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天草之間遊牧樂團(其其格瑪) & Daniel Ho - 灰色的麻雀《聽見呼倫貝爾》/ Gray Sparrow’s Heartache "Between the Sky & Prairie"

6 年前
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(基於 PinQueue 指標)
榮獲第29屆金曲獎傳藝類:
♛最佳跨界音樂專輯獎
♛最佳創作獎:編曲類

灰色的麻雀 Gray Sparrow’s Heartache
布里亞特民歌
編曲:Daniel Ho
其其格瑪:主唱
Daniel Ho:鋼琴

灰色的麻雀 天空中盤旋呼叫著
思念著遙遠的父親母親
心靈疼痛難忍…

這首由其其格瑪主唱的布里亞特民歌,在錄音期的一次練唱時,Daniel從音控室麥克風聽見了她的低聲練唱,優美動人的歌聲令Daniel忍不住熱淚盈眶。因此有了把歌曲四段歌詞做不同處理的想法,第一段輕柔親密,接著情緒逐漸推升,最後一段再以強烈的情感作收,而這一段與傳統風格最為接近。

此曲展現了其其格瑪歌聲的豐富表情及良好的聲音掌控度。旋律以分節曲式寫成,第一段和最後一段的風格完全不同。為了使曲子更有層次感,每一段的鋼琴伴奏都不同,如同伴隨著其其格瑪的歌聲一同進化。

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從洛杉磯到呼倫貝爾大草原 一場跨族群、跨地域、跨樂種的融合之旅
精采絕倫的跨界合作 震撼人心的音樂篇章
世界音樂頂級作品 強勢佔領地球的耳朵

由六座葛萊美獎得主Daniel Ho、金曲獎製作人吳金黛與「天草之間遊牧樂團」共同架構的《聽見呼倫貝爾》,以跨國製作的恢弘視野,展現世界音樂的精緻質感與寬宏藝術性。

透過Daniel Ho巧妙細緻的編曲與烏克麗麗演奏,既保留草原歌調的質樸聲韻,更讓樂團成員展現前所未有的音樂爆發力。重量級長調藝術家哈斯巴圖、「安達組合」女主唱暨鄂溫克民歌傳人其其格瑪、令人期待的滿族女歌手八音赫赫、潮爾琴重要傳承者韓牟人、旅美喉音及潮爾音樂傳人塔米爾,以及耀眼的新世代組合哈薩日樂團。

精彩的跨界組合,激盪出無與倫比的音樂火花,一音一韻豐富了草原的聲響,也活化了行移千年的音樂之路。

#天草之間游牧樂團其其格瑪與DanielHo #灰色的麻雀 #聽見呼倫貝爾

Behold an aural paradise—Between the Sky & Prairie—a re-imagined collection of Mongolian music from a millennium.

Created by six-time GRAMMY Award-winner Daniel Ho, Golden Melody Award-winning producer Judy Wu, and introducing The Grasslands Ensemble.

The Grasslands Ensemble comes from the Inner Mongolian prairies of Hulunbuir. They represent a diversity of ethnicities: Mongolian, Manchurian, Evenk, Daur, Russian, and Han Chinese. Their music is an organic and inimitably rich presentation of traditional, ethnic minority folk songs. Daniel Ho adds his signature sound on 'ukulele and instruments of his native Hawai'i. His thoughtful arrangements give prominence to each member of the Ensemble.

The Grasslands Ensemble is:
Mongolian long-song master, Borjigin Hasibatu;
lead female vocalist of the group Anda Union and preserver of traditional Evenk music, Qiqigema;
female Manchurian vocalist, Bayinhehe;
Chaoer and morin khuur virtuoso, Han Mou Ren;
throat-singer and perpetuator of tsuur music legacy, Tamir Hargana;
and the driving contemporary Mongolian sounds of the Hasar Band.

Gray Sparrow’s Heartache
Buryats folk song

Arrangement by Daniel Ho
Qiqigema: vocals
Daniel Ho: piano

While Qiqigema was rehearsing this song in the studio, she quietly sang it to herself. Her microphone was on and I was listening in the control room. Completely moved by her delicate voice, my eyes welled up with tears. It gave me the idea to treat each of the long song’s four verses differently, beginning softly and intimately, and building gradually to the powerful last verse, which is probably the most traditional in style. It features Qiqigema’s vocal control and expressiveness. Though it is a strophic melody, the delivery of the first verse is quite different from the last. To emphasize these layers even more, I played a different piano part for each of the four verses because I felt it needed to evolve with her vocal presentation.

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