and what I did (my creative process) when I went in to record my upcoming solo album. From dealing with pre-studio jitters, to my one big regret.
In this podcast you're going to learn:
- What to expect from my new album.
- How I learnt the tunes.
- The one thing I wish I’d done differently.
- Why I’m giving away the bass I recorded with.
- And much, much more!
Back in May, we went to the studio to record the first SBL album project. Originally it was going to be a pretty straightforward release… but having read through a bunch of comments, we decided to change things up. In today’s episode, I reveal some key takeaways from that first studio session, what you can expect over the coming weeks, and how you could win the bass I used to record with!
In this podcast you're going to learn:
- Why Scott’s a massive “jazz fusion nerd.”
- How he chose the right bass for the studio.
- How you could win it!
- What happened to his pedalboard?
- Why he hates using headphones.
- And much, much more!
What a stupid question, right? As bass players, there are few things more satisfying than pulling the trigger on a new bass, but would we be better served expanding our amp collections instead? Will a new amp really make your bass sound any better? In today’s episode Ian and Scott talk you through a couple of different viewpoints that will help you determine how you might spend your hard-earned money. A new bass, or a better amp?
In this podcast you're going to learn:
- Why every studio has an Ampeg B-15
- How Ian became amp obsessed.
- Why Scott’s not a huge fan of combo amps.
- Whether a good amp can really make any bass sound good?
- Why some players insist on using tube amps.
- And much, much more!
There’s a reason more people listen to Guns N’ Roses than Victor Wooten, and it’s not because Duff McKagan is better at playing arpeggios! But still, good technique is something that every bassist should add to their skill set, and in this episode, I’m answering all of your questions surrounding our Technique Accelerator. I hope it gives you a little extra time to check out the course – and to find your next breakthrough on the bass!
In this interview you're going to learn:
- Why are we talking up our Technique Accelerator?
- How I developed my own technique (with a little help from Gary Willis).
- Why we’ve included a bunch of free bonuses with the course.
- Why might it not be for you?
- And much, much more!
In this week’s episode, Ian tells us about his experience playing with a full orchestra and navigating the social and musical intricacies he encountered, including confronting his imposter syndrome around classical musicians, the challenges of reading standard notation perfectly and everything in between. Additionally, he goes on to break down the basics of what you need to know around DI’s - Direct Inputs!
In this episode you're going to learn:
- About confronting imposter syndrome when playing in a classical space
- Why being able to read music can be a true benefit
- All the things the DI has to offer
- Are short-scales finally over? Are they still a thing?
- And much, much more!
We love the bass community and will always maintain that it is THE best community in music to be a part of. BUT. Every now and then even our community members show an uglier side. In the world of content and running (online) businesses in particular, garnering hate online is almost too easy and, unfortunately, we did have a bit of a run-in with just that a little while ago.
But, lessons can be learned in every scenario and we hope you’re able to take away as much from this as we did!
In this episode you're going to learn:
- Some mindsets to adopt when dealing with online hate
- How haters can actually prove helpful!
- How much your bass playing may actually rely on technique
- And how some people actually might just ‘have it’?
- How Scott ALMOST got his dream bass..?
- And much, much more!
Are Fenders really the best option, especially when you’re looking to play professionally? Maybe not? In today’s podcast, we’re exploring why your bass doesn’t HAVE to be a Fender and some alternatives that can come close in sound and vibe. AND why you may not want a Fender style instrument at all! Is there such a thing as the perfect sound? The perfect bass? Can you love a sound on someone else but not yourself? Does it, in fact, actually all come down to technique, rather than the bass you’re playing?!
In this episode you're going to learn:
- About some basses and bass brands that come close to the Fender style and vibe, in various budget brackets
- About where you might want to look if you’re intentionally NOT going Fender
- All kinds of ways of thinking about bass tone and how you might find YOUR OWN
- Why Scott is turning away from the P bass?
- How it all ultimately might come down to technique
- And much, much more!
A veteran of the Nashville studio scene, Amos Heller has occupied the bass chair for Taylor Swift’s backing band The Agency since 2007. Whether you’re a Taylor Swift fan or not, when Amos agreed to check in with SBL after the record-breaking Eras tour, we knew we were in for one of our most fun and entertaining interviews to date!
In today’s episode, we get a full run down on Amos Heller’s gig with one of the biggest pop stars in the world.
Amos Heller YouTube Channel: https://www.youtube.com/@AmosHeller
Amos' Latest Video: https://youtu.be/lw2LgyatO40
In this episode you're going to learn:
- How Amos got the gig with Taylor Swift.
- What life’s like on the highest grossing tour of all time.
- Why Nashville is the place to be for studio work.
- His top tips for making it as a pro bassist.
- And much, much more!
We were delighted to welcome Wil DeYoung, Carey Nordstrand, Spencer Lull and Joe Zon at our luthier panel discussion at Bass Space 23 this year. The session was undoubtedly one of the highlights of the summit and a true pleasure to attend, as four masters of the field dug into all of the different aspects of being a bass builder.
In this episode you're going to learn:
- How much tone wood truly affects your tone
- Some solid entryway strategies for getting into building your first bass
- What to keep in mind when purchasing an affordable bass
- The story behind Michael Manring’s Zon Hyperbass
- And much, much more!
When it comes to naming bass players with a unique style and approach to the instrument, Ra Diaz is well and truly up there. Having formed one of Suicidal Tendencies’ most exciting rhythm sections alongside legendary Slayer drummer Dave Lombardo, Ra’s work with nu metal band Korn is also indelibly etched on the rock landscape for all to see. Sounds like the perfect guy for anyone looking to improve as a bass player.
In this episode you're going to learn:
- How being a real fan is always the first step
- Why success is a long game
- The right attitude to preparing for a gig
- How Ra came to be part of Suicidal Tendencies & Korn
- And much, much more!
Is buying a bass guitar online a bad idea? If you’re anything like us, you probably browse the guitar sections of both brick-and-mortar stores and online fairly often! Also in today’s episode; we explore the pros and cons of digital and analog stompboxes, and walk you through the tactics we’re using to grow our YouTube channel.
In this episode you're going to learn:
- Buying basses online… why it sucks!
- Did Scott really choose a Tokai Jazz over a Fender?
- Analog vs digital pedals: who wins?
- Who would you love to see on our YouTube channel?
- And much, much more!
Whether you know him best as part of Mr Big, Talas, The Winery Dogs or as the guy from David Lee Roth’s Eat 'Em and Smile, Billy Sheehan is one of the most recognisable rock bassists of his generation.
In this special interview from Bass Space 2022, Billy talks us through the ins and outs of his rock roots, how he likes to plan his practice and how he developed his ferocious string bending skills.
In this episode you're going to learn:
- How Billy maintains his three-finger technique.
- The one piece of advice he would give to his younger self.
- Why his practice routine has become way more focussed.
- The inspiration behind his Yamaha Attitude Bass.
- And much, much more!
Any signature bass guitar is one of a kind and unique. However, it entirely depends on what side of the fence you are. In today’s episode Ian unveils his own collaboration with Mike Lull Custom Guitars! Scott also speaks about his recent studio project and shares some early details about the next one!
In this Episode you're going to learn:
- Why Ian has launched his own signature bass.
- And how many minutes it took to sell out!
- What bass Scott used in the studio.
- Some of the challenges he faced.
- Why there’s a new level of Players Path coming!
- And much, much more!
Ever since Jack Casady first used an Alembic to hot-wire his bass sound with Jefferson Airplane, boutique builders have maintained legendary status throughout the bass world. But can the right player make any bass sound good? In this episode, we discuss one of the most recognisable and idolised bass guitar designs of all time (and Scott’s new bass hero who played it.
In this episode you're going to learn:
- Why we’ve called out Alembic in recent episodes.
- Who is Scott’s new bass guitar hero?
- Do vintage basses actually sound better?
- Why Ian rents out his upright bass.
- And much, much more!
For some bass players, there's no better way to capture the legendary sound of their idols than bagging a signature axe with their name on the headstock, but are things about to change? In today’s episode we dig into what the future holds for signature basses.
In this episode you're going to learn:
- How signature models help manufacturers sell more basses.
- Who was the first bass player to get one?
- What made them a standard perk of bass stardom.
- Are they a blessing or a curse?
- Why Irn-Bru is nothing like La Croix.
- And much, much more!
Learning about jazz might not be at the top of your to-do-list, especially if the only time you hear it is when you go to Starbucks! BUT if you want to get really good at bass then jazz is the ultimate genre of music to learn. In this episode, Scott explains how learning some jazz can unlock a musical superpower!
In this episode you're going to learn:
- Why all musicians should study some jazz.
- Why Scott used to suck at functional theory.
- Why you don’t need to be a Jazzer to take part in our Jazz Accelerator.
- We send virtual high-fives to Gary Willis and Michel Camilo.
- And much, much more!
Can you play heavy metal and smooth jazz and pop, all in one day? Or are you strictly the bassist for one act and one act only? It used to be taught that versatility would equal more opportunity for success in your bass playing career, but is that still the case? In today’s episode we ask if it’s actually better to flip this idea on its head and focus your energy in just one direction!
In this Episode you're going to learn:
- Why Ian has always valued versatility.
- How to know which path is right for you.
- What Scott learned from a Gary Willis ‘mic drop moment’
- Why you need to check out drummer Dave Elitch
- And much, much more!
A bass player’s worst nightmare is traveling with their bass and having it lost or broken. Even with airlines allowing guitars as a carry-on, it can still be up to the staff to decide to allow it or not. In today’s episode, we share our air-travel horror stories and our top hacks for traveling with your bass safely!
In this episode you're going to learn:
- What’s the best way to fly with your bass?
- Pro tips for getting through TSA airport security.
- What’s a pink tag? And why you should always ask for one.
- Gig Bag vs. Hard Case?
- And much, much more!
Bootsy Collins, Robert Trujillo, Cliff Williams, Krist Novoselic, Sting – they all relied, or still rely, on tube amps for their signature bass sound. And yet, the decision between solid-state vs tube amps is not one we take lightly. In today’s episode we examine the key differences between the two, covering areas like tone, cost and practicality, to help you figure out what might be best for you.
In this Episode you're going to learn:
- Why Scott’s a massive fan of tube amps.
- The key differences between tube amps and solid state amps.
- Weight - why are tube amps heavier?
- And does a heavier amp mean a bigger sound?
- What makes Ampeg’s SVT so popular?
- And much, much more!
Rob Mullarkey has mastered the worlds of groove and odd-time signatures on the bass guitar, but how do those skills translate when playing with a drummer? In today's episode, we sit down with Rob and one of the most unique drummers in hip-hop and drum ’n’ bass, Richard Spaven.
And did I mention there are a few tips of the hat to J Dilla? And exclusive performances? Yep, click here to watch.
In this episode you're going to learn:
- How Rob approaches odd time signatures and beat displacement.
- What exactly is the ‘J Dilla Feel’?
- The octave pedal Rob uses for his gig with Jacob Collier.
- What Richard Spaven looks for in a bass player.
- And much, much more!
More music is being produced today than ever before. In 2022, 22 million new singles hit Spotify. That’s a new song every 1.4 seconds! In today’s episode, we dig into some tips and tricks to help you stand out from the crowd in 2023.
In this Episode you're going to learn:
- How to reward people for listening to your music.
- Do you need a pre-launch strategy?
- Why some fans enjoy feeling like part of the process.
- How Scott and Ian are preparing for their own album projects.
- And much, much more!
Unsure about how much to spend on your next bass? In this episode, we dig into the reasons why some bass guitars are so expensive and other guitars are more affordable - and what this means for the modern bass player on the hunt for a new axe.
In this Episode you're going to learn:
- Are expensive bass guitars really worth it?
- How simple guitar mods can transform a budget-friendly bass.
- Is there an affordable alternative to a Rickenbacker?
- Can a Peavey Cirrus really compete with a Ken Smith?
- And much, much more!
For today’s episode, we catch up with Henrik Linder to talk about his gear, his awesome band Dirty Loops, and how he developed his monstrous bass technique!
In this episode you’re going to learn:
- Some of Henrik’s trickiest bass parts from Dirty Loops!
- Including Just Dance, Baby and Circus.
- How he learned to slap.
- Why Hadrien Feraud loves his hair!
- And much more.
Bolt-on? Neck-through? All bass guitars are essentially the same, right? Wrong! Many bass players say that bass guitars with bolt-on necks have a punchier attack than neck-through designs. In today’s episode, we’re going to highlight the pros and cons, so that you can decide which you prefer – or maybe you should have one of each!
In this Episode you're going to learn:
- Why do most people start out with a bolt-on bass?
- Why neck-through basses are more expensive.
- The neck join that was popularised by Leo Fender.
- Where Fodera’s deluxe (dovetail) option came from.
- How Billy Sheehan modded his bolt-on Yamaha.
- And much, much more!
Every year, the world's rock 'n' roll music equipment manufacturers, distributors and retailers descend on the town of Anaheim, California, to attend the NAMM show. It's a pure, unadulterated gear fest, showcasing everything that's planned for the coming year. In today’s episode we talk through all the new bass gear and goings-ons you need to know about!
In this Episode you're going to learn:
- What made the pick of the crop from this year’s show.
- The reason Ian couldn’t test a Rickenbacker 4001.
- Which Italian builder is making the lightest bass cabs EVER!
- Should a film be made about Olinto basses?
- Why everyone should check out Philip Conrad.
- And much, much more!
We could quite happily tell anyone who will listen that Weezer are our favorite band. Scott Shriner has held the bass chair since 2001 and has always stood out among the group’s history of bassists. His rock-solid pocket playing brings an extra edge to Weezer’s tone, which is why we think you’ll love this episode as we dive into Scott’s bass playing and career with Weezer.
In this episode you’re going to learn:
- How Scott got the gig with Weezer.
- What it’s like sharing a stage with frontman Rivers Cuomo.
- Why Scott isn’t afraid to experiment with bass tone.
- What he learned from studying with Gary Willis.
- Why Kemper Amps make him sad.
- And much more!
When it comes to bass guitars, there’s a massive scope in style and sound for you to explore. It can be subjective, sure, but certain styles of music tend to work best with certain kinds of basses. In today’s episode we delve into what makes a bass guitar perfect for the gig.
In this episode you’re going to learn:
- The backstory behind Scott’s new album.
- Which star-studded musicians he has invited to take part.
- Why he needs a new bass for the project.
- Why it has to be a 5-string!
- And much more!
Blu DeTiger, bassist and social media star with 1.4 million fans on TikTok, recently took to the stage to announce her first full-length album, which is due to drop later this year. Bursting with talent, Blu has amassed millions of views with thumping bass covers of hits by Prince and Megan Thee Stallion. In this episode, we sit down with Blu to uncover her story, how she got started and her upcoming partnership with Fender.
In this episode you’re going to learn:
- Why Blu left New York University to pursue a career in music.
- What happened when she started taking her bass to her DJ sets.
- How she became famous on TikTok.
- What has Blu been working on with Fender?
- And much more!
If you’re a bass player and you feel ready to earn some extra cash by passing on your skills to others, setting up as a teacher could be a really good move. But how do you become a bass teacher? What credentials do you need? In this episode, we walk you through the minimum requirements for teaching as well as some steps to get you started.
In this episode you’re going to learn:
- Why you should become a bass teacher.
- Do you need a qualification?
- How do you get students?
- What’s the first thing you should teach them?
- And much more!
Is a signature instrument still a standard perk of modern bass stardom? Janek Gwizdala has attracted his fair share of signature models over the years, including basses for Fodera in 2012 and Mattisson Basses in 2017. In this episode, Janek explains why he has since turned his back on endorsement deals, and why he’ll never make music just for social likes.
In this episode you’re going to learn:
- All about Janek’s new F Bass
- How he became ‘the pedal guy’
- Why Janek deleted all of his social media
- What happened to his daily vlog?
- And why he refuses to play a signature bass (ever again)
Whether you're in the market for an active 5-string or a custom-built classic, choosing the right bass guitar can be difficult. How do you know what’s the right one for you? In today’s episode, we list what we think are the 5 best bass guitars you can get your hands on.
In this episode you’re going to learn:
- Why every bassist needs a Jazz Bass
- When you might need an active 5-string
- Why a P Bass might be a better option for studio players
- Should Scott buy a Rickenbacker?
- And much, much more.
NYC-based singer, songwriter Adi Oasis is also an incredible bassist. Her performance for music platform Colors has racked up an astounding 1.5 million views on YouTube! What you might not know is that Adi started out on guitar and then jumped to bass later in life. In today’s episode we get the backstory on her biggest and best career moments so far.
In this episode you’re going to learn:
- How Adi got her start on bass.
- Why she’s a huge fan of Curtis Mayfield’s music.
- What it was like opening for Anderson .Paak.
- How Bootsy Collins inspired her to jam with an envelope filter.
- And much, much more.
The role of artificial intelligence is quickly becoming a part of everyday life, but what can bass players expect from the rapid growth of apps like ChatGPT? The AI can be directed to impersonate the style of specific individuals, and even used to write a bass line “in the style of Paul McCartney”. In this episode, we’re going to explore the potential impact of AI on the music industry and what it means for bass players everywhere!
In this episode you’re going to learn:
- The implications of artificial intelligence.
- What it means for creative individuals.
- Will data-driven music replace musicians for good?
- The AI chatbot everyone’s talking about.
- How Ian got hooked on a Japanese anime TV series.
- And much, much more.
In today’s episode Guy Pratt talks about his stint with Pink Floyd, studio dates in LA with Madonna and Michael Jackson, and the 1964 Jazz Bass that he got from The Who bassist, John Entwistle. Heads up: there’s even a cameo question from The Darkness' Justin Hawkins!
In this episode you’re going to learn:
- How Guy landed the gig with Pink Floyd
- What he played on Madonna’s Like a Prayer.
- All about his go-to Jazz Bass (christened ‘Betsy’)
- His infamous session for Michael Jackson’s Earth Song.
- And much, much more.
Looking at bass pickups, but confused by all the terminology? There’s a whole world of mystery surrounding what pickups do and how they can affect your sound. Such a big subject requires a concise explanation, then, doesn’t it? In today’s episode Scott and Ian venture back into anorak territory on the topic of bass pickups.
In this episode you’re going to learn:
- Why we’re not keen on Fender’s PJ pickup setup
- How Leo Fender made waves the Music Man StingRay
- Why Rickenbacker pickups hum constantly
- Why Mike Lull Thunderbird-style pickups rule
- How Scott discovered Journey's Don't Stop Believin'
- And much, much more.
A modern master of the electric bass, Marcus Miller has been landing dream gigs for the best part of 40 years. So when he stopped by our London studio to talk about Miles Davis, playing bass on that Luther Vandross mega hit and the fallout from slapping Jaco’s Teen Town, we knew it was an interview we had to share with you.
In this episode you’re going to learn:
- Why Marcus is a true genius of the bass guitar.
- Which tracks are a must-listen from his incredible discography.
- Including the classic Luther Vandross hit ‘Never Too Much’
- What happened when legendary trumpeter Miles Davis called.
- How he developed his signature line with Sire Instruments.
- And much, much more.
Making money as a musician can be tough. The industry is constantly changing, and it can be hard to keep up with all the latest trends. But if you’re willing to try your hand at building an online audience, you’ll find a wealth of opportunities that you can tap into. In today’s episode, we look at some social media hacks that you can use to get the most engagement possible.
In this episode you’re going to learn:
- Which bass influencers should you be following?
- The importance of social media for musicians.
- How to monetise your brand as it grows.
- Why everyone sucks when they first start out.
- And much, much more.
Hey, Scott here... and we’re back with another brand-new podcast for you!
At some point, we all wonder what life would be like with different pickups in our bass. Yet it’s the ONE thing that most of us dare not mess with! Even to experienced bass players, terms like impedance, inductance, resonant frequency and ohmic load can make things pretty confusing. In today’s episode, we dig into some of the technical basics and get to grips with everything a bass player needs to know on the topic of pickups.
In this episode you’re going to learn:
- Why pickups are important.
- How they impact your tone.
- Does the positioning matter?
- Series vs Parallel wiring.
- Single Coil vs. Humbucker. Which is Better?
- And much, much more.
Ready to win $50,000 in awesome bass prizes? Up for grabs is Scott’s Ken Smith Black Tiger 6-string, Ian’s StingRay 5 and a 1978 Fender Jazz Bass! Our latest giveaway is also a great opportunity to help us raise money for Pencils of Promise, which is a global organization that brings life-changing education to children living in poverty around the world. To date the SBL community has raised over $173,000 and this year we're trying to raise even more! Find out everything you need to know in today’s episode.
In this episode you’re going to learn:
- Why are we giving away $50,000 worth of bass gear?
- From a Collector Series Jazz Bass to a Dingwall D-Roc!
- How you can enter (and gain bonus entries).
- Why Eric Clapton is still awesome!
- And much, much more.
Being able to sing and play bass gives you a real head start on those who only work the fretboard. Even if you think your singing voice sounds like a strangled cat doing karaoke, everyone can learn to sing, and bass players absolutely should! But it can also be a daunting challenge, whether you have a dynamite voice or can barely carry a tune. In today’s episode we dig into some top tips to maximize your magic as a singing bassist.
In this episode you’re going to learn:
The benefits every bassist can get from singing.
Why it takes practice.
How it can help you get more gigs!
And much more…
Freud never put anyone from SBL on the couch, but when it comes to life as a bass player, there can often be a sense that you need to remain outwardly grateful, even if you’re struggling. In this episode, we talk through the effects of negative self-talk, the addictive nature of social media and why Scott is heading to therapy.
When Ben Williams won the prestigious Thelonious Monk International Jazz Competition in 2009, he did so by impressing a panel of judges that included bass greats Charlie Haden, Ron Carter and Dave Holland. Lately he’s been keeping himself busy with a host of impressive side projects with artists like Pat Metheny, Sting and vocalist Syndee Winters. In this episode, we get the lowdown on his career so far, and how he juggles life as a bandleader, singer, songwriter and bassist.
In this episode you’re going to learn:
- How Ben got started with the double bass.
- Why he always wanted to be like Prince.
- How he approaches upright bass and bass guitar.
- All about his new project, Butterfly Black.
- And much more.
Every touring bass player’s worst nightmare is arriving at their destination only to find their precious bass case smashed to smithereens. Even with airlines allowing guitars as a carry-on, it can still be up to the crew’s discretion. Luckily, there are a few things you can do to make sure that your bass makes it in one piece. In this episode, Ian shares a TSA horror story along with some of his top travel hacks.
In this episode you’re going to learn:
- Why you should give your bass some extra padding when you fly.
- Which is the best bass case to invest in.
- How to successfully board a plane with your bass.
- Why you should never check your bass in at the gate.
And much more.
What makes a truly great bass guitar? Is it the way it plays? The way it sounds? How it was built? Or is it all in the hands of the player? Scott and Ian are the knights in today’s virtual round table discussion, and the first thing they’re turning their attention to is the myth that it’s all down to the wood!
In this episode you’re going to learn:
Why Scott is still searching for ‘excalibur’
Do basses from different eras really have a different vibe?
Why you should commit to just one bass.
Scott gets super geeky over fingerboard inlays and pickup placement.
And much more!
Richard Bona is arguably one of the greatest bass players since Jaco. He’s someone you can learn a LOT from at any level of your playing. In this special interview recorded for Bass Space 2022, we tracked Richard down to Mark Bass HQ in Italy, to talk about his long-standing love affair with the bass.
We all love our bass guitars, right? But what if your dream instrument sounds off? Or your longtime favorite bass isn’t playing as well as it did the day you bought it? By repairing instead of replacing, you can bask in the glory of knowing that you’re the kind of bassist who’s axe would survive an apocalypse movie. In today’s episode, Ian and Scott run through the basses they’ve transformed from duds into dream machines!
In this episode you’re going to learn:
Ian reveals the worst bass he’s ever bought (it’s not what you think)
Why Scott’s 1974 Jazz Bass behaves like the Millennium Falcon
Ian’s Gaffer tape hack for treating noisy pickups
Why it’s OK to invest in a bass that isn’t perfect
And much more.
Recording your bass at home can be a complicated process if you’re just starting out, but luckily it’s within easy reach of anyone with a smartphone! In today’s episode Scott and Ian talk through everything you need to know before you hit that red button, including what gear you need, how much it might cost, and what to expect during the process.
In this episode you’re going to learn:
The simplest ways to record for social media
Why Roland’s audio mixer for smartphones is so awesome!
All about Ian’s favorite DI pedals
Why we’re revamping the SBL YouTube channel
And much more...
Most of us instinctively know when we need a new bass, and it’s all so easy to devote time and effort to finding the next best thing, but starting your own bass collection can easily spiral out of control and end up costing you if you don’t think it through. In this episode Scott and Ian talk through the pros and cons of guitar collecting, including the INSANE bass that’s kicked off Scott’s own habit.
To many musicians making an album has always been the epitome of their art, but with digital streaming taking a hold of the industry, do full length albums still matter? That depends on who you ask! Having recently released the first live album of his incredible career, John Patitucci has put together one of the standout recordings of 2022.
In this episode, we quiz John about his need to still be making albums, the basses he’s played over the years, his chance backstage meeting with Jaco Pastorius, and his Italian tour with Chris Potter and Brian Blade!
There are scores of cool slap bass players out there, but who are the truly great ones? In today’s episode Scott and Ian finish up their talk about slap bass, and why you need to check out their brand-new slap program, the Slap Bass Accelerator. If you want to get properly geeky about all things slap bass, this episode is most certainly for you.
Slap bass is the ultimate in-joke of bassists everywhere. But it’s also an amazing rhythmic tool that can be found in everything from Flea’s thumps to the sublime grooves of Marcus Miller and Victor Wooten. In the first of a two part special, we trace the course of its Marmite appeal and pick our top 3 slap bass players that you need to hear!
Despite there being countless benefits, many bass players never think beyond learning to play their first instrument. But for the few that do, a whole world of opportunities awaits. In this episode, Scott and Ian debate over whether or not you should learn to play more than just the bass, and unravel some insights that just might convince you to go for it.
Playing bass on a cruise ship is a great chance to hone your chops, save up some money and see the world. Sounds like an amazing gig, right? Cruise ship life can also be intense with long working hours and no days off for months. Ever wondered if gigging on ships is really worth it? In today’s episode, Scott and Ian talk through the pros and cons of gigging at sea!
If you take a punt on an electric bass as a financial investment, how do you know which one to invest in? In terms of making money, big returns are far from guaranteed. But still, if you stick to the biggest names and time your purchase right, you may get lucky and have a hit on your hands. In today’s episode, Scott and Ian discuss whether you can predict which brand is going to be worth the big money.
Turning on the radio or pushing play on your favorite Spotify playlist often means a few minutes to relax, but if that's the only way you listen to music then you're missing out on an invaluable skill that every bass player should have. In today’s episode, we dive into the science behind intentional listening, and how it can give you the full sonic picture as a musician.
If you’ve got a few thousand dollars to spend on a bass, the chances are that you’re looking for more than just another bog-standard 4-string. This kind of money gets you into boutique territory and a world’s worth of luxury instruments. However, with a big budget comes a big responsibility. In this episode Scott and Ian dig into what the future holds for boutique brands like MTD, Ken Smith and Fodera Guitars.
Many of us will want to own a certain axe because it’s what our favourite bassist plays, be it Victor Wooten’s Fodera, Flea’s Fender Jazz Bass or Nathan East’s Yamaha. We’ve all done it when choosing gear. In today’s episode, Ian and I compare notes on our newly found Ken Smith basses, and discuss what makes them the most playable basses that money can buy!
Most bass players can’t afford to shell out thousands of dollars on a wall of classic amps to do their creative bidding, yet a good amp sim can save you tons of time and money. Run your bass through one of these plugins and you’ll have hundreds of iconic bass tones at your fingertips. In this episode Ian sets out to compare the flexibility of both recording options.
Dodgy sound, meddling relatives, DJs who talk too much – every band has had bad wedding gigs and each one presents different annoyances and challenges to try and overcome. Yet weddings are still such a great way of earning an income for musicians. In today’s episode Ian and Scott talk you through all you need to know.
Scott always gets asked the same two questions: 'Why do you wear the glove?!' and 'Should I try wearing one?' He hasn’t always wanted to tell the full story, but he wants to tell it to you now. In today’s episode Scott reveals some of the key hurdles that he’s had to overcome as a result of a condition called Focal Dystonia, and the rehabilitation process that got him back to playing bass!
What a stupid question, right? As bass players, there are few things more satisfying than pulling the trigger on a new bass, but would we be better served expanding our amp collections instead? Will a new amp really make your bass sound any better? In today’s episode Ian and Scott talk you through a couple of different viewpoints that will help you determine how you might spend your hard-earned money. A new bass, or a better amp?
Charles Berthoud has enjoyed a rapid ascent to bass stardom largely thanks to the success of his YouTube channel (Charles currently has more than 1,000,000 subscribers, 40,000 TikTok followers and 107,000 following him on Instagram). But it’s not all about stats on social media; his virtuosic bass chops and his battles with fellow YouTuber Davie 504 continue to push the role of the bass forward. In this interview Charles sits down with Jonathan Herrera to talk about his time at Berklee, his early recollections of Victor Wooten and the power of social media.
Social Media continues to revolutionize just about everything we do - and the music industry is no exception. But one question has so far gone largely unanswered - can you still succeed without a huge following on social media? In today’s episode Ian and Scott share some pros and cons of the rise of social media.
Is there ever a ‘right time’ to quit your day job and follow a full-time career in music? Being a professional musician sounds amazing, but can you really make enough money? And what if it just gets old like any other job? If you are already asking yourself these questions, then you’ve probably decided that one day you want to change your life and follow a career in music. In today’s episode Scott and Ian run through some of the key things to consider before quitting your desk job.
It’s understandable when casual music fans have no idea what’s going on in jazz. No other genre divides people so greatly – but why? If you’re outside of the jazz circle looking in, wondering why it can be so intimidating, then this episode is for you.
In today’s episode Ian and Scott share some great tips that will help streamline your bass playing roadmap. Want to manage your time better? Organize your brain space? Or make some literal space in your studio? Here’s how fine-tuning your workflow can help get you there.
Did you grow up dreaming about your favorite bass players tearing it up in the recording studio, hoping you could one day do the same? Working in a recording studio is quite different to practicing at home - some of the habits that you've picked up over the years just won't apply and you need to make sure you're properly prepared. In today’s episode, Ian and Scott run through their essential studio checklist.
Reading music is a subject that can strike fear into the heart of many aspiring musicians. It’s a tough skill to learn, but do bass players REALLY need to read sheet music? If your ambition is to be in a three chord punk band then you won’t be too worried. But there are TONS of great benefits, as Ian and Scott explore in this episode.
Born in Newport, Rhode Island, John Davis is a master of synth-bass tones and electronic music. A multi-faceted bassist with Jojo Mayer’s Nerve, John has developed an extraordinary facility to emulate almost any sequenced synth bassline from his bass guitar and pedalboard in real time.
Learning to invest in yourself could be the best move you ever make as a musician. By making small changes, the positive effects can be huge! In today’s episode Ian talks through some of the key decisions that he made to help change his life for the better.
Should you or should you not write down everything that you practice? Transcribing for the sake of filling up pages with dots might make you feel like you’ve done your homework, but it won’t necessarily teach you as much as you think. In today’s episode, Ian and Scott discuss the ins and outs of learning by ear.
Having stage fright doesn’t mean you’re not meant to perform or that you’re not good at what you do, but you should know how to tackle it so that if it ever strikes, you’ll be ready! In today’s episode Scott and Ian discuss how to face your fears and achieve your goals.
In today’s episode Ian answers your questions about his favourite Jazz Bass, his first-call stompboxes and how his bass playing career all started on the basketball court in 7th Grade. Find out all of that and more in this episode!
Thinking about starting a new online business? Now is the perfect time to make it happen. And if you’re reading this, it’s likely that you’ve already come up with a few ideas. In today’s episode Scott talks you through his own blueprint for making money online.
Having worked with an array of jazz greats while still a teenager in his hometown of San Francisco, Larry Grenadier rose to prominence in New York during the 1990s, performing alongside Joe Henderson, Charles Lloyd, Pat Metheny and Paul Motian.
Whether you know him best for his enduring partnership with the Brad Mehldau trio, or as part of the group Fly with Mark Turner and Jeff Ballard, Larry has built up a reputation as one of the finest double bassists in jazz. In this interview, he talks to Jonathan Herrera about his thoughts on technique, tone and the secrets of improvisation.
So how do you choose the best social media platform? It’s impossible to be active on every social media outlet out there. In today’s episode, Scott and Ian are hoping to get rid of some of that pressure you're feeling and simplify the process of creating your own content.
The content you post on social media has the power to turn your followers into fans, but how do you compete with a never-ending flow of viral videos? Elevating your production value is one way to increase your chances of finding an audience among the noise. With that in mind, let’s take a look at some of the gear that Ian and Scott recommend for today’s content creators.
Congratulations! You nailed the audition and you got the gig. Now the real work starts! Although there’s no substitute for mastering the set list, being part of a successful band requires more than hitting the right notes. Just like you did your homework before the audition, there are some concrete steps you can take to make sure you stick around for the long haul.
For any aspiring bass player, playing live is one of the best ways to really level up. But isn't getting a gig really hard? Getting your first gig needn't be difficult if you follow the ten commandments laid out in this episode. With these ten tips you’ll have the knowledge and resources to take the stage in no time!
Ever heard of the gig triangle? The idea is to use three characteristics (good pay, great songs and the hang!) to help figure out what works and what doesn't work for any particular gig. So, how balanced is your gig triangle? Are you hitting 3 out of 3? In this episode Ian and Scott explore what might be holding you back.
The search for the perfect bass sound has taken bass-kind from the swamps of analog fuzz to today’s age of digital ‘perfection’. In today’s episode Scott and Ian examine the main types of multi-fx and chart the unstoppable rise of the stomp box. Enjoy the episode!
How many times have you wished there were more hours in the day? Demanding gigs, impossible workloads, 24/7 email and social media – no wonder so many musicians struggle to make the shift back to family time. In this episode Scott and Ian offer up their advice for striking a balance between your day-to-day life and your life as a musician.
In this episode Ian and Scott address the age old question. Groove or Chops? If you’re in team groove then you’ll swear by keeping things simple. But let’s not kid ourselves, players with awesome chops are what got us into bass playing in the first place! Let’s dive into both sides of the argument.
A Grammy-winning vocalist and multi-instrumentalist, Jacob Collier became an internet sensation in the early 2010s with his split-screen cover version of Stevie Wonder’s Isn’t She Lovely, in which multiple Colliers appear in intricate a cappella harmonies.
Since then, Jacob has signed with Quincy Jones’ Management Company, given TED Talks and appeared in NPR’s Tiny Desk concert series, played with Pharrell Williams at Coachella and has even helped Hans Zimmer finish a film score. In this interview, Scott gets the backstory on the creativity behind his incredible musicianship.
Have you ever felt motivated to do something, but then you never actually did it? The truth is, everyone goes through periods where they have no motivation to do anything, but getting yourself out of your rut doesn’t have to be a huge project. In this episode, Ian and Scott talk about motivation. What it is and how it can supercharge your bass playing.
So you’ve been busy practicing. You’ve got a few songs under your belt that don’t suck, and now you’re ready to show the world what you've got. But whether you’re a novice or a seasoned pro, we all experience that little voice in our heads that says we are going to fail miserably. So, what can you do?
Wouldn’t it be nice if you could allocate your practice time without feeling overwhelmed by technical exercises that bore you to death and make you dread touching the bass. In this episode Ian and Scott share their top tips for making the most out of your routine.
When it comes to discussing the history of the bass guitar, nearly all of our bass heroes sounded unique. So how do you tap into your own inner voice? Today’s episode begins with Ian’s love of Star Wars and ends with Scott offering up his advice to help you on your own path toward developing your sound.
How often do you set goals for yourself? Maybe you want to learn a new song in time for band practice this week. Or you want to self-fund your debut album and go on tour. It’s part of the mindset that makes you a musician. So what do you want to achieve in the next 12 months? Here’s what you need to know.
So you’ve spent days walking around your favorite guitar shop and picking up standard issue basses hanging on the wall, but sometimes it’s simply not worth waiting for ‘the one’ to appear by chance. In this episode Ian and Scott explore the idea of getting a custom made instrument. What would you go for if money were no object?
You’ve seen the bass you want, and only this bass can bring true happiness. But seriously…
The chances are you’re suffering from Gear Acquisition Syndrome, a condition commonly referred to as G.A.S. A quick look at the tabs on your browser, or dip into your search history – Sweetwater, Reverb.com, eBay, Craigslist etc. – will present all the signs. In this episode Ian and Scott explain what it is, how you already have it and why that’s no bad thing.
Robert ‘Bubby’ Lewis is a creative force on the electric bass. His sheer speed, fluidity and conviction is awesome, but he can also groove, with uncanny endurance on ridiculously uptempo tunes.
Bubby started out playing in his father’s church at age 14, and soon made a name for himself around his hometown of Flint, Michigan. Bubby was later hired by Snoop Dog (on the recommendation of Andrew Gouche) and has since gone on to work with the likes of Dr. Dre, Lupe Fiasco, Kim Burrell, The Clarke Sisters and AI.
What would you do if a major guitar company offered you an endorsement deal? Many people would jump at the chance, thinking it’s their ticket to becoming a proper bass guitar icon. But if you don’t know what you’re getting into, an artist endorsement might not feel like a win for all involved. Speaking of which…
In this episode of the podcast, Scott and Ian talk about hate and criticism on the internet. Why do people vent such toxic opinions online? And how do you react when people leave angry comments on YouTube, or tweet negative things about you? In this episode we find out who these anonymous ‘internet warriors’ are, and how to put your haters to good use.
After some amazing feedback, we were finally motivated to take the plunge and start a podcast! And if you have been keeping up with SBL over on YouTube or Instagram lately, you will already know that I have been absolutely obsessing over the bass exploits of Ian Allison. So, I thought I'd better get him on the podcast too!
For our first solo episode, we are going to be speaking about one of the most frequently asked questions I get - how to stay on track with social media.
After more than 50 years together, the Rolling Stones remain one of the biggest live acts in the world. And for bassist Darryl Jones, his audition in 1993 led to a steady gig, touring and playing on just about everything they have recorded since. Jones, who spent most of the ’80s as the go-to bassist for the likes of Sting and Madonna, started his career on the South Side of Chicago and actually cut his teeth with Miles Davis. In this interview, Jonathan Herrera catches up with Darryl to find out what life is like in the world’s most rocking’ rock band.
Throughout his career, Stu Hamm has pushed the technical boundaries of the bass guitar, firmly establishing himself as one of the most influential electric bassists of the past half-century. In the late ‘80s he redefined the limits of slap and tap techniques - there are some great examples on his debut album Radio Free Albemuth. In this interview, the sometimes Joe Satriani and Steve Vai sideman delivers a solid look beneath the surface of his career.
John Patitucci needs no introduction from us - this man is bass legend! And who would argue. John’s career has seen him emerge as one of the most accomplished and adventurous bass players of his generation. In this interview he tells Jonathan Herrera about the life-changing moment of hearing James Jamerson for the first time, how he came to pick up the 6-string electric bass, and what it felt like playing with Chick Corea. You’re also going to hear an exclusive performance from John and guitarist Yotam Silberstein.
If you live for live music and you’re climbing the walls waiting to get back out there gigging, we’ve got your back. In this interview we’re delving back into the SBL archives to find out how some of the world’s top bass players actually got their gigs, what you should expect from an audition and why your social skills are often WAY more valuable than having great chops.
The best bass players spend hours practicing on their own. Find out what you can do away from the stage to fine-tune your skills as we take a timely look back on the idea of practice as seen by the likes of Billy Sheehan, Jeff Berlin, Victor Wooten and more as we delve back into the SBL interview archives.
We delve into our interview archives once again to look back on some of the blockbuster moments with the biggest names in bass, such as the time Scott interviewed Tim Lefebvre and got the lowdown on his insane pedalboard. Or when he sat down with Henrik Linder at the end of 2018 after his knock out set at the London Bass Guitar Show.
In this week's video we’re taking a look at some of the best interview moments so far…
Still holding the bass chair with Joe Satriani as well as his own power trio, The Aristocrats, in this week's interview we sit down with Bryan Beller.
There is no other bass player on earth like Jeff Berlin. Since he first emerged on the electric bass in the 1970s, Jeff has worked with a who’s who of jazz icons including Tony Williams, Allan Holdsworth, Gil Evans, George Benson, Dave Liebman AND the Brecker Brothers.
In today’s interview we sit down with Jack Frisch as he recalls his encounters with Jaco Pastorius in the mid ‘80s.
In this week’s interview I’ll be sitting down with bassist to some of the most influential jazz artists of the past few decades; Tom Kennedy.
In this week's interview I talk to Derrick Hodge, bassist for the likes of Jill Scott, Q-Tip, Terence Blanchard and, of course, the Robert Glasper Experiment.
Jon Button is the bass powerhouse behind one of the most gargantuan bands in rock history; The Who.
Having provided the low end for Wayne Krantz, Bryan Adams, the Tedeschi Trucks Band, Donny McCaslin, The Late Show, Knower and Empire of the Sun over the years, an invite to record on David Bowie’s spellbinding Blackstar album transformed Tim Lefebvre’s career path and artistic freedom overnight.
Expanding upon some of the technical concepts firmly established by the likes of Michael Manring, Victor Wooten and Doug Wimbish, John Ferrara is pioneering a non-traditional approach to the electric bass that incorporates two-handed tapping and some pretty extensive explorations with effects.
Having inspired a generation of bass players to try and master Cissy Strut, George Porter Jr.’s bass playing remains as funky as ever.
So you want to play in a rock band? In this interview bassist Matt McJunkins offers up his advice for breaking onto the scene.
In this interview Scott meets a master of the extended-range bass, Andres Rotmistrovsky, who did time at Berklee with the legendary Matt Garrison!
In this interview I talk with Sharay Reed; a vital force within the international music scene with an impressive resume.
In this interview Michael League lifts the lid on his musical education, including his time at North Texas State, the conception of Snarky Puppy and his lifelong love of groove music.
In this interview I talk to Billy Sheehan about his unbelievable career (and his monstrous bass chops!)
In this interview I caught up with Sheldon Dingwall to talk fanned frets and get the low-down on a killer Dingwall model, the D-Bird.
In this interview Vicky Warwick lends an insight into her evolution as a bassist in New York City.
In this interview I sit down with the phenomenal Verdine White, bassist with soul & disco legends Earth, Wind & Fire.
In this interview I sit down with SBL faculty members, Adam Neely and Evan Marien, to discuss how social media has changed the game for everyone in the music business.
In this interview I dig a little deeper into the bass playing of Dirty Loops bassist, Henrik Linder!
In this interview NYC resident, James Quinlan, talks us through his evolution as a bassist.
In this interview I catch up with one of the bass world’s rising stars - Brad Miller.
In this interview I talk to Moto Fukushima about his breathtaking technique and his stellar trio.
In this interview I talk to Oteil Burbridge about his drum-rooted rhythmic approach and how he’s taken the 6-string bass to new heights.
Today’s interview with Kevin Scott is one of our greatest of all time! Or at least, that’s how I remembered it. ;-)
In today’s podcast I talk to Gail Ann Dorsey about gigging with some of popular music’s all-time greats…
In our 100th episode of the SBL podcast we find out what makes one of the UK’s most revered rhythm sections tick.
Warrior Charge is bassist Wayne Nunes and drummer Perry Melius who have been working together as a rhythm section and as producers for over twenty years. The talented duo have written, recorded, produced and remixed tracks for the likes of Tricky, Nick Rhodes, Billy Ocean, Rico, Amy Coco, Ghetto Priest and Mobo Award finalists, Kola, not forgetting the movie Bad Company, with Chris Rock and Anthony Hopkins. “Music is a painting and it represents two people throwing colours at a canvas and only showing the pieces we like,” says Wayne. Let’s get into it!
In this episode you're going to learn:
- How Wayne developed his rhythm section partnership with Perry Melius.
- Wayne’s top tips for success in the music business.
- All about Wayne and Perry’s solo project, Warrior Charge.
- Why he sometimes likes to step out of his comfort zone.
- And much, much more…
In today’s podcast John Bird talks us through his upcoming tour with One Direction star Niall Horan.
Building a career in London as a full-time musician is more often than not a balancing act between being as true to your creative instincts as possible and paying the bills, but for all of the tough economic circumstances, John Bird’s daily survival tactics have been tempered somewhat by gigs with the likes of Hudson Taylor, Jack Savoretti and Niall Horan who’s currently readying himself for a world tour. Touring can make your career, if it doesn't break up your band. In this episode John explores the ups and downs of life on the road.
In this episode you're going to learn:
- How John preps for life on the road.
- Why he’s NEVER late for soundcheck.
- His guide to surviving as a touring bass player.
- Why Tokyo is his favourite city.
- And much, much more…
The new year has brought more than just new resolutions! In today’s podcast we find out what lies ahead for SBL.
The past 12 months have been a whirlwind ride for everyone here at ScottsBassLessons, but that hasn’t stopped us thinking big for 2018. As you probably already know, SBL is one of the most comprehensive online platforms for bass education in the world, and it’s our job to determine the most effective way to create exciting new content and resources that mean something to students, differentiate us from the competition and capture the imaginations of everyone we hope to reach. Let’s take a look at what’s in store…
In today’s podcast Renell Shaw talks about his upcoming EP and his gig with drum and bass act Rudimental.
Renell Shaw is perhaps best known for his work with the likes of Maverick Sabre, Speech Debelle, Carleen Anderson and Rudimental, along with his perceptive bass tone. Renell’s latest solo offering, Bass Monk, was inspired by African grooves, electronic beats, jazz chords and by his discovery of the original meaning of the word Kung Fu - “any skill achieved through hard work and practice.” The result is a visual EP trilogy telling the story of a fictional character caught in the rat race of city life.
In today’s podcast we meet up-and-coming double bassist Matthew Read.
Having caused quite a stir with the launch of his trio’s debut album back in 2016, the new year sees Matthew build on that success with a new album, Anecdotes Vol 2, which features 11 original compositions drawing on jazz, folk, country, hip-hop, dance music, spirituals and both European and American church music. As you might expect, there’s a lot more to leading a jazz trio than merely booking rehearsals, learning the material and getting to grips with the live performances. Luckily, with a First Class honours Degree in Jazz from the Guildhall School of Music and having already been awarded the prestigious Alec Dankworth Prize for Big Band composition and arranging, a talent as significant as Matthew’s is built to last, so catch him when you can…
In today’s podcast Erick "Jesus" Coomes lends an insight into every funk bassist’s dream gig.
Known for their incendiary live shows and die-hard fans, revered funk collective Lettuce brings forth a new vitality to classic funk music. Comprised of a stellar group musicians (drummer Adam Deitch, guitarists Adam Smirnoff and Eric Krasno, bassist Erick "Jesus" Coomes, keyboardist and vocalist Nigel Hall, saxophonist Ryan Zoidis, and trumpet player Eric Bloom) the band continues to cement their reputation as an unmissable live act. Released last year via Lettuce Records, Witches Stew is their most recent album, which was recorded in tribute to Miles Davis.
In today’s podcast Adam Neely talks us through his brand-new course for the SBL Artist Series.
We first heard of Adam Neely and his awesome YouTube Channel a few years back and have been keeping close tabs on him ever since (Adam has 304,315 YouTube subscribers on the day of our interview). His new course for SBL, which is the latest addition to the SBL Artist Series, captures his incredible take on the study of harmonics and metric modulation along with some other pretty advanced concepts and ideas that will literally blow your mind! If you're already a member at SBL you have instant access to the new course. Click here to get started! If you're not a member yet, no sweat, just grab your 14 day free trial here and you'll be good to go!
In today’s podcast we’re talking to one of the London session world’s most wanted.
Since his first session at Abbey Road aged just 15, Trevor Barry has amassed a CV that reads like a who’s who of popular music stars from both stage and the big screen. James Morrison, Freddie Mercury, Shirley Bassey, Burt Bacharach, West End shows Jesus Christ Superstar and We Will Rock You, the BAFTA Awards… the list goes on and on. Trevor even played on the theme tune to the James Bond film Casino Royale. Fans of BBC’s Strictly Come Dancing are sure to have spotted him strutting his stuff with the show’s house band.
In today’s podcast Evan Marien lifts the lid on his brand-new course for the SBL.
A recent addition to the SBL faculty, Evan Marien has been turning heads ever since he was named as an ‘Exciting New Player’ in Bass Player Magazine’s 2009 Reader’s Choice Awards poll (he actually made the top 3 alongside Esperanza Spalding and Hadrien Feraud!). Aside from joining what would become guitarist Allan Holdsworth’s final tour back in April 2017, and unveiling his latest solo release as EMAR, Evan has also been busy creating content for SBL and his latest course is now live within our course library! If you're already a member you have instant access to the new course. Click here to get started! If you're not a member yet, no sweat, just grab your 14 day free trial here and you'll be good to go!
In today’s podcast we’re talking to Jimbo Hart of American Southern Rock band Jason Isbell and The 400 Unit
It’s so often the case that a great rhythm section lies behind almost every great band, and Jimbo Hart is the kind of bassist whose playing provides a solid link between Jason Isbell’s vocals and the rest of the band. Hailing from the Muscle Shoals region of Northwest Alabama, Jimbo has been busy honing his bass playing on Isbell’s new record, The Nashville Sound, which is his first with the 400 Unit since 2011.
In today’s podcast we’re talking to the man who’s been providing the low end for the Devin Townsend Project.
Brian 'Beav' Waddell is busy gearing up for shows with The Devin Townsend Project, who are about to hit the road with Clutch and The Obsessed as part of the “Psychic Warfare” tour. Having released 24 studio albums in the last 22 years, Devin is one of the most prolific artists in any genre of music. A seasoned pro himself, it’s Brian’s intuition that has often proved as valuable as his musicianship. And with a new album, Transcendence, to promote and a packed touring schedule stretching ahead of the band, fans can expect plenty of more of his brutish bass riffs.
In today’s podcast we’re talking to Billy Sherwood from legendary prog-rock group YES.
Yes remain one of the most influential, ground-breaking and respected progressive rock bands in the world. 2018 marks half a century since their formation and to celebrate this remarkable milestone they will embark on a 13-date UK/European tour next March - #YES50. Having been a founding member back in 1968, Chris Squire, who died in 2015, wanted the band's legacy to continue, and personally chose Billy Sherwood as his successor.
In today’s podcast we meet Scott Reeder, of Kyuss, Sound City: Real to Reel and Fireball Ministry fame.
Speaking to us on the run up to some packed live shows in support of a new Fireball Ministry album, bassist Scott Reeder tells us that life in the band is turning out to be something of a blast. In the grand tradition of the desert rock scene, his unique blend of giant riffs have taken him to international acclaim amid the hard-rock community. High points of his career are many, including making headway with Kyuss in 1994 with their esteemed album Welcome To Sky Valley, auditioning for Metallica following the departure of Jason Newsted and winning a Grammy Award for his contribution to the soundtrack of the Dave Grohl documentary Sound City.
In today’s podcast we’re talking to Daniel Peate from instrumental three-piece Flightless Birds.
Regarded by many as ‘one to watch’, Dan Peate has been busy making a name for himself in the North West of England. Having recently finished studying at the Royal Northern College of Music, we’re pleased to report that his instrumental trio, Flightless Birds, is also dong well. Their latest EP shows just how well the group has gelled. Instrumentally they’re solid and boundlessly energetic, while the guitar playing of Alex Dineen is packed with infectious melody, marking the arrival of an ambitious young band with a big future ahead of them.
In today’s podcast we chat to Rick Barrio Dill, bassist with Vintage Trouble.
Vintage Trouble have been busy wowing audiences right across the globe with their high-energy brand of 1960s-style rhythm and blues. The LA-based four-piece have opened for the Rolling Stones in London’s Hyde Park, toured North America and Europe with The Who, not to mention the likes of Bon Jovi, Queen’s Brian May, AC/DC, The Dave Matthews Band and Lenny Kravitz. They’re even signed with legendary rock 'n' roll manager Doc McGhee (who's helped guide the careers of bands like KISS, Bon Jovi, Mötley Crüe, Guns N' Roses, Skid Row, and Hootie & The Blowfish).
In today’s podcast we’re talking to a bass player who’s taken the art of groove playing to a whole new level.
Jonathan Maron has developed a reputation as one of the New York bass scene’s most reliable musicians. D’Angelo, Maxwell, Tupac Shakur, Jewel, India Arie, Donny McCaslin, Anoushka Shankar, Kurt Rosenwinkel and many others have recruited Jonathan at one time or another. His best-known gig has always been with the legendary Groove Collective, who acquired a cult following among club goers in the early 90s with their eclectic mix of jazz-inspired funk. His recorded catalogue grows more impressive and more dialled in from album to album, and the great news is, we've just released his first ever course into the SBL Course Library.
In today’s podcast we chat to Tom Peel, bassist with English singer-songwriter James Bay.
James Bay shot to stardom with the release of his debut album, Chaos and The Calm, back in 2015. Recorded at Blackbird Studios in Nashville, the album debuted at number one in the UK and cemented Bay’s reputation as an incredible songwriter. But as with all bands that emerge as if from nowhere, the backstory often proves more extensive than you might expect. Tom Peel’s journey has been a steady and assured one, from a natural inclination towards music as a young lad through to playing festivals and rock arenas all over the world.
In today’s podcast we meet Henrik Linder, bassist with YouTube sensation Dirty Loops.
First thing’s first; Dirty Loops aren’t dirty and they don’t use loops! But if you’ve seen anything of the Swedish trio’s YouTube channel then you will know all about the funky, head-bobbing swagger of bassist Henrik Linder. He slaps and plucks with the utmost precision, making faces of both concentration and sheer joy in doing so. To execute technical lines of that calibre, Henrik confidently trusts his 6-string signature model to steady the growl - a bass designed by Swedish luthier Anders Mattison.
In today’s podcast we talk modes with 6-string bass pioneer Rich Brown.
Having recently released a brand-new course into the SBL course library, this week’s podcast sees Rich Brown take centre stage. Rich is one of those players who regularly pushes the instrument to its limits, and sometimes beyond. He has performed and recorded with some of the finest musicians on the planet including Dapp Theory, Steve Coleman & 5 Elements, Vernon Reid, Bruce Cockburn and David Clayton Thomas (of Blood, Sweat, & Tears). Rich is also on the verge of stepping out with his own duo project featuring Snarky Puppy drummer, Larnell Lewis.
In today’s podcast we catch up with Morten Ehlers, the self-confessed bass junkie from Denmark.
Having enjoyed a ten year career as the driving force behind the bass department at TC Electronic, Morten Ehlers is currently amassing an Aladdin’s Cave for bass players. Look around his new bass store and you sense immediately that this is no ordinary shop. Bass Buddha sells instruments from a number of luxury and boutique luthiers – Marleaux, Stenback, Dingwall, Sadowsky and Overwater among them. Morten is clearly a man happy in his work.
In today’s podcast US bass ace, Mike Bendy, gives us an insight into his signature tone.
From Kenwood Dennard and Roy Hargrove to the Hipster Assassins, Brooklyn-born bass player Mike Bendy is forging a reputation as one of the bass world’s most exciting players. His formative days were spent listening to bands like Metallica (‘Cliff Burton was my first bass hero’) and then Primus and the Red Hot Chili Peppers, while toying with his Ibanez CT Series bass and dreaming of joining a band. As Mike’s professional career began to take shape, he formed a solid musical and personal friendship with Felix Pastorius, who he currently shares the stage with at New York’s famed 55 Bar in their group Hipster Assassins.
In today’s podcast The Darkness bassist talks us through the band’s brand-new album.
Frankie Poullain has been entertaining crowds with The Darkness for years. Since hitting the big time with their 2003 debut album, Permission To Land, he’s hardly had time to catch his breath. This year has been a busy one for the band, who are fresh off shows with Guns N’ Roses and a run of European festivals. The new album is a masterclass in retro rock, a feast of big riffs, killer guitar tones and searing vocals. More importantly it crackles with the raw, spontaneous energy of a live show, something often absent from many modern rock albums.
In today’s podcast Steve Jenkins tells us all about his new course for the SBL Academy and the secrets behind his killer tone.
As many of you will already know, earlier in the year the SBL team descended on New York’s coolest borough to rub shoulders with some of the most exciting bass players on the planet. We captured some fantastic behind-the-scenes footage and we’ve been bringing you exclusive monthly courses ever since. Our most recent course features the amazing Steve Jenkins who walks you through a mix of modern groove concepts with drummer Kenny Grohowski. Steve’s best known for his stints with Vernon Reid (Living Colour) and Dave Fiuczynski in Screaming Headless Torsos, but he’s not lacked ambition in his solo career, with Steve Jenkins and the Coaxial Flutter his second album and most focused to date.
In today’s podcast we talk to US luthier Joe Zon – a must-watch for anyone interested in the art of bass building.
Joe Zon’s open-minded approach when it comes to design has led to some incredible basses, such as the headless VB model, the Sonus and Micheal Manring’s signature Hyperbass, which features a three-octave fretless neck and is capable of something around 10,000 tunings! Completely self-taught, Joe honed his craft at a time when there was little, if any, literature on how to build bass guitars or fix them, largely relying on his own intuition to further his progress. His handiwork has since drawn praise from the likes of Troy Sanders (Mastodon), Billy Gould (Faith No More), Liam Wilson (The Dillinger Escape Plan) and Dick Lövgren (Meshuggah).
In today’s podcast we meet the man pulling the bass strings with UK breakthrough act the Ezra Collective.
One of the few left-handed bassists around today, TJ Koleoso is currently making a name for himself with the award-winning Ezra Collective. Sonically inspired by the likes of Flea, Bobby Watson and Fela Kuti’s Nweke Atifoh, the basic template is jazz, but there are so many elements bubbling under the surface that it’s impossible to slap any single genre tag onto TJ’s instinctive bass playing. Having recently recorded their second EP at London’s Abbey Road Studios, The Ezra Collective have found a sound to redefine a genre.
In today’s podcast we track down top US bass player Uriah Duffy…
For many years, Uriah Duffy has remained the ‘bass players’ bass player’, working with artists ranging from Whitesnake, CeeLo Green, Christina Aguilera, The Family Stone, Toni Tony Toné and Alicia Keys. As a seasoned sideman, producer and musical director, Uriah’s ability to leave his own musical ego and stylistic preconceptions at the door has proved essential. While his trademark grooves and outstanding musicianship are at the heart of his ongoing success as a bass player for hire. When we caught up with Uriah he was busy preparing for his next gig with 2017 Grammy Award Winner Fantastic Negrito...
In today’s podcast we’re catching up with Richard Yale, bassist for Dead Can Dance, and Tour Manager/Backline Tech for the likes of Muse, Metallica and the Brand New Heavies.
Formed in Melbourne by Brendan Perry and Lisa Gerrard, Dead Can Dance de-camped to London in 1982 and began creating some of the most far reaching goth music you are ever likely to hear. At this point, Perry and Gerrard became the core nucleus of the band supported by an ever-expanding cast of guest musicians. In 2011 bassist Richard Yale was tasked with holding down the low end of DCD’s breathtakingly hypnotic songs for a 2011 comeback tour. Richard also works as a backline tech/tour manager for bands like the Brand New Heavies, Muse and Metallica – which should tell you all you need to know about the calibre of musicianship he requires…
In today’s podcast we’re talking slap bass with SBL’s very own Phil Mann.
Having already made waves among the SBL audience with his first academy course on slap bass, Phil Mann is back with the next instalment that takes a closer look at some of his trademark slap techniques. Be it the polyrhythmic tapping and slapping of Victor Wooten or Mark King’s ‘chugging’ rhythms from Level 42, slap bass sounds great and looks impressive, but getting it right can be frustrating, let alone getting a good sound. So if the thought of combining slaps, pops, hammer-ons and fretting-hand slaps makes you feel decidedly uneasy, tune in to this podcast and be prepared to chill out.
In today’s podcast we catch up with chiropractic physician and acupuncturist, Dr Randy Kertz
If you’re anything like me, you’ve experienced more than just blood, sweat and tears when it comes to playing the bass. We put our bodies through a lot of punishment while we’re out gigging and eventually our performance could suffer because of it. Luckily, guys like Randy are here to help us get in shape and stay motivated. Randy has treated countless musicians over the years and lectured on the subject of musician’s injuries and health education. He also attended the Bass Institute of Technology in 1989 and has written a book on injury management and prevention.
In today’s podcast Eva Gardner talks us through her inspired bass work with some of the biggest names in pop.
The daughter of Creation bassist, Kim Gardner, Eva Gardner may not be a household name in some corners of the bass world, yet Pink, Moby, Cher, Gwen Stefani and many others among the pop world’s elite have called upon her services as a first-call touring musician at one time or another. Eva got her start playing as a teenager and quickly worked her way through a slew of gigs and bands in LA, where she polished and mastered her craft. She has been a member of Pink’s band since 2007. In Eva’s case it’s an awareness of what it takes to make a situation work, together with an impulse to keep things simple, that allows her to communicate the crucial feeling of a song so decisively.
In today’s podcast we marvel at the awesome bass playing of Cameron Dawson.
Mamas Gun are a London-based five-piece that’s been gathering critical acclaim and an international audience since 2008. Cameron Dawson took up bass duties in 2012 and has been at the heart of the band’s dazzling pop and wicked grooves ever since. Commitments with Mamas Gun have taken up most of Cameron’s time for the past few years, but he’s still found time to finish a university degree, play numerous sessions, as well as write stacks of material for his experimental jazz group, Vels Trio, who’s new album, Yellow Ochre, has just been released.
In today’s podcast we’re talking to Damian Erskine, author of our latest SBL Academy course, Contemporary Groove Techniques.
Having honed his chops with some of the best musicians the West coast of America has to offer, Damian Erskine is the real deal. A player of both strength and depth, he more than matches the hard-swinging grooves of his counterparts, not to mention his exceptional soloing. Being the nephew of drummer Peter Erskine, who formed a formidable rhythm section with Jaco Pastorius in the late ‘70s, Damian is well positioned to take the lead in the latest Artist Course from SBL.
In today’s podcast we meet the man behind Nordstrand Guitars.
Carey Nordstrand has established a fine tradition for building top-of-the-range guitars and basses. Nordstrand Audio also boasts a pretty comprehensive range of specialist pickups, with the likes of Tim Lefebvre, Evan Marien, Jamareo Artis and Abe Laboriel all getting in on the act. But that’s not all that’s been keeping Carey Nordstrand busy of late. Not content to be constrained to a life as a master craftsman, Carey has joined forces with vocalist Edward Heppenstall to release an alternative rock album under the moniker of Moba Jones.
In today’s podcast we’re talking to Sam Lord, bassist with electro-pop outfit Aquilo.
Since gaining recognition on the UK airwaves with the single ‘You There’ some four years ago, Aquilo have gone on to have more success across the pond, even finding time to pen hits with the likes of Vanic (‘Losing You’ was released onto YouTube in 2015 and has accumulated over 7.5 million plays on SoundCloud to date). We find out how Sam got the gig with Aquilo, what it’s entailed so far and how he’s adapting to life on the road.
In today’s podcast we’re talking to double bassist and long time supplier of the low-end for Lamb, Jon Thorne.
It’s been 20-odd years since Jon Thorne came to some prominence as bassist with experimental trip hop duo Lamb. But Jon has also played alongside folk guitar genius, John Smith, written and recorded an album, Watching The Well, in tribute to his mentor Danny Thompson and recorded and performed with artists as diverse as Robert Miles, Scott Matthews, Gilad Atzmon, Liam Bailey, Steve Lawson and Robert Fripp. Look out for Jon’s third solo album, which has been signed for a 2017 release by Static Caravan. You’ll also catch him on Lamb’s 21st Anniversary Tour and at the Glastonbury, Latitude and Green Man Festivals with his indo-jazz trio Yorkston/Thorne/Khan.
In today’s podcast we get up-to-speed with one of the founders of thrash, Megadeth bassist David Ellefson.
As founding member of US rockers Megadeth, David Ellefson needs little introduction as one of the founders of thrash. Having appeared on countless Megadeth releases including the bands 1985 debut, Killing is My Business… And Business is Good!, right through to 2002’s Rude Awakening, Ellefson is rightly regarded as a pioneer of thrash metal bass playing. Back with a new album, Dystopia – Ellefson’s punchy bass tone and his ridiculous picking-hand chops are sounding better than ever.
In today’s podcast we get the lowdown on a stunning new album featuring Jaco Pastorius live in New York City.
Released on May 26th, Jaco Pastorius - Truth, Liberty & Soul - Live in NYC showcases a previously unreleased performance by Jaco and the New York incarnation of his Word of Mouth Big Band. The original recording engineer, Paul Blakemore, was onboard to revisit the original 24-track tape reels, having first captured the gig on June 27th 1982 for a NPR Jazz Alive! radio broadcast, but this is the first time that the entire concert has been made available. Including over 40 minutes of material not aired on the original broadcast, the release also features a massive 100-page book with interviews from the likes of John Pastorius, Peter Erskine, Bob Mintzer and Randy Brecker.
In today’s podcast we chat to the man behind the award-winning Brooklyn-based collective Snarky Puppy.
Always pushing the boundaries with an unbending work ethic, Snarky Puppy are tighter and better oiled than ever before. Inspired by Michael League’s earth-shattering bass playing, their recorded catalogue grows more impressive from album to album. And now Michael’s back with a newly formed project called Bokanté, which looks set to shape the next phase of instrumental world music.
In today’s podcast we meet the man pulling the bass strings with UK breakthrough act Inglorious.
Colin Parkinson has found himself in a surreal situation that most bassists only dream about, joining a band that’s already being billed as a shrine to classic rock. Larger-than-life frontman Nathan James of TV talent show The Voice fame joins Colin onstage, and while the young bass prodigy may seem like an unassuming addition, his calm demeanour, technical ability and attention to detail have made his transition into the spotlight seamless.
In today’s podcast we sit down with Keith Duffy, long-serving bassist with The Corrs
Following a fine tradition set by the likes of James Jamerson and Joe Osborn, as a modern-day session player Keith Duffy’s awareness of what it takes to make a situation work, together with an impulse to keep things simple, has has proved essential, allowing him to communicate the crucial feeling of each song so decisively. The Corrs have produced a number of international hits and multi-platinum albums, but despite all this success, for Keith it all comes down to holding down the groove and serving the song.
In today’s podcast Ruth Goller talks us through her inspired bass work with some of the coolest names on the London jazz scene.
Ruth has been a regular presence on the London jazz scene for several years now, toting a Fender Mustang and performing with a wide variety of bands including The Moss Project, Let Spin and punk-jazz rockers Acoustic Ladyland. Yet for all her jazz knowledge, Ruth’s unfussy technique favours sparse plectrum work over busy fingerstyle. Her background is distinctly non-jazz, and in spite of having chops to spare, an attitude of ‘less is more’ informs everything that she plays.
In today’s podcast Andrew McKinney lends an insight into every bassman’s dream gig.
Aside from leading the bass department at BIMM London, Andrew McKinney is bassist with the James Taylor Quartet, whose high-energy blend of groove jazz has earned them legions of fans right across the globe. What’s more, the bass parts are almost always jaw-droppingly amazing – and Andrew is the first to admit how lucky he is to be in a band that allows the bass such space to move. “I was described once as a ‘magical, musical, midfield general’, which I take as a compliment!” He also continues his freelance work, regularly depping on shows in London’s West End.
In today’s podcast we catch up with one of the most recorded bass players in popular music.
Nathan East has performed with such a huge number of all-time greats, from Michael Jackson and Stevie Wonder to Quincy Jones and Eric Clapton, that it’s hard to sum up the impact he’s had on popular music. His funk-fueled bass work added the sparkle to Daft Punk's 2013 hit single, 'Get Lucky'; he sings, he doubles on upright and electric bass, has received an Ivor Novello Award for co-writing the Phil Collins hit ‘Easy Lover’, and his ongoing team-up with Bob James, Harvey Mason and Chuck Loeb as jazz quartet, FourPlay, continues to raise his credentials. Following the success of his 2014 self-titled debut album, 2017 sees Nathan return with his second release as a solo artist, Reverence.
In today’s podcast we're catching up with a star of the 2017 London Bass Guitar Show, Shez Raja.
With two solo albums already to his name, and another due for release next year, Shez Raja is without doubt a unique creative talent. Having earned a loyal live following in the UK, his bass-led collective draws on a hybrid approach that blends the fusion sounds of Return to Forever with a bass style that draws on both Marcus Miller and Stanley Clarke. With his latest release, Gurutopia, gaining rave reviews in the press, and with a new album pending, Shez has already assigned himself a new set of challenges to overcome for the second half of 2017. It’s time to discover if there’s a magic formula behind his unique brand of Indo-funk fusion.
In today’s podcast we marvel at the awesome bass work of A Perfect Circle bassist Matt McJunkins
Matt’s playing has always been far more advanced than you might think, having tackled the excitable heaviness of bands like Eagles of Death Metal or ASHES dIVIDE and the groove-filled and often quirky music of Puscifer. It’s to his role in these bands that Matt attributes his transition into rock supergroup A Perfect Circle back in 2010. Alongside founding member Billy Howerdel, frontman Maynard James Keenan of Tool fame and guitar icon and former Smashing Pumpkin James Iha, Matt has had to deal with the pressure of learning and executing so many of the band’s tracks, forcing him to focus his attention on really dialling in his bass gear. Aside from recent preparations for the upcoming US summer tour, Matt has also been busy promoting his own debut EP for The Beta Machine.
In today’s podcast we catch up with the extraordinary talented Evan Marien.
Evan first emerged as a force to be reckoned with with his duo recordings that featured drummer Dana Hawkins. About to hit the road with guitar legend Allan Holdsworth, his latest solo EP builds on his flexibility as both accompanist and soloist. In fact, Evan’s solo prowess is little short of awe-inspiring, particularly when playing his Ken Smith 5-string, but for all his speed (and he’s one of the fastest around), his ideas remain crystal clear. “I listen to a lot of different types of music and I love bass players of all styles,” said Evan. “But there’s obviously a heavy fusion influence in my own music and in my own playing.” If you're a member at ScottsBassLessons you can look out for a brand-new course from Evan coming very soon.
In today’s podcast we catch up with SBL and Berklee alumni Maddie Jay
Some of you may know Maddie from SBL where she was recently introduced via our Student Success feature click here. Born and raised in the small mountain town of Smithers, British Columbia, Maddie is regarded by many as ‘one to watch’, having already shared the stage with the likes of Abraham Laboriel Sr. and drum legend John “JR” Robinson. We’re pleased to report that Maddie is doing well. Aside from completing her degree course at the Berklee College of Music, she’s also running her own group, the aptly titled Maddie Jay and the pH Collective. Maddie’s now set for the next part of her musical journey as LA beckons.
In today’s podcast we catch up with fretless bass phenomenon Gary Willis.
If you ever stop to wonder how a world-class musician stays at the top of their game for so long, then look no further than bassist and composer Gary Willis for your answer. Gary has created a unique style of fretless playing that can stretch notes into impossibly rich swells of tone. Perhaps best known as co- founder of jazz fusion outfit Tribal Tech, his depth of groove and articulation is just staggering.
His involvement in the educational side of music has also been a long-standing one, having written several books including Fingerboard Harmony For Bass, Ultimate Ear Training For Guitar And Bass and 101 Bass Tips – he also teaches at the prestigious Escola Superior de Música de Catalunya music conservatory near his home in Spain, where he’s been resident since 2004.
In today’s podcast we catch up with the truly phenomenal Kai Eckhardt.
A star sideman to the likes of John Mclaughlin and Billy Cobham, Kai Eckhardt has forged an incredible career based on his subliminal bass tones and melodic solos. Driven by an unshakeable dedication to music, he easily qualifies as one of the most important bass voices of his generation. We spoke for over an hour about all manner of things, from melody and chord sequences to touring and moving to America.
In today’s podcast I sit down with Geoff to share my story.
My love affair with the bass started in the North West of England, where I got a job as an apprentice luthier at Overwater Basses. During the next few years, I landed a gig on a cruise ship where I learned the ropes, before setting up scottsbasslessons.com having been told that I wouldn’t be able to play bass again due to a neurological disorder. After discovering that silk gloves could help me regain control of my playing, I set about putting the finishing touches to SBL. Of course, it didn’t all happen overnight, and who better to delve a little deeper than our very own Geoff Chalmers.
In today’s podcast we’re celebrating our 50th episode! To mark the 50th episode of the SBL podcast we’re taking a look back at some of the best moments from our journey so far.
In today’s podcast Michael Janisch talks about his long-standing love affair with the bass.
Michael Janisch emerged as a force to be reckoned with his 2010 solo album, Purpose Built, yet almost slipped away under the radar while setting up his own record label, only to build up a headwind of critical approval with his latest release, Paradigm Shift.
In today’s podcast we unravel the tone secrets of Florence and the Machine bassist Mark Saunders.
In today’s podcast Scott meets Colin Edwin, bassist with Britprog legends Porcupine Tree.
In today’s podcast we’re talking to a modern master of the electric bass.
Best known for his work with Living Colour, Doug Wimbish can look back on an esteemed career that began in the early 80s when he was recruited by Sugar Hill Records to join the rap label’s house band.
In today’s podcast we’re talking to a bassist who’s taken the art of solo bass playing to a whole new level.
Merging breathtaking technique with a compositional approach that defies logic, Michael Manring is a unique talent on the bass guitar. After early acclaim as a fresh new voice on the instrument, his friendship with acoustic guitar genius Michael Hedges led to a lengthy period as house bassist for Windham Hill Records, with whom he made his debut as a solo artist, releasing Unusual Weather in 1986. His relentless search for new sounds also led to the creation of his signature Zon Hyperbass, an instrument that boasts a three-octave fretless fingerboard and seemingly endless tuning capabilities. It will blow your mind to hear Michael in action!
In today’s podcast we follow Bryan Beller into realms of bass guitar, role modelling and rock royalty.
Bryan Beller needs no introduction. He has been at the top of his game for long enough that we all know who he is and what he does. He's the electric bass star who's known for some of the finest rock-fusion chops on the planet.
In today’s podcast we meet the bass player for pop sensation Kylie Minogue.
Dishan Abrahams is the sort of bassist whose playing can often go unnoticed, blending in smoothly while providing a solid musical link between the vocals and the rest of the band.
In today’s podcast we chat to Freekbass about spreading the gospel of funk.
Having cranked out some killer b-lines on his latest solo album, Freekbass is fast becoming recognised as one of the most iconic bass players in modern funk.
In today’s podcast we meet a player who is taking the electric bass to new heights.
Perhaps best known for his stints with Vernon Reid (Living Colour) and Dave Fiuczynski in Screaming Headless Torsos, Steve Jenkins is one of the New York bass scene’s most exciting players.
In today’s podcast Will Lee talks about his love of The Beatles and what it’s like to be one of the world’s first call session players.
Will Lee is absolutely essential listening for any and every bass player. He is the kind of bassist who makes everything look easy. After rising to prominence as one of New York’s top session players, Will has played for the likes of James Brown, Steely Dan, The Brecker Brothers, Chaka Khan, Mike Stern, Frank Sinatra, Diana Ross, George Benson, Kool & the Gang, Hiram Bullock and Ringo Starr. In addition, along with a 33 year stint with David Letterman’s CBS Orchestra, fans have long been able to catch Will in his beloved Beatle tribute band, the Fab Faux. A cornerstone of the New York scene with an eclectic back catalogue, his 2013 solo recording, Love, Gratitude and Other Distractions, proved the CBS Orchestra mainstay is still in his prime. Over to you, Will...
In today’s podcast we meet a player who has taken the art of bass playing to a whole new level.
Victor Wooten may not need much in the way of an introduction as one of the bass world’s great pioneers. When word reached the SBL office that Mr Wooten would be making a rare appearance in the UK, the opportunity was too good to miss.
In today’s podcast Ed Friedland, renowned columnist and bassist with The Mavericks, talks about every bassman’s dream gig.
Ed got his start playing as a teenager and quickly worked his way through a slew of gigs and bands in New York, which eventually led him to the prestigious Berklee College of Music in Boston, where he polished and mastered his craft.
Today we’re chatting to Ariane Cap about two-handed tapping and geeking out on bass guitars.
Ariane Cap is a bassist, educator, author, blogger, composer, rocket scientist, racing car driver, wait not the last two, currently living in California. Her love of the bass guitar, and penchant for submersing herself in every genre of low end, began in her high-school days and continued to grow through many years of gigging and studying.
In today’s podcast Damian Erskine talks about his favourite gear and his fascination with improvisation.
Damian Erskine is taking the 6-string bass to new heights. Being the nephew of renowned drummer Peter Erskine, who once formed a formidable rhythm section with Jaco Pastorius in Weather Report, Damian has built up a reputation as a bass player who’s able to showcase the same extraordinary level of musicianship.
In today’s podcast Todd Johnson reveals his mastery of the 6-string bass guitar.
In today’s podcast we’re talking to Ian Stewart about delving deeper into the world of Timba and Cuban Jazz.
In today’s podcast we’re talking to Danny Mo Morris about his long-standing love affair with the bass!
You’ve got to like Danny Mo Morris. For starters, he is one of the unsung heroes of American bass playing, having spent 28 years teaching at Boston’s world-renowned Berklee College of Music. Despite the demands of his job, Danny is a relaxed, laid-back guy who’s love of the bass guitar began in his high-school days and continued to grow through many years of gigging and studying.
In today’s podcast we’re talking to the man who’s been providing the low end for Eric Gale and the Jonathan Scales Fourchestra, Cody Wright!
In today’s podcast we’re talking to the bass-playing rapper from Atlanta, Divinity Roxx.
Few faces are as instantly recognisable within the bass world as Divinity Roxx. The same is definitely true of her playing. Brought up on a diet of Earth, Wind & Fire and Slick Rick, Divinity toured with Victor Wooten for five years, and can be heard on Victor’s 2001 album ‘Live In America.’ Taking to the road once more with powerhouse diva, Beyoncé Knowles, Divinity joined an A-list of musicians who, calling themselves Suga Mama, recorded on Beyoncé’s 2006 album ‘B’Day’ and toured her 2008 release ‘I Am…Sasha Fierce.’
In today’s podcast we’re talking to six-string virtuoso Rich Brown!
Rich is a really classy player and certainly knows his way around a bass better than most. Having chosen to explore plenty of musical tangents, which have seen him dabble in many different genres, Rich has appeared on countless recordings ranging from jazz to funk to latin to traditional Asian and Arabic music.
In today’s podcast Adam Ben Ezra lifts the lid on one of my favourite YouTube videos of all time.
There are so many bass players around today, especially now with YouTube; there are millions of guys playing some incredible stuff, but from a pure bass perspective, Adam Ben Ezra is the real deal.
Today we’re chatting to session legend Mo Foster, who has a credit list that could fill a book. In fact it has! It was an opportunity not to be missed when Mo invited us round for a chat about all things bass.
Today we’re sitting down with one of the groovers and shakers behind the UK’s funk bass scene… Paul Turner!
In the hierarchy of Jamiroquai bass players, Paul was the first to really revolutionise the bands old-school bass sound since Jay Kay began a new chapter without Stuart Zender. Having joined right at the beginning of the group’s promo run for 2005’s Dynamite album, we all looked on with great interest as Paul was brought into the fold. Luckily for Jay Kay, he has without question earned the right to put his own stamp on one of the most coveted bass gigs in popular music.
In this episode of the Scott's Bass Lessons podcast we're lucky enough to be joined by the one and only Jerry Meehan.
As a bass player Jerry has worked in many different situations, from West End shows such as Les Miserables through to touring the world with Robbie Williams, or playing with Midge Ure right through to being the bass player on 'The Voice' TV show.
For episode 24 of the Scott's Bass Lessons podcast I'm lucky enough to be joined by the amazingly talented and ever original Steve Lawson. Steve is at the forefront of the solo bass world and is continually pushing the boundaries of what can be achieved and realised on the instrument.
Today I'm joined by none other than Ian King who has provided the low-end for artists such as The Temptations, The Supremes, Sister Sledge, Paul Young and West End shows such as Shrek, Jesus Christ Superstar, Sister Act, and is currently playing in the award winning show "The Book of Mormon".
Today we’ve got one of the UK's funkiest bass players with us...none other than Stefan Redtenbacher!
Austrian native Stefan Redtenbacher wears many hats: bassist,guitarist, composer, bandleader, arranger, educator, producer,music-software developer, and intrepid captain of one of thefunkiest bands in the UK... Redtenbacher's Funkestra.
Stefan has recorded and performed with such legends as SteveWinwood, Jack Bruce, Joss Stone, Amy Winehouse, Lulu, Mica Paris,Paul Carrack, Kiki Dee, Sophie Ellis-Bextor, Limahl, AlexandraBurke, Russell Watson, Adam Ant, Ollie Murs, and Danyl Johnson, toname a few ;)
Today we’ve got London session legend Phil Mulford with us for episode 21 of the ScottsBassLessons podcast...
Phil is one of the busiest session players on the UK scene and his performance and recording credits include artists such as Lionel Richie, Chaka Kahn, Leona Lewis, Beyonce, Annie Lenox, Beverly Knight... even the Bee Gees... and, pretty much every TV show in the UK that has a live band.
In a nutshell, he's more than seriously experienced!
Today we're lucky enough to have Sandy Beales, the bass player behind the band 'One Direction', with us for episode 20 of the Scott's Bass Lessons Podcast.
In this episode you're going to hear some fantastic tips for upcoming and seasoned bass players - in fact this is of favourite interviews to date, simply from the amount of actionable advice and important insights you'll hear throughout the interview.
I'm suuuuper excited to tell you that today's guest on the SBL Podcast is none other than the mighty Laurence Cottle. Laurence is one of the most legendary bass players on the planet, and has been a huge inspiration to me over my entire career.
He's played with the likes of Eric Clapton, Deep Purple, Brian Eno, Seal, Tom Jones, Hanson, written with Barry Gibb of the Bee Gees, composed music for TV shows such as Friends, 3rd Rock from the Sun and The Oprah Winfrey Show...
In this episode I’m lucky enough to have London session legend Steve Pearce with me! If you speak to any bass players from the UK, soon enough Steve’s name will come up in the conversation.
Why? Because he’s not only one of the busiest bass players on the UK scene, he’s also one of the coolest and friendliest guys you could ever meet.
Steve’s played with the likes of Wayne Shorter, Steve Wonder, Tom Jones, Al Jarreau, Madonna, Mark Knopfler and played on film sound tracks such as Donnie Brasco, Evita, The Full Monty… I’m sure you get the idea! ;)
In this episode of the SBL Podcast we’re lucky enough to have one of my best bass buddies and one of the most inspirational guys I know - Chris “Fatty” Hargreaves... bass player for the likes of Submotion Orchestra and Alex Clare.
Chris has been at the forefront of using effects within the bass world for as long as I can remember. I’m not talking about using a few pedals here and there - what Chris has done is completely re-imagine what the bass can be used for and how it can sound from the ground up.
Today we’re lucky enough to have an amazingly experienced guest on our new podcast episode. Someone who's played, recorded and toured with some of the biggest names in the music industry... the one and only Guy Pratt.
Guy has worked with Michael Jackson, Madonna, Pink Floyd (also David Gilmour), Gary Moore, Roxy Music, Echo & the Bunnymen, Tears for Fears, Whitesnake, Womack & Womack… I’m sure you get the idea! ;)
Today we’ve got one of the hardest gigging bass players on the planet with us - seriously, he did something like 250 gigs last year!
Introducing, the one and only Phil Mann.
Phil has appeared in London’s West End on Dancing In the Street, across Europe on productions such as Jesus Christ Super Star, One Night In Vegas, Little Shop Of Horrors, Anything Goes, Fame, Bugsy Malone, The Pirates Of Penzance, Beyond Phantom, Return To The Forbidden Planet, Hairspray, Jack The Ripper… I’m sure you get the idea! ;)
To kick off this season I though it'd be great to hook up with one of my all time favourite bass players - the one and only Dave Swift.
Dave has been part of Jools Hollands Rhythm & Blues Orchestra for over 30 years, and with that band has played with artists such as George Benson, Eric Clapton, Al Jarreau, Chaka Khan, Jeff Beck, Tom Jones, Paul Weller, BB King, Adele, Amy Winehouse... I could go on and on, I'm sure you get the idea... Dave is 'experienced'! ;)
We're almost about to launch Season 2 of the Scott's Bass Lessons Podcast, but while we're in our editing frenzy here at SBL Towers I thought it'd be cool to release a special podcast episode for the "intermission" ;)
For this episode we've got the Master Luthier Chris May of Overwater Basses and we'll be talking about all things... you guessed it, bass!
Chris has been one of the most important people in my life for the last 20 years so I was over the moon when he agreed to come down to the studio and film this special episode for you.
I'm so happy to have the amazing Sean Hurley on todays episode!
If you haven't heard of Sean before, he's played with artists such as John Mayer, Alicia Keys, Robin Thicke, Ringo Star, Annie Lenox, Alanis Morissette, Idina Menzel and many more... plus... he's one of the nicest guys you'll ever meet!
I'm so happy to to have the mighty Rufus Philpot on todays episode!
Originally from the UK but now living in LA, Rufus has been a first call bass player for as long as I can remember. I first heard about him over 15 years ago from my old friend Chris May (the man behind Overwater basses)... he simply said "You heard of Rufus?... You need to check him out!"
What can I say... I've been such a HUGE fan of Tim Lefebvre for so many years!
If you haven't heard of Tim before he's played with artists such as the Tedeschi Trucks Band (his full-time gig), Chris Botti, Toto, Sting, Uri Caine, Dave Binney, Wayne Krantz, Donny McCaslin, Mark Giuliana, Donald Fagen and most notably right now, he played on the late great David Bowie's last album "Black Star".
In this weeks podcast I'm joined by truly inspirational Tanya O'Callaghan.
Tanya has an amazing story. It starts when she made the decision that she was going to be a professional musician and dropped out of school to chase that dream - before she even played an instrument!
She's a simply a prime example of how focus, determination, and passion can get you to where you want to be - as long as you're willing to dig in, and make it happen.
In this weeks podcast I'm joined by none other than Juan Alderete.
Now, if you're into bass effects... Juan is your man! In fact, he has an entire website dedicated to it...
I first became aware of Juan when he was playing for The Mars Volta, but after a little research I realised I'd been a fan of his for years as he was the bass player in Racer X with Paul Gilbert and also Big Sir.
In this episode of the Scott's Bass Lessons Podcast I sit down with none other than Marco Mendoza.
Marco has played with the likes of Thin Lizzy, Whitesnake, Richie Kotzen of the Winery Dogs, Ted Nugent, and many more... plus, right now he's playing with The Dead Daises and leading his own trio featuring Joey Heredia on drums (Stevie Wonder, Sheila E, Scott Henderson, Tribal Tech) and Renato Neto on keys (Prince, Sheila E., Justin Timberline, Christina Aguilera, Patti LaBelle, Luther Vandross).
In this episode of the Scott's Bass Lessons Podcast I sit down with the godfather of gospel bass, Andrew Gouché.
Andrew is a grammy winning producer, world-renowned bassist, musical director, producer and composer. He's best known for his creatively original bass lines and a unique sound that bass players around the world have sought to emulate. With over 30 years of experience as the bassist for many R&B and Gospel legends such as Prince and the New Power Generation, Gladys Knight, Andraé Crouch, The Winans, and musical director for Chaka Khan, Andrew is one of the most experienced bass players there is - and in this exclusive interview, he certainly delivers!
This week I sit down with the multi platinum producer Warren Huart (Aerosmith, Daniel Powter, James Blunt).
Before we go any further, I know what you're thinking... "Mmmm... it's not a bass player, I wonder if this episode is for me?"
Well, check this out - there's a reason I wanted to interview Warren...
When it comes to hiring or getting recommendations for big gigs - producers are the first stop any band, artist or record company are likely to make.
This week I sit down with legendary Chris Chaney who's worked with bands and musicians such Janes Addiction, Alanis Morissette, Taylor Hawkins and the Coattail Riders, Camp Freddy, Joe Cocker, Shakira, Slash, Avril Lavigne, Sara Bareilles, Gavin Degraw, Cher, Celine Dion and many more....
You'll also hear in this interview that Chris is also heavily involved in the session scene and has played bass on multiple film and TV soundtracks including The Hangover, Identity Theft, Men in Black 3, Sons of Anarchy, Arthur, Horrible Bosses, Due Date, Treasure Planet, Employee of the Month Bass, 40 Year Old Virgin, and many more.
In this episode I we talk about his time at Berklee College of Music, moving to LA, living with the great drummer Gary Novak, how he ended up touring with Alanis Morissette... right through to being hired by Janes Addiction and everything in-between.
This week I sit down with the phenomenal Hadrien Feraud - bassist for bands and musicians such as John McLaughlin, Chick Corea, Billy Cobham, Jean Luc Ponty, Bireli Lagrene, Dean Brown and many more...
I know this sounds like an exaggeration, but when I first got to watch Hadrien play live (at Manchester Bass Day many moons ago) it literally changed my life. I'd never seen anyone do what he did that day - and still to this day no one has ever affected me in such a way. It simply blew my mind and I'll certainly remember that day forever.
In this episode we discuss his past, how he found the bass, how his father introduced him to many different styles of music - right through to been viewed as one of the most talented and sophisticated bass players of our time in terms of technique and improvisation.
This week I sit down with Nik West - bass player, vocalist and songwriter with credits that include artists such as Dave Stewart of Eurythmics, Prince, John Mayer, Glee and American Idol.
She's been on the cover of Bass Musician Magazine and has also been featured in Bass Player, Bass Quarterly Germany, and Bass Magazine Japan.
In this episode we discuss her past, how she found the bass, why she nearly gave up for good - right through to moving to LA, hanging out with the likes of Andrew Gouché and getting the call from Prince.
In this inaugural episode of The Scott's Bass Lessons Podcast, I sit down with the amazing Rickey Minor - bass player, musical director, composer and producer for some of the biggest artists in history including: Whitney Houston, Christina Aguilera, Ray Charles, Alicia Keys, Miley Cyrus, Beyoncé and many more.
In this episode we go deep into Rickey's past, from how he found the bass, right through to working with Artists such as Whitney Houston, Britney and Beyoncé, and what it really takes to be one of the highest regarded musical directors of all time.
